Shakespeare
Article
Shakespeare is a recurring person in the Astral Codex Ten archive, appearing 17 times across 17 issues between June 09, 2021 and August 01, 2025. The archive places it in contexts such as “I think of Shakespeare, who has his Jewish character Shylock argue for his own moral value”; “most 35 year old writers aren’t Shakespeare or Dickens”; “This is where you go to read about Shakespeare”. It most often appears alongside Bryan Caplan, Rome, Wikipedia.
Metadata
- Category: People
- Mention count: 17
- Issue count: 17
- First seen: June 09, 2021
- Last seen: August 01, 2025
Appears In
- I Will Not Eat The Bugs
- Skills Plateau Because Of Decay And Interference
- Universe-Hopping Through Substack
- Highlights From The Comments On Nerds And Hipsters
- Your Book Review: The Educated Mind
- Book Review: The Alexander Romance
- Profile: The Far Out Initiative
- A Theoretical “Case Against Education”
- My 2024 Presidential Debate
- Your Book Review: Don Juan
- Your Book Review: Silver Age Marvel Comics
- Your Book Review: The Complete Rhyming Dictionary and Poet’s Craft Book (1936 Edition)
- Contra DeBoer On Temporal Copernicanism
- Your Book Review: The Ballad of the White Horse
- Book Review: Deep Utopia
- Your Review: Alpha School
- Your Review: Joan of Arc
Related Pages
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- Bryan Caplan (4 shared issues)
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- Rome (4 shared issues)
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- Wikipedia (4 shared issues)
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- Alexander (3 shared issues)
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- Bible (3 shared issues)
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- Buddhism (3 shared issues)
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- Christianity (3 shared issues)
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- Einstein (3 shared issues)
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- England (3 shared issues)
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- God (3 shared issues)
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- Greece (3 shared issues)
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- India (3 shared issues)
External Links
Source Context
Recovered passages from the original issue text. When the raw archive preserved outbound links inside the source passage, they are listed directly under the quote.
Do bugs have moral value? Everyone will answer this question differently. I think of Shakespeare, who has his Jewish character Shylock argue for his own moral value like so:
A natural objection is that maybe they’ve maxed out their writing ability; further practice won’t help. But this can’t be true; most 35 year old writers aren’t Shakespeare or Dickens, so higher tiers of ability must be possible. But you can’t get there just by practicing more. If acheivement is a function of talent and practice, at some point returns on practice decrease near zero.
Ah, Culture. This is where you go to read about Shakespeare, post-modernism, arthouse films, and Chinese tapestries, right?
Admit that it would be indistinguishable from other myths, but say that the “quality” of the Mabinogion comes from something outside the text, like the fact that it’s old, or that it inspired a nation, or that it takes effort to engage with. My lack of a good answer to this experiment makes me reluctant to make too much hinge on abstracted “quality”, separate from “ability to make many people very much enjoy the thing” or “competence at execution” (both of which the Marvel movies have). The Ern Malley hoax, where lots of people who supposedly had good taste were tricked into declaring something high-quality when it superficially appeared to have the characteristics of high-quality things (mildly incomprehensible, used big words, written by someone who toiled in obscurity and died tragically) makes me even more doubtful. My cynical null hypothesis is that we call competently-executed things tasteful/high-quality if they require a lot of erudition to understand and make good class markers, and throw them in the trash with the MCU if they’re easy to appreciate and make terrible class markers. But emotionally I’m not ready to accept this. Emotionally, everyone who likes things more prestigious than what I like is a snob who’s faking it, and everyone who likes things less prestigious than what I like is a boor who doesn’t understand true art. This probably isn’t literally correct but I don’t know which of those two beliefs to abandon. Back to Sam: maybe a better way of summarising my position is that nerds like things in a way that’s orthogonal to quality. let’s take an example of something that’s both very popular and widely agreed to be good – say, the poetry and plays of shakespeare. if you wanted to identify yourself as someone who liked shakespeare, there are actually two ways of doing this. you could deeply immerse yourself in the study of shakespeare, and even become a shakespearean actor or a professor of tudor and jacobean theatre. or you could change your twitter avi to a picture of shakespeare, take plenty of selfies while reading hamlet, wear the t-shirt, and get in endless feuds with people who prefer marlowe or jonson. in fact, you could go down the latter route without ever actually reading any of his plays. (there are a few people who do precisely this.) these are two different ways of intensively liking something. and i think it makes sense to say that while the first example does not make you a nerd, the second one sort of does. Okay, this one feels more like cheating. I’m imagining a two-by-two square: …where Sam fills in the northwest and southeast squares, then claims a correlation, draws a line, and points to high-status/deep-engagement as a single unified concept. But the southwest square could be “writes a wacky Shakespeare fanfiction, Romeo & Juliet II, in blank verse and period-appropriate language”, and the northeast square could be “publishes a dissertation on some irrelevant aspect of word frequency changes across English plays to prove something about linguistics”. And then having conflated these two things, he goes on to conflate a third thing, Shakespeare vs. Marvel. I’m not up to date on what goes on in academic literature departments, but Freddie de Boer says they’re increasingly offering “Spiderman Studies” classes in attempts to stay culturally relevant; probably Spiderman professors engage with Spiderman on the same deep level that Shakespeare professors engage with Shakespeare. If we made this a cube - high-status vs. low-status forms of engagement along one axis, Shakespeare vs. Spiderman along another axis, and deep vs. shallow engagement along the third - would anything be left of the “nerd” cluster as Sam describes it? I’m