Astral Codex Ten

Art Deco

15 min read

Art Deco

Article

Art Deco is a recurring concept in the Astral Codex Ten archive, appearing 5 times across 5 issues between October 04, 2021 and July 30, 2024. The archive places it in contexts such as “the first generation to make non-traditional art (eg modern architecture, impressionist painting , Art Deco, jazz, e.e. cummings) were very good”; “Cathedral windows, Art Nouveau, Art Deco”; “I’m an heir to Art Deco and the cult of progress;“. It most often appears alongside Art Nouveau, Christianity, Frank Gehry.

Metadata

  • Category: Concepts
  • Mention count: 5
  • Issue count: 5
  • First seen: October 04, 2021
  • Last seen: July 30, 2024

Appears In

Source Context

Recovered passages from the original issue text. When the raw archive preserved outbound links inside the source passage, they are listed directly under the quote.

Highlights From The Comments On Modern Architecture
October 04, 2021 · Original source
If for a given pile of money, we can either build one beautiful art deco skyscraper, or twenty featureless cubes, then the people who have capital to allocate to buy office space are probably going to buy the featureless cubes.
There are some interesting side details to this. 1) civil engineers *hate* the fancy parts of new architecture frequently. Turns out that if something looks impossible, it’s often at least very hard. 2) building code, building science, even availability of materials and construction crews familiar with particular techniques are often huge constraints on this sort of thing. LEED gold certification is a big deal for any entity capable of affording a classical style massive building, and in many ways it actively insists on not doing the things that make classical buildings last. Watch just about anything by Joe Lstiburek where he discusses wall and window efficiency and issues, and marvel at how poorly we build buildings these days. 3) good luck getting the permits in a typical city to build something like the Art Deco Detroit Train Station — it’s massively too big for its neighborhood these days and all the “in character for the area” crap isn’t going to be easy for the cool old giant buildings. I don’t have great evidence that this is the case, but I have a feeling that selling a small group of “elite” people like a planning board on the exciting new thing is easier than an Art Deco style fancy building. 4) cost to do a lot of the old style things has skyrocketed, so going cheap or justifying new expensive on environmental grounds is the new way of the world.
Several people brought up opinions that the first generation to make non-traditional art (eg modern architecture, impressionist painting, Art Deco, jazz, e.e. cummings) were very good, original, and actually quite interesting critiques. Then every generation after that was terrible. They suggested something like that rebellion is good and constructive when you have a very specific thing you’re rebelling against, understand it inside and out, and are still in some sense “constrained” by the world it created, and then the generation after you doesn’t understand the traditional forms at all and just sort of does vague rebellion-adjacent things cluelessly in the hope of capturing some of the original energy.
Inline links: impressionist painting
A Guide To Asking Robots To Design Stained Glass Windows
May 30, 2022 · Original source
I love stained glass. Not so much your usual suburban house stained glass with a picture of lilies. The good stuff. Cathedral windows, Art Nouveau, Art Deco. Why did we stop doing that? I blame the conspiracy.
Inline links: the conspiracy
Half An Hour Before Dawn In San Francisco
March 20, 2023 · Original source
The skyscrapers get to me. I’m an heir to Art Deco and the cult of progress; I should idolize skyscrapers as symbols of human accomplishment. I can’t. They look no more human than a termite nest. Maybe less. They inspire awe, but no kinship. What marvels techno-capital creates as it instantiates itself, too bad I’m a hairless ape and can take no credit for such things.
Followup: Quests And Requests
November 10, 2023 · Original source
For example, here’s a guide to distinguishing Art Nouveau from Art Deco.
Inline links: here’s a guide to distinguishing Art Nouveau from Art Deco
Matt Yglesias Considered As The Nietzschean Superman
July 30, 2024 · Original source
A picture from the St. Louis, MO World’s Fair of 1904. We erected glorious Art Deco skyscrapers, and boasted of how quickly they went up. We built the Empire State Building in a year and the Golden Gate Bridge in four. The interiors were bursting with color, ornament, and more classical goddesses representing Industry and Ingenuity or whatever. We held ticker tape parades for the glorious aviators and astronauts bringing us to ever-further corners of the world. Art Deco architecture, typical of the early 20th century. After (?) the trauma of the World Wars (?), something flipped. Instead of embiggening ourselves, we began to ensmallen. We replaced World’s Fairs with “World Expos”, which Wikipedia describes as “less focused on technology and aimed more at cultural themes and social progress”. Of the few inventions that did feature, more and more were “green tech” - machines aimed at reducing the damage we were doing to the world. The classical goddesses got replaced by murals of ordinary workers, then abstractions, then nothing. The last ticker tape parade for an individual was 1998; since then the (relatively few, comparatively small) parades have all been for classes of people (NYC’s most recent was for “COVID-19 Essential Workers”). Our buildings became smaller and duller. Last month’s Works In Progress magazine tried to investigate why. Some economists have blamed “Baumol’s cost disease” - as industrialization makes some things (like consumer goods) cheaper, other things (like skilled labor) become relatively more expensive. So maybe the rising cost of skilled