World Wars

Article

World Wars is a recurring event in the Astral Codex Ten archive, appearing 4 times across 4 issues between July 30, 2024 and August 01, 2025. The archive places it in contexts such as “After (?) the trauma of the World Wars”; “The World Wars shattered these illusions”; “reaction to the trauma of the World Wars”. It most often appears alongside Agamemnon, God, 4chan.

Metadata

  • Category: Events
  • Mention count: 4
  • Issue count: 4
  • First seen: July 30, 2024
  • Last seen: August 01, 2025

Appears In

Source Context

Recovered passages from the original issue text. When the raw archive preserved outbound links inside the source passage, they are listed directly under the quote.

July 30, 2024 · Original source
Art Deco architecture, typical of the early 20th century. After (?) the trauma of the World Wars (?), something flipped. Instead of embiggening ourselves, we began to ensmallen. We replaced World’s Fairs with “World Expos”, which Wikipedia describes as “less focused on technology and aimed more at cultural themes and social progress”. Of the few inventions that did feature, more and more were “green tech” - machines aimed at reducing the damage we were doing to the world. The classical goddesses got replaced by murals of ordinary workers, then abstractions, then nothing. The last ticker tape parade for an individual was 1998; since then the (relatively few, comparatively small) parades have all been for classes of people (NYC’s most recent was for “COVID-19 Essential Workers”). Our buildings became smaller and duller. Last month’s Works In Progress magazine tried to investigate why. Some economists have blamed “Baumol’s cost disease” - as industrialization makes some things (like consumer goods) cheaper, other things (like skilled labor) become relatively more expensive. So maybe the rising cost of skilled labor put buildings like the one of the left out of reach. But Works In Progress found that wasn’t true; if anything, industrialization has made fancy buildings cheaper. They concluded that it was “a story of cultural choice, not of technological destiny” - in other words, people stopped wanting impressive buildings. The vibes were wrong, or something. Intellectuals started feting ideas like degrowth. Degrowth says that it’s gross, greedy, and unsustainable to want economic progress. Instead, we should deliberately aim for economic regress, until First World GDPs are closer to those of South America or Africa. Advocates are careful to emphasize that as long as we take common-sense steps (like implementing socialism), this won’t force anyone to starve to death, just get rid of our useless luxuries - and in some sense, wouldn’t that make us better off?3 The promised future utopia was replaced by almost unbroken dystopianism. Global warming will kill us all, or maybe we’ll be stuck in a cyberpunk world of hopeless soul-crushing inequality. Technological advance is interesting only insofar as it brings our cyberpunk hell closer and (unfairly) enriches some billionaires along the way. The only bright spots are occasional acts of voluntary ensmallening - power plants cancelled, products banned, indigenous tribes winning little legal triumphs over modernity. Live-people goals like “build giant skyscrapers!” and “go to the moon!” could have been followed up with even greater live-people goals like “tile the desert with solar plants”, “create genetically-engineered superbabies”, “get one billion Americans”, or “cure all diseases”. Instead, they’ve been replaced by dead-people goals like “don’t damage the traditional character of communities” or “don’t damage the environment”. If you Google “why aren’t there world’s fairs?” you get a link to this podcast, which explains that they had “useless gizmos”, that the towers were “unattractive”, and that it involved “a dismal thread of racism”. Also because “technology won’t save us”. I agree that this doesn’t literally say the words “we hate all life” - you either see it or you don’t. Parts of this vibe shift still confuse me, but the zoomed-out version seems clear enough. The old pro-embiggening world was complicit in moral catastrophes - racism, colonialism, the Holocaust, the destruction of much of the natural world. At some point these atrocities caught up to and outpaced its very real accomplishments, and society stopped being proud of itself and shifted to a harm-reduction approach. Nobody comes out and says outright that harm reduction necessarily has to mean doing as little as possible and trying to make yourself smaller and less impressive and sadder and uglier until you curl up into a tiny point and disappear. But “slave morality” and “master morality” are attractors; if you select too hard for part of one, you end up with the whole package. VI. Andrew Tate I originally wanted to explain to Bentham’s Bulldog why slave morality wasn’t obviously “the good one” and master morality “the bad one”. Lest I come down too hard and get you thinking that master morality is obviously “the good one”, let’s talk about Andrew Tate. In case you’ve been under a rock your whole life, Andrew Tate is a masculinity influencer. He’s a former world champion kickboxer who pivoted to self-help, sold scammy courses on business and relationships, and got rich. Some of his courses apparently recommended beating up women (I’m not sure if this was supposed to help your business or your relationship), and when people confronted him on this, his response was always “I’m strong and successful and own a Bugatti, which makes me better than you, you pathetic weakling failure”. He was credibly accused of rape (by “credibly” I mean that he sent one of the victims a text message saying “I love raping you”) and when people tried to cancel him over this, his response was always “I’m strong and successful and own a Bugatti, which makes me better than you, you pathetic weakling failure.” Finally he was indicted on one billion counts of sexual assault, human trafficking, and being a general scumbag of a human being; he is currently awaiting trial. Tate has, in some sense, many good qualities. He’s strong, athletic, and motivated. He earned tens of millions of dollars through hustle and hard work. He’s charismatic and compelling and, before his arrest, was one of the Internet’s most iconic influencers. I think master morality has to approve of all these things. Still, he’s obviously a jerk. This is exactly the situation that Nietzsche believes slave morality evolved for - letting me feel contempt for someone who’s stronger and richer and more successful than I am - and yup, now that I’m in this situation, I find myself definitely interested in a moral system that lets me do this. The obvious compromise goes something like: We can genuinely appreciate that Andrew Tate has the many good qualities listed above.
August 08, 2024 · Original source
The World Wars shattered these illusions. In the next paragraph Becker writes: “Since 1918 this hope has perceptibly faded. Standing within the deep shadow of the Great War, it is difficult to recover the nineteenth-century faith either in the fact or the doctrine of progress. … At the present moment the world seems indeed out of joint, and it is difficult to believe with any conviction that a power not ourselves—the Idea or the Dialectic or Natural Law—will ever set it right. The present moment, therefore, when the fact of progress is disputed and the doctrine discredited, seems to me a proper time to raise the question: What, if anything, may be said on behalf of the human race? May we still, in whatever different fashion, believe in the progress of mankind?”
July 01, 2025 · Original source
I’d always heard modernism was a reaction to the trauma of the World Wars, but it looks like the rhyme decline started well before then.
August 01, 2025 · Original source
Then I have a dreadful, doleful warning for you: This is just about as good as it gets. There are a few modern cases - the World Wars, say - where we have better information, where the participants published newspapers and kept diaries and sent each other letters and even didn’t burn most of the letters, but if you go back very far, or pass into a country without cheap paper and the printing press and an extremely literate population, you will quickly discover that the evidence for Joan of Arc is stronger than the evidence for everything else. All of our historical sources before the printing press and most afterwards have gone through the same evolution as the evidence for Joan of Arc, and the difference between the life of Augustus and the life of Joan is that with Joan we can see the evolution, captured in amber. The life of Alexander the Great that we have now shouldn’t be compared to Jean Chartier’s narrative; chronologically, it’s closer to the fix-fic written seventy years later in which after the coronation at Rheims, Paris surrenders without a fight and they march into Normandy and Charles VII promises to listen to Joan forever and orders the army to always do what she says.98 If you want to know the truth about Joan of Arc, you can read the chronicles of the time, or the modern histories that laboriously try to disentangle the evidence from the invention and the reality from the superstition, and you can hope they got the right answer.