not sure. 2. Comments With Strong Opinions On The Definition Of Nerds, Geeks, Etc There were many of these. One common theme was that in the 70s, “nerd” was almost synonymous with “person who is only into unpopular things”, for example sci-fi, comics, and RPGs, all of which were unpopular in the 70s. Then those things became very popular, but the people who were interested in them still get called “nerds”. So now people like Kriss use “nerd” almost synonymously with “person who is only into popular things”. So we have a word which denotes either interest in unpopular things or interest in popular things, depending on who’s using it and when they last updated their lexicon. In the 70s, it was more reasonable to group “interested in math and computers” and “interested in sci-fi and RPGs” together, because both were unpopular and tended to involve the same group of socially maladept young men. Now math is still hard and unpopular; computers are hard in the sense that it’s tough to learn programming languages, but universally used and beloved; sci-fi and RPGs are very popular, and the typical sci-fi fan is closer to a socially-adept albeit “quirky” young woman. If words are hidden inferences, the inference represented by “nerd” - that sci-fi fandom, interest in math, interest in computers, maleness, poor social skills, and nonconformity with mainstream interests all go together - is now thoroughly false, dooming us to conversations like this one. Attempts to repurpose the several different words used to refer to the math/sci-fi/awkward/unpopular cluster to represent different aspects of its successor clusters have mostly failed. Sample comments from this section: Coagulopath writes: To me, being a nerd requires a degree of swimming against the cultural tide. It's weird and unpopular to be into trains, so the fact that you are indicates you have a bit of character (or are socially oblivious, which is also kind of endearing). The problem (and I think Kriss alludes to this) is that nerd stuff went mainstream in the past few decades. Of the 10 highest-grossing movies of the 2010s, 6 are Star Wars or Marvel films. There's no longer any sense that nerds are the underdog. But what does it say about you when you wear a Star Wars shirt? You're pledging allegiance to the biggest, most popular club imaginable. Is that a brave stance? Those people always make me think "if you lived in the SW universe, you'd be on the side of the Empire". In general, I am creeped out by effusive public adoration for things that are near-universally loved. Like The Beatles. Or bacon. Or dogs. Or science (Neil DeGrasse Tyson's whole shtick). Regardless of how I feel about those things on the object level, there's no glory in joining a culture war when you're signing on to the winning side. Tolaughoftenandmuch writes: All this is so different from when I was a kid. I was a nerd because I was intellectually curious, bad at and disinterested in sports, socially awkward, and had a computer hobby (owning hardware C64 ->8088 ->286, writing programs in Basic, being a BBS SysOp). Cultural interests were irrelevant to my nerd status. In terms of exactly when nerd interests started becoming popular, Ghatanathoah writes: I also wouldn't say that nerd stuff only went mainstream in the last decade, it's not like the first 3 Star Wars movies were obscure arthouse pictures. I think the reason Marvel took off is just innovations in storytelling: movie producers finally figured out a way to adapt the gloriously arcane and convoluted lore of superhero comics in a way that could appeal to mainstream audiences in addition to nerds (much how George Lucas figured out how to get mainstream audiences to love the space operas nerds had been enjoying for decades before 1977). And Melvin writes: Comic book movies had always been pretty popular. Superman was the top grossing movie of 1979 despite coming out in 1978. Superman 2 was the second top grossing movie of 1981. Batman was the second top grossing movie of 1989. Batman Returns was the top grossing movie of 1992. Batman Forever was the top grossing movie of 1995. Spider-man was the third top grossing movie of 2002 (behind Lord of the Rings and Harry Potter movies). That's about all I can be bothered looking up right now but you get the idea, superhero movies have been popular since the 1970s. Kaitian writes: I think being a nerd requires being a bit socially clumsy about your interest, and talking or signalling about it in situations where most people don't expect it. So being a nerd about completely mainstream stuff like pop music or football is not possible, that's just fandom. Being a nerd about very well known and relatively well-respected stuff like classical music or birdwatching is rare, because most people who are classy enough to care about the thing in the first place are also classy enough to know when to shut up about it. But comics? Star trek? Power metal? They have fairly low barriers to entry *and* most people don't care about them, so there's plenty of opportunities to bring it up to people who don't want to hear about it. So that's why I think nerdery usually attaches itself to the typical targets. J.R. Leonard has as good a terminology proposal as anyone: I think what's missing is that Kriss uses "nerds" as his foil, but what he's talking about would better be described as fan culture. Deiseach teaches us the etymology of “geek”. The very distant etymology is from German gek, a relative of “cackle” → geck, a fool/madman (who was presumably cackling all the time). But this comes down to us through the early American institution of the geek show. From Wikipedia (cw: disturbing): Geek shows were an act in traveling carnivals and circuses of early America and were often part of a larger sideshow. The billed performer's act consisted of a single geek, who stood in the center ring to chase live chickens. It ended with the performer biting the chickens' heads off and swallowing them. The geek shows were often used as openers for what are commonly known as freak shows. It was a matter of pride among circus and carnival professionals not to have traveled with a troupe that included geeks. Geeks were often alcoholics or drug addicts, and paid with liquor – especially during Prohibition – or with narcotics. More obvious but I went surprisingly long without realizing it: “fan” (as in “sports fan”) is just short for fanatic. 