labor put buildings like the one of the left out of reach. But Works In Progress found that wasn’t true; if anything, industrialization has made fancy buildings cheaper. They concluded that it was “a story of cultural choice, not of technological destiny” - in other words, people stopped wanting impressive buildings. The vibes were wrong, or something. Intellectuals started feting ideas like degrowth. Degrowth says that it’s gross, greedy, and unsustainable to want economic progress. Instead, we should deliberately aim for economic regress, until First World GDPs are closer to those of South America or Africa. Advocates are careful to emphasize that as long as we take common-sense steps (like implementing socialism), this won’t force anyone to starve to death, just get rid of our useless luxuries - and in some sense, wouldn’t that make us better off?3 The promised future utopia was replaced by almost unbroken dystopianism. Global warming will kill us all, or maybe we’ll be stuck in a cyberpunk world of hopeless soul-crushing inequality. Technological advance is interesting only insofar as it brings our cyberpunk hell closer and (unfairly) enriches some billionaires along the way. The only bright spots are occasional acts of voluntary ensmallening - power plants cancelled, products banned, indigenous tribes winning little legal triumphs over modernity. Live-people goals like “build giant skyscrapers!” and “go to the moon!” could have been followed up with even greater live-people goals like “tile the desert with solar plants”, “create genetically-engineered superbabies”, “get one billion Americans”, or “cure all diseases”. Instead, they’ve been replaced by dead-people goals like “don’t damage the traditional character of communities” or “don’t damage the environment”. If you Google “why aren’t there world’s fairs?” you get a link to this podcast, which explains that they had “useless gizmos”, that the towers were “unattractive”, and that it involved “a dismal thread of racism”. Also because “technology won’t save us”. I agree that this doesn’t literally say the words “we hate all life” - you either see it or you don’t. Parts of this vibe shift still confuse me, but the zoomed-out version seems clear enough. The old pro-embiggening world was complicit in moral catastrophes - racism, colonialism, the Holocaust, the destruction of much of the natural world. At some point these atrocities caught up to and outpaced its very real accomplishments, and society stopped being proud of itself and shifted to a harm-reduction approach. Nobody comes out and says outright that harm reduction necessarily has to mean doing as little as possible and trying to make yourself smaller and less impressive and sadder and uglier until you curl up into a tiny point and disappear. But “slave morality” and “master morality” are attractors; if you select too hard for part of one, you end up with the whole package. VI. Andrew Tate I originally wanted to explain to Bentham’s Bulldog why slave morality wasn’t obviously “the good one” and master morality “the bad one”. Lest I come down too hard and get you thinking that master morality is obviously “the good one”, let’s talk about Andrew Tate. In case you’ve been under a rock your whole life, Andrew Tate is a masculinity influencer. He’s a former world champion kickboxer who pivoted to self-help, sold scammy courses on business and relationships, and got rich. Some of his courses apparently recommended beating up women (I’m not sure if this was supposed to help your business or your relationship), and when people confronted him on this, his response was always “I’m strong and successful and own a Bugatti, which makes me better than you, you pathetic weakling failure”. He was credibly accused of rape (by “credibly” I mean that he sent one of the victims a text message saying “I love raping you”) and when people tried to cancel him over this, his response was always “I’m strong and successful and own a Bugatti, which makes me better than you, you pathetic weakling failure.” Finally he was indicted on one billion counts of sexual assault, human trafficking, and being a general scumbag of a human being; he is currently awaiting trial. Tate has, in some sense, many good qualities. He’s strong, athletic, and motivated. He earned tens of millions of dollars through hustle and hard work. He’s charismatic and compelling and, before his arrest, was one of the Internet’s most iconic influencers. I think master morality has to approve of all these things. Still, he’s obviously a jerk. This is exactly the situation that Nietzsche believes slave morality evolved for - letting me feel contempt for someone who’s stronger and richer and more successful than I am - and yup, now that I’m in this situation, I find myself definitely interested in a moral system that lets me do this. The obvious compromise goes something like: We can genuinely appreciate that Andrew Tate has the many good qualities listed above.
Inline links: https://substackcdn.com/image/fetch/$s_!rvQM!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbf261702-dfd3-448e-900f-845a9ef014a4_893x377.png, since then, Last month’s, https://substackcdn.com/image/fetch/$s_!AbVF!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff8c33c84-0e6e-4489-8a58-f3603361d7e9_1357x501.png, degrowth, 3, https://substackcdn.com/image/fetch/$s_!7Ttz!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7589c5dc-2f84-4f82-a6b8-c132ce4a0fc8_697x628.png, this podcast