3. Comments About Collecting The veteran collectors in the comments said that my theory (the Internet makes collecting too easy) was only a small part of the decline. The bigger part is that most coin collecting begins with the wonder of finding a rare coin in your change, and most stamp collecting begins with the wonder of finding a rare stamp on your mail, and the rise of credit cards and emails means people aren’t handling coins and stamps as much in their daily lives. Tom Metcalf writes: I'd guess many coin collectors got their start being patient enough to sort through change to see if they had e.g. a wheat cent or silver dime, but first of all, who pays with cash and gets change, and the chances of finding something collectible are orders of magnitude smaller than, say, the '90s. And stamp collectors would have started saving the stamps on mail sent to their house, but how frequently do you get stamped mail anymore? My 79-year old father goes to stamp shows, because one of his hobbies is to buy sheets of old but common unused stamps for less than face value. They are still valid postage, and then he uses them to personalize the stamps he puts on letters he sends to various people. And most of the other people at stamp shows are about his age. He does have some stamps he thinks are interesting that he's held onto, but the dealers at the stamp shows think they're common and uninteresting. So there's a decreasing number of stamps that might be "worth something" and a net loss of collectors in the hobby, and then every time a collector dies and his heirs have no interest in his collection and that many more stamps make their way to dealers who now have one less buyer. Too bad "sending paper letters with vintage but still valid stamps" never caught on with the hipsters. Art writes: The widespread adoption of email created a world where a letter is almost certainly junk mail or a bill. Nobody looks forward to hearing from a good friend from across the country now when picking up the day’s mail. If letters are not interesting why would stamps? The same for coins. Nobody uses cash, and getting a pile of coins with no significant value (inflation) is just an annoyance. These objects have passed into irrelevance. Still, it seems like some little pieces of joy and wonder have passed from our lives. Nathan Savir writes: I collect coins and I think the description of the hobby (and its putative death) isn't quite right. 1. Rare coins are in fact hard to find, even in today's internet world. They are usually sold in auctions, which might happen online, but still not that frequently. It's not unusual for examples some specific rare coin to be sold only once every few years. If the coin is also obscure, it may not be prohibitively expensive, so this kind of situation isn't the sole province of rich people. 2. One area of collecting is to get all the rare items. Another is to get all the minor varieties of a common item. These varieties may not be very rare, but it still takes a lot of effort to be able to distinguish them and to find them. Some collectors will obtain large numbers of relatively common coins and sort through and scrutinize them to try to identify interesting varieties. 3. An important part of collecting is getting good deals. This is surely a lot harder than it used to be because sellers can more easily figure out what things are worth and you won't find something grossly underpriced in a random antique store as often these days. But filtering through buckets (or online listings) of large numbers of coins can still be fun and lead to spotting good deals. So I think there is room in the hobby for nerd-like behavior (per your definition). I would argue the decline of the hobby is more due to competition from other similar hobbies (a generation ago you could collect stamps, coins, baseball cards, or rare books/comics - now you can collect beanie babies, Pokemon cards, NFTs, funko pops, action figures, etc.). I think stamps have suffered more than coins because stamp collecting has more of an aesthetic component (which has faced stronger competition) while coins have a historical element that is less well replicated by collecting newer things. This difference isn't obvious in the google trends graphs you posted but I believe is observable from looking at prices of stamps vs coins. I asked Nathan what coins he collects that are still tough to find, and he gave the example of this Yuan dynasty coin from 1350. I guess if you want to be a collector in 2023 you need to go hard. Arrk Mindmaster writes: I used to collect US coins from every denomination, year, mint, and variety (such as large and small date 1960 pennies). It was kind of like a treasure hunt, knowing you could find something in circulation that was actually more valuable than most people thought it was. I lost interest in the late 1980s sometime, when I found the volume of new coins dwarfed older coins. For example, for Lincoln pennies, they used to make a few million per year, then a few tens of millions. In the 80s, they started making about 5 BILLION each, and it started drowning out all of the old coins, which basically stayed the same value. This comment snapped some things into place for me; I collected coins as a kid in the 90s, and older coin collectors would talk as if you could spot some pretty rare things in your pocket change. But I had much worse luck, and it’s been years since I’ve even found a wheat cent in circulation (even when I was a kid this would happen occasionally). Maybe coin collecting is dying not just because we don’t use change, but because our change is less likely to have interesting coins in it. Another victim of mass money printing! The new state quarters sort of fix this, but other commenters express contempt for this. It feels like the transition between old myths (which one can enjoy) to the Marvel Cinematic Universe (which corporations are begging you to enjoy in a pre-approved way) - now that the Mint wants you to collect their coins, it feels kind of slavish to comply. Other people point out that the collecting of things other than stamps and coins is still going strong. Drethelin: Collecting has not in the slightest died out. People collect more things than ever, like sneakers, funko pops, vintage cars, guns, antique ceramics, anime figurines, magic cards, etc. Some people also brought up NFTs - are there lots of people who truly enjoy collecting NFTs, aren’t just in it for the investment value, and have kept up through the crypto bear market? 4. Comments Insisting That Sports Are Good Aris C writes: It's a little glib to dismiss sports as bad, isn't it? Athletes display extreme skill, sometimes transcendent. I don't think watching people push the limits of human ability is obviously bad. When I said sports were bad, I didn’t mean this as a final value judgment. I meant that, by our usual standards of entertainment, sports are bad. Imagine a sitcom which had several thousand episodes, each with the exact same plot (some people try to get a ball from one side of the court to the other). At some point, surely most people would stop watching! I appreciate the something something human spirit, and I’m happy to know that, somewhere in the world, sports are happening. It’s just the decision to actually watch them that confuses me. 5. Comments About Enjoying Things Vs. Building Identities Around Them Many people complained that some combination of me and/or Sam Kriss were denying that anyone can ever enjoy anything except as an attempt to “gain status”. I would answer first that yes, I think most behavior has some status component (although it may be a small component, mixed with genuine enjoyment). But also, it doesn’t seem mysterious that some people eg like Star Wars, or even love Star Wars. What seems mysterious to me is when this expresses itself as desire to buy thousands of dollars of figurines in the original boxes, or memorize the stats of every class of ship in the Imperial Navy, or something else which doesn’t seem very fun on its own merits. I’m not criticizing others from a place of invulnerability here. When I was ~14, I got really into Star Wars, and aside from reading all the Extended Universe books - some of which were genuinely very good - for about a year I spent all of my allowance and a good fraction of my free time obtaining Star Wars collectable cards associated with an M:TG style card game (which I never got around to playing). My parents probably still have them somewhere. I cannot at all retrace what led me to do this, but I appreciate commenters’ less cynical explanations. For example, enchantingacacia writes: I think it's honestly sort of funny how non-nerds seem to genuinely not understand that a nerd's identity becomes about [thing] because they like it so much, not the other way around. Sometimes you encounter a thing—let's say it's Minecraft, because why not—and it's just such a positive experience for you that you take every possible opportunity to keep thinking about Minecraft, even when you're not playing. You collect every scrap of information you can find about Minecraft and you compose your own original Minecraft-related songs and you decorate your room with blocky little figurines. You get into a virtuous cycle where talking and thinking about Minecraft is so rewarding that you keep enjoying all these secondary activities long after you're bored of actually playing Minecraft itself. You look out for opportunities to meet people who'd enjoy talking about Minecraft with you and make a bunch of friends with whom you mostly talk about Minecraft, and your friends and family start seeing you as "the Minecraft guy" and they get you a Minecraft hoodie for Christmas cause they know it's a safe pick. This is the obvious and intuitive explanation! There's no need to get fake-deep about "ah, they got into Minecraft so they'd have something to construct their identity around": it explains nothing, and consistently makes incorrect predictions about the internal experiences of Minecraft nerds. It's only virtue is making people feel better about being annoyed by those weirdos who won't shut up about Minecraft. It's possibly that I have unusually low social motivation (genuinely, what does it mean to "construct your identity" and why is it something people would be this comically desperate to do?) and am typical-minding, but, uh, I wonder if there's any group closely associated with "nerds" who are also known for having low social motivation? I think it's a tad more likely that people like Kriss are typical-minding, and constructing elaborate social motivations for people who just like stuff regardless of what people like him think. This is a good comment which avoids buck-passing-style “I enjoy it because it’s fun” explanations. Along the same lines, odd anon writes: It is only among nerds that enthusiasm for something corresponds to learning more and more about it. That's the core element here. Non-nerds who like something do not feel any need to read up on it, to know more and more. Of course, the producers of content notice when their audience are nerds, and they start to produce content built more for those who obsessively learn every detail. Comics can start "rewarding" readers for noticing some obscure thing. A game series can have an elaborate continuity, or a zillion details to memorize. Content that either "leans into the fandom" or simply naturally has too much for non-nerds to easily pick up, can rapidly become nerd-only, thus solidifying boundaries. And sure, there are the personality correlations, attributes most nerds also have, including being STEM-y and lacking social skills. Combined, a nerd ended up being an unpopular thing to be. Ghatanathoah is less patient: Both Kriss' essay, and Scott's response to it, remind me of the "Evil Cannot Comprehend Good" trope from TV tropes, except replace "Evil" with "Very socially motivated people" and "Good" with "Less socially motivated people" (although honestly both sets have a lot of overlap). Both essays seem obsessed with finding some deep, social reason why hipsters and nerds behave the way they do, like the supervillain who is telling the hero that they are "Not So Different." They literally can't comprehend the idea that someone could actually like something, so they try desperately to find some way that liking things isn't something people actually do. People couldn't actually like Star Wars, sportsball, the MCU, or the Beatles, they must be liking them to achieve some social goal like forming an identity or seeking status! This is one of the two giant flawed assumptions that invalidates the theses of both articles (the other one, of course, is the assumption the the MCU is bad, when it is, in fact one of the human race's greatest artistic achievements*). If you assume that it is possible to like things for non-social reasons, or even in addition to social reasons, hipsters and nerds make much more sense. The reason that nerds like both popular stuff like the MCU, and less popular stuff like postage stamps is because they don't care about if something is popular, they care about if it fascinates them. Whether that thing is popular is orthogonal to how fascinating it is. That fascination makes them invest a lot of time and effort in it, which in turn makes it part of their identity. They weren't trying to find something to form and identity first and picking Star Wars, identity formation was just a side effect. Similarly, hipsters probably just get bored with things they see frequently and want to seek out new things to be interested in. Making obscure things part of their identity comes second, if at all. Also Ghatanathoah: Scott asks if its ever okay to build your identity around liking a thing. I would ask if it's ever okay not to? What's the alternative, building it around social status games or large nonselective identity groups? It seems to me that liking something isn't just a good thing to build your identity around, it's one of the best things to build it around. After all, unlike social status games, you can like something without forcing other people to