Art Deco architecture, typical of the early 20th century. After (?) the trauma of the World Wars (?), something flipped. Instead of embiggening ourselves, we began to ensmallen. We replaced World’s Fairs with “World Expos”, which Wikipedia describes as “less focused on technology and aimed more at cultural themes and social progress”. Of the few inventions that did feature, more and more were “green tech” - machines aimed at reducing the damage we were doing to the world. The classical goddesses got replaced by murals of ordinary workers, then abstractions, then nothing. The last ticker tape parade for an individual was 1998; since then the (relatively few, comparatively small) parades have all been for classes of people (NYC’s most recent was for “COVID-19 Essential Workers”). Our buildings became smaller and duller. Last month’s Works In Progress magazine tried to investigate why. Some economists have blamed “Baumol’s cost disease” - as industrialization makes some things (like consumer goods) cheaper, other things (like skilled labor) become relatively more expensive. So maybe the rising cost of skilled labor put buildings like the one of the left out of reach. But Works In Progress found that wasn’t true; if anything, industrialization has made fancy buildings cheaper. They concluded that it was “a story of cultural choice, not of technological destiny” - in other words, people stopped wanting impressive buildings. The vibes were wrong, or something. Intellectuals started feting ideas like degrowth. Degrowth says that it’s gross, greedy, and unsustainable to want economic progress. Instead, we should deliberately aim for economic regress, until First World GDPs are closer to those of South America or Africa. Advocates are careful to emphasize that as long as we take common-sense steps (like implementing socialism), this won’t force anyone to starve to death, just get rid of our useless luxuries - and in some sense, wouldn’t that make us better off?3 The promised future utopia was replaced by almost unbroken dystopianism. Global warming will kill us all, or maybe we’ll be stuck in a cyberpunk world of hopeless soul-crushing inequality. Technological advance is interesting only insofar as it brings our cyberpunk hell closer and (unfairly) enriches some billionaires along the way. The only bright spots are occasional acts of voluntary ensmallening - power plants cancelled, products banned, indigenous tribes winning little legal triumphs over modernity. Live-people goals like “build giant skyscrapers!” and “go to the moon!” could have been followed up with even greater live-people goals like “tile the desert with solar plants”, “create genetically-engineered superbabies”, “get one billion Americans”, or “cure all diseases”. Instead, they’ve been replaced by dead-people goals like “don’t damage the traditional character of communities” or “don’t damage the environment”. If you Google “why aren’t there world’s fairs?” you get a link to this podcast, which explains that they had “useless gizmos”, that the towers were “unattractive”, and that it involved “a dismal thread of racism”. Also because “technology won’t save us”. I agree that this doesn’t literally say the words “we hate all life” - you either see it or you don’t. Parts of this vibe shift still confuse me, but the zoomed-out version seems clear enough. The old pro-embiggening world was complicit in moral catastrophes - racism, colonialism, the Holocaust, the destruction of much of the natural world. At some point these atrocities caught up to and outpaced its very real accomplishments, and society stopped being proud of itself and shifted to a harm-reduction approach. Nobody comes out and says outright that harm reduction necessarily has to mean doing as little as possible and trying to make yourself smaller and less impressive and sadder and uglier until you curl up into a tiny point and disappear. But “slave morality” and “master morality” are attractors; if you select too hard for part of one, you end up with the whole package. VI. Andrew Tate I originally wanted to explain to Bentham’s Bulldog why slave morality wasn’t obviously “the good one” and master morality “the bad one”. Lest I come down too hard and get you thinking that master morality is obviously “the good one”, let’s talk about Andrew Tate. In case you’ve been under a rock your whole life, Andrew Tate is a masculinity influencer. He’s a former world champion kickboxer who pivoted to self-help, sold scammy courses on business and relationships, and got rich. Some of his courses apparently recommended beating up women (I’m not sure if this was supposed to help your business or your relationship), and when people confronted him on this, his response was always “I’m strong and successful and own a Bugatti, which makes me better than you, you pathetic weakling failure”. He was credibly accused of rape (by “credibly” I mean that he sent one of the victims a text message saying “I love raping you”) and when people tried to cancel him over this, his response was always “I’m strong and successful and own a Bugatti, which makes me better than you, you pathetic weakling failure.” Finally he was indicted on one billion counts of sexual assault, human trafficking, and being a general scumbag of a human being; he is currently awaiting trial. Tate has, in some sense, many good qualities. He’s strong, athletic, and motivated. He earned tens of millions of dollars through hustle and hard work. He’s charismatic and compelling and, before his arrest, was one of the Internet’s most iconic influencers. I think master morality has to approve of all these things. Still, he’s obviously a jerk. This is exactly the situation that Nietzsche believes slave morality evolved for - letting me feel contempt for someone who’s stronger and richer and more successful than I am - and yup, now that I’m in this situation, I find myself definitely interested in a moral system that lets me do this. The obvious compromise goes something like: We can genuinely appreciate that Andrew Tate has the many good qualities listed above.
Inline links: since then, Last month’s, https://substackcdn.com/image/fetch/$s_!AbVF!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff8c33c84-0e6e-4489-8a58-f3603361d7e9_1357x501.png, degrowth, 3, https://substackcdn.com/image/fetch/$s_!7Ttz!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7589c5dc-2f84-4f82-a6b8-c132ce4a0fc8_697x628.png, this podcast