not like it. This is a good question, well-phrased. I think the traditional answer is that you should build your identity around social relationships (I’m the son of X, husband of Y, friend of Z), career, and maybe a few hobbies. I agree with this as far as it goes, but it doesn’t work for a lot of practical tasks - I can’t get common ground with someone at a party or start a conversation by introducing myself as the son of X or husband of Y - most people just won’t know X or Y. Some people linked a Freddie de Boer post, Your Personality Has To Be Load-Bearing, which is generally good but I think has a similar problem. Obviously you should have a genuine and complex personality, but I worry a lot of people who talk about this will reject every specific aspect of personality because “it’s not, in itself, a full complex personality!”, but you can’t have a personality without building it out of specific aspects. A lot of people’s default personality, if they just do exactly what comes naturally and don’t put any effort into self-presentation or cultivation, is to browse Reddit and play video games. Most people realize this on some level and try to cultivate some personality beyond this, but I think that makes it extra unfair to say “Just use your natural true self!” The natural true self is exactly the boring thing we’re trying to get away from in favor of becoming a more interesting person. I’m trying to think if I have a personal answer to this. Part of my answer is the EA and rationalist communities. This has some downsides; I’m thinner-skinned about insults to these groups than I should be; some people might think I’m a fanatic. It also has some upsides; they embody real values I like, they try to make a difference in the world, they’re not consumer properties that make me feel like a corporation is pulling my strings. But my real answer is probably “I cheat by having a popular blog; this means you all know everything about me and I don’t have to fit my personality into a ten-second elevator pitch”. Maybe this is the traditional solution, from back when everyone knew everyone else in their community. It sure doesn’t feel adequate now, back when (non-bloggers) are constantly meeting strangers and having to communicate their identity to them quickly. My internal hierarchy of things it’s virtuous to build identity around, which is probably a weird class artifact and which I absolutely don’t consciously endorse, goes something like: Top-tier: Intellectual subfields, especially obscure ones or ones involving pure abstract math. If you can say “I’m really into trans-finite 8-dimensional Hoffdorf groups” and justify this with a discussion of how innately beautiful they are, you’ve got it made.
Inline links: Ern Malley hoax, https://substackcdn.com/image/fetch/$s_!K55A!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd1767b96-d516-4456-99f6-78c42c91f70f_550x513.png, words are hidden inferences, writes, Tolaughoftenandmuch, writes, writes, writes, J.R. Leonard has, teaches us the etymology of “geek”, From Wikipedia, writes, writes, writes, this Yuan dynasty coin from 1350, writes, other, commenters, Drethelin, writes, enchantingacacia writes, odd anon writes, is less patient, Your Personality Has To Be Load-Bearing
…where Sam fills in the northwest and southeast squares, then claims a correlation, draws a line, and points to high-status/deep-engagement as a single unified concept. But the southwest square could be “writes a wacky Shakespeare fanfiction, Romeo & Juliet II, in blank verse and period-appropriate language”, and the northeast square could be “publishes a dissertation on some irrelevant aspect of word frequency changes across English plays to prove something about linguistics”. And then having conflated these two things, he goes on to conflate a third thing, Shakespeare vs. Marvel. I’m not up to date on what goes on in academic literature departments, but Freddie de Boer says they’re increasingly offering “Spiderman Studies” classes in attempts to stay culturally relevant; probably Spiderman professors engage with Spiderman on the same deep level that Shakespeare professors engage with Shakespeare. If we made this a cube - high-status vs. low-status forms of engagement along one axis, Shakespeare vs. Spiderman along another axis, and deep vs. shallow engagement along the third - would anything be left of the “nerd” cluster as Sam describes it? I’m not sure. 2. Comments With Strong Opinions On The Definition Of Nerds, Geeks, Etc There were many of these. One common theme was that in the 70s, “nerd” was almost synonymous with “person who is only into unpopular things”, for example sci-fi, comics, and RPGs, all of which were unpopular in the 70s. Then those things became very popular, but the people who were interested in them still get called “nerds”. So now people like Kriss use “nerd” almost synonymously with “person who is only into popular things”. So we have a word which denotes either interest in unpopular things or interest in popular things, depending on who’s using it and when they last updated their lexicon. In the 70s, it was more reasonable to group “interested in math and computers” and “interested in sci-fi and RPGs” together, because both were unpopular and tended to involve the same group of socially maladept young men. Now math is still hard and unpopular; computers are hard in the sense that it’s tough to learn programming languages, but universally used and beloved; sci-fi and RPGs are very popular, and the typical sci-fi fan is closer to a socially-adept albeit “quirky” young woman. If words are hidden inferences, the inference represented by “nerd” - that sci-fi fandom, interest in math, interest in computers, maleness, poor social skills, and nonconformity with mainstream interests all go together - is now thoroughly false, dooming us to conversations like this one. Attempts to repurpose the several different words used to refer to the math/sci-fi/awkward/unpopular cluster to represent different aspects of its successor clusters have mostly failed. Sample comments from this section: Coagulopath writes: To me, being a nerd requires a degree of swimming against the cultural tide. It's weird and unpopular to be into trains, so the fact that you are indicates you have a bit of character (or are socially oblivious, which is also kind of endearing). The problem (and I think Kriss alludes to this) is that nerd stuff went mainstream in the past few decades. Of the 10 highest-grossing movies of the 2010s, 6 are Star Wars or Marvel films. There's no longer any sense that nerds are the underdog. But what does it say about you when you wear a Star Wars shirt? You're pledging allegiance to the biggest, most popular club imaginable. Is that a brave stance? Those people always make me think "if you lived in the SW universe, you'd be on the side of the Empire". In general, I am creeped out by effusive public adoration for things that are near-universally loved. Like The Beatles. Or bacon. Or dogs. Or science (Neil DeGrasse Tyson's whole shtick). Regardless of how I feel about those things on the object level, there's no glory in joining a culture war when you're signing on to the winning side. Tolaughoftenandmuch writes: All this is so different from when I was a kid. I was a nerd because I was intellectually curious, bad at and disinterested in sports, socially awkward, and had a computer hobby (owning hardware C64 ->8088 ->286, writing programs in Basic, being a BBS SysOp). Cultural interests were irrelevant to my nerd status. In terms of exactly when nerd interests started becoming popular, Ghatanathoah writes: I also wouldn't say that nerd stuff only went mainstream in the last decade, it's not like the first 3 Star Wars movies were obscure arthouse pictures. I think the reason Marvel took off is just innovations in storytelling: movie producers finally figured out a way to adapt the gloriously arcane and convoluted lore of superhero comics in a way that could appeal to mainstream audiences in addition to nerds (much how George Lucas figured out how to get mainstream audiences to love the space operas nerds had been enjoying for decades before 1977). And Melvin writes: Comic book movies had always been pretty popular. Superman was the top grossing movie of 1979 despite coming out in 1978. Superman 2 was the second top grossing movie of 1981. Batman was the second top grossing movie of 1989. Batman Returns was the top grossing movie of 1992. Batman Forever was the top grossing movie of 1995. Spider-man was the third top grossing movie of 2002 (behind Lord of the Rings and Harry Potter movies). That's about all I can be bothered looking up right now but you get the idea, superhero movies have been popular since the 1970s. Kaitian writes: I think being a nerd requires being a bit socially clumsy about your interest, and talking or signalling about it in situations where most people don't expect it. So being a nerd about completely mainstream stuff like pop music or football is not possible, that's just fandom. Being a nerd about very well known and relatively well-respected stuff like classical music or birdwatching is rare, because most people who are classy enough to care about the thing in the first place are also classy enough to know when to shut up about it. But comics? Star trek? Power metal? They have fairly low barriers to entry *and* most people don't care about them, so there's plenty of opportunities to bring it up to people who don't want to hear about it. So that's why I think nerdery usually attaches itself to the typical targets. J.R. Leonard has as good a terminology proposal as anyone: I think what's missing is that Kriss uses "nerds" as his foil, but what he's talking about would better be described as fan culture. Deiseach teaches us the etymology of “geek”. The very distant etymology is from German gek, a relative of “cackle” → geck, a fool/madman (who was presumably cackling all the time). But this comes down to us through the early American institution of the geek show. From Wikipedia (cw: disturbing): Geek shows were an act in traveling carnivals and circuses of early America and were often part of a larger sideshow. The billed performer's act consisted of a single geek, who stood in the center ring to chase live chickens. It ended with the performer biting the chickens' heads off and swallowing them. The geek shows were often used as openers for what are commonly known as freak shows. It was a matter of pride among circus and carnival professionals not to have traveled with a troupe that included geeks. Geeks were often alcoholics or drug addicts, and paid with liquor – especially during Prohibition – or with narcotics. More obvious but I went surprisingly long without realizing it: “fan” (as in “sports fan”) is just short for fanatic. 3. Comments About Collecting The veteran collectors in the comments said that my theory (the Internet makes collecting too easy) was only a small part of the decline. The bigger part is that most coin collecting begins with the wonder of finding a rare coin in your change, and most stamp collecting begins with the wonder of finding a rare stamp on your mail, and the rise of credit cards and emails means people aren’t handling coins and stamps as much in their daily lives. Tom Metcalf writes: I'd guess many coin collectors got their start being patient enough to sort through change to see if they had e.g. a wheat cent or silver dime, but first of all, who pays with cash and gets change, and the chances of finding something collectible are orders of magnitude smaller than, say, the '90s. And stamp collectors would have started saving the stamps on mail sent to their house, but how frequently do you get stamped mail anymore? My 79-year old father goes to stamp shows, because one of his hobbies is to buy sheets of old but common unused stamps for less than face value. They are still valid postage, and then he uses them to personalize the stamps he puts on letters he sends to various people. And most of the other people at stamp shows are about his age. He does have some stamps he thinks are interesting that he's held onto, but the dealers at the stamp shows think they're common and uninteresting. So there's a decreasing number of stamps that might be "worth something" and a net loss of collectors in the hobby, and then every time a collector dies and his heirs have no interest in his collection and that many more stamps make their way to dealers who now have one less buyer. Too bad "sending paper letters with vintage but still valid stamps" never caught on with the hipsters. Art writes: The widespread adoption of email created a world where a letter is almost certainly junk mail or a bill. Nobody looks forward to hearing from a good friend from across the country now when picking up the day’s mail. If letters are not interesting why would stamps? The same for coins. Nobody uses cash, and getting a pile of coins with no significant value (inflation) is just an annoyance. These objects have passed into irrelevance. Still, it seems like some little pieces of joy and wonder have passed from our lives. Nathan Savir writes: I collect coins and I think the description of the hobby (and its putative death) isn't quite right. 1. Rare coins are in fact hard to find, even in today's internet world. They are usually sold in auctions, which might happen online, but still not that frequently. It's not unusual for examples some specific rare coin to be sold only once every few years. If the coin is also obscure, it may not be prohibitively expensive, so this kind of situation isn't the sole province of rich people. 2. One area of collecting is to get all the rare items. Another is to get all the minor varieties of a common item. These varieties may not be very rare, but it still takes a lot of effort to be able to distinguish them and to find them. Some collectors will obtain large numbers of relatively common coins and sort through and scrutinize them to try to identify interesting varieties. 3. An important part of collecting is getting good deals. This is surely a lot harder than it used to be because sellers can more easily figure out what things are worth and you won't find something grossly underpriced in a random antique store as often these days. But filtering through buckets (or online listings) of large numbers of coins can still be fun and lead to spotting good deals. So I think there is room in the hobby for nerd-like behavior (per your definition). I would argue the decline of the hobby is more due to competition from other similar hobbies (a generation ago you could collect stamps, coins, baseball cards, or rare books/comics - now you can collect beanie babies, Pokemon cards, NFTs, funko pops, action figures, etc.). I think stamps have suffered more than coins because stamp collecting has more of an aesthetic component (which has faced stronger competition) while coins have a historical element that is less well replicated by collecting newer things. This difference isn't obvious in the google trends graphs you posted but I believe is observable from looking at prices of stamps vs coins. I asked Nathan what coins he collects that are still tough to find, and he gave the example of this Yuan dynasty coin from 1350. I guess if you want to be a collector in 2023 you need to go hard. Arrk Mindmaster writes: I used to collect US coins from every denomination, year, mint, and variety (such as large and small date 1960 pennies). It was kind of like a treasure hunt, knowing you could find something in circulation that was actually more valuable than most people thought it was. I lost interest in the late 1980s sometime, when I found the volume of new coins dwarfed older coins. For example, for Lincoln pennies, they used to make a few million per year, then a few tens of millions. In the 80s, they started making about 5 BILLION each, and it started drowning out all of the old coins, which basically stayed the same value. This comment snapped some things into place for me; I collected coins as a kid in the 90s, and older coin collectors would talk as if you could spot some pretty rare things in your pocket change. But I had much worse luck, and it’s been years since I’ve even found a wheat cent in circulation (even when I was a kid this would happen occasionally). Maybe coin collecting is dying not just because we don’t use change, but because our change is less likely to have interesting coins in it. Another victim of mass money printing! The new state quarters sort of fix this, but other commenters express contempt for this. It feels like the transition between old myths (which one can enjoy) to the Marvel Cinematic Universe (which corporations are begging you to enjoy in a pre-approved way) - now that the Mint wants you to collect their coins, it feels kind of slavish to comply. Other people point out that the collecting of things other than stamps and coins is still going strong. Drethelin: Collecting has not in the slightest died out. People collect more things than ever, like sneakers, funko pops, vintage cars, guns, antique ceramics, anime figurines, magic cards, etc. Some people also brought up NFTs - are there lots of people who truly enjoy collecting NFTs, aren’t just in it for the investment value, and have kept up through the crypto bear market? 4. Comments Insisting That Sports Are Good Aris C writes: It's a little glib to dismiss sports as bad, isn't it? Athletes display extreme skill, sometimes transcendent. I don't think watching people push the limits of human ability is obviously bad. When I said sports were bad, I didn’t mean this as a final value judgment. I meant that, by our usual standards of entertainment, sports are bad. Imagine a sitcom which had several thousand episodes, each with the exact same plot (some people try to get a ball from one side of the court to the other). At some point, surely most people would stop watching! I appreciate the something something human spirit, and I’m happy to know that, somewhere in the world, sports are happening. It’s just the decision to actually watch them that confuses me. 5. Comments About Enjoying Things Vs. Building Identities Around Them Many people complained that some combination of me and/or Sam Kriss were denying that anyone can ever enjoy anything except as an attempt to “gain status”. I would answer first that yes, I think most behavior has some status component (although it may be a small component, mixed with genuine enjoyment). But also, it doesn’t seem mysterious that some people eg like Star Wars, or even love Star Wars. What seems mysterious to me is when this expresses itself as desire to buy thousands of dollars of figurines in the original boxes, or memorize the stats of every class of ship in the Imperial Navy, or something else which doesn’t seem very fun on its own merits. I’m not criticizing others from a place of invulnerability here. When I was ~14, I got really into Star Wars, and aside from reading all the Extended Universe books - some of which were genuinely very good - for about a year I spent all of my allowance and a good fraction of my free time obtaining Star Wars collectable cards associated with an M:TG style card game (which I never got around to playing). My parents probably still have them somewhere. I cannot at all retrace what led me to do this, but I appreciate commenters’ less cynical explanations. For example, enchantingacacia writes: I think it's honestly sort of funny how non-nerds seem to genuinely not understand that a nerd's identity becomes about [thing] because they like it so much, not the other way around. Sometimes you encounter a thing—let's say it's Minecraft, because why not—and it's just such a positive experience for you that you take every possible opportunity to keep thinking about Minecraft, even when you're not playing. You collect every scrap of information you can find about Minecraft and you compose your own original Minecraft-related songs and you decorate your room with blocky little figurines. You get into a virtuous cycle where talking and thinking about Minecraft is so rewarding that you keep enjoying all these secondary activities long after you're bored of actually playing Minecraft itself. You look out for opportunities to meet people who'd enjoy talking about Minecraft with you and make a bunch of friends with whom you mostly talk about Minecraft, and your friends and family start seeing you as "the Minecraft guy" and they get you a Minecraft hoodie for Christmas cause they know it's a safe pick. This is the obvious and intuitive explanation! There's no need to get fake-deep about "ah, they got into Minecraft so they'd have something to construct their identity around": it explains nothing, and consistently makes incorrect predictions about the internal experiences of Minecraft nerds. It's only virtue is making people feel better about being annoyed by those weirdos who won't shut up about Minecraft. It's possibly that I have unusually low social motivation (genuinely, what does it mean to "construct your identity" and why is it something people would be this comically desperate to do?) and am typical-minding, but, uh, I wonder if there's any group closely associated with "nerds" who are also known for having low social motivation? I think it's a tad more likely that people like Kriss are typical-minding, and constructing elaborate social motivations for people who just like stuff regardless of what people like him think. This is a good comment which avoids buck-passing-style “I enjoy it because it’s fun” explanations. Along the same lines, odd anon writes: It is only among nerds that enthusiasm for something corresponds to learning more and more about it. That's the core element here. Non-nerds who like something do not feel any need to read up on it, to know more and more. Of course, the producers of content notice when their audience are nerds, and they start to produce content built more for those who obsessively learn every detail. Comics can start "rewarding" readers for noticing some obscure thing. A game series can have an elaborate continuity, or a zillion details to memorize. Content that either "leans into the fandom" or simply naturally has too much for non-nerds to easily pick up, can rapidly become nerd-only, thus solidifying boundaries. And sure, there are the personality correlations, attributes most nerds also have, including being STEM-y and lacking social skills. Combined, a nerd ended up being an unpopular thing to be. Ghatanathoah is less patient: Both Kriss' essay, and Scott's response to it, remind me of the "Evil Cannot Comprehend Good" trope from TV tropes, except replace "Evil" with "Very socially motivated people" and "Good" with "Less socially motivated people" (although honestly both sets have a lot of overlap). Both essays seem obsessed with finding some deep, social reason why hipsters and nerds behave the way they do, like the supervillain who is telling the hero that they are "Not So Different." They literally can't comprehend the idea that someone could actually like something, so they try desperately to find some way that liking things isn't something people actually do. People couldn't actually like Star Wars, sportsball, the MCU, or the Beatles, they must be liking them to achieve some social goal like forming an identity or seeking status! This is one of the two giant flawed assumptions that invalidates the theses of both articles (the other one, of course, is the assumption the the MCU is bad, when it is, in fact one of the human race's greatest artistic achievements*). If you assume that it is possible to like things for non-social reasons, or even in addition to social reasons, hipsters and nerds make much more sense. The reason that nerds like both popular stuff like the MCU, and less popular stuff like postage stamps is because they don't care about if something is popular, they care about if it fascinates them. Whether that thing is popular is orthogonal to how fascinating it is. That fascination makes them invest a lot of time and effort in it, which in turn makes it part of their identity. They weren't trying to find something to form and identity first and picking Star Wars, identity formation was just a side effect. Similarly, hipsters probably just get bored with things they see frequently and want to seek out new things to be interested in. Making obscure things part of their identity comes second, if at all. Also Ghatanathoah: Scott asks if its ever okay to build your identity around liking a thing. I would ask if it's ever okay not to? What's the alternative, building it around social status games or large nonselective identity groups? It seems to me that liking something isn't just a good thing to build your identity around, it's one of the best things to build it around. After all, unlike social status games, you can like something without forcing other people to not like it. This is a good question, well-phrased. I think the traditional answer is that you should build your identity around social relationships (I’m the son of X, husband of Y, friend of Z), career, and maybe a few hobbies. I agree with this as far as it goes, but it doesn’t work for a lot of practical tasks - I can’t get common ground with someone at a party or start a conversation by introducing myself as the son of X or husband of Y - most people just won’t know X or Y. Some people linked a Freddie de Boer post, Your Personality Has To Be Load-Bearing, which is generally good but I think has a similar problem. Obviously you should have a genuine and complex personality, but I worry a lot of people who talk about this will reject every specific aspect of personality because “it’s not, in itself, a full complex personality!”, but you can’t have a personality without building it out of specific aspects. A lot of people’s default personality, if they just do exactly what comes naturally and don’t put any effort into self-presentation or cultivation, is to browse Reddit and play video games. Most people realize this on some level and try to cultivate some personality beyond this, but I think that makes it extra unfair to say “Just use your natural true self!” The natural true self is exactly the boring thing we’re trying to get away from in favor of becoming a more interesting person. I’m trying to think if I have a personal answer to this. Part of my answer is the EA and rationalist communities. This has some downsides; I’m thinner-skinned about insults to these groups than I should be; some people might think I’m a fanatic. It also has some upsides; they embody real values I like, they try to make a difference in the world, they’re not consumer properties that make me feel like a corporation is pulling my strings. But my real answer is probably “I cheat by having a popular blog; this means you all know everything about me and I don’t have to fit my personality into a ten-second elevator pitch”. Maybe this is the traditional solution, from back when everyone knew everyone else in their community. It sure doesn’t feel adequate now, back when (non-bloggers) are constantly meeting strangers and having to communicate their identity to them quickly. My internal hierarchy of things it’s virtuous to build identity around, which is probably a weird class artifact and which I absolutely don’t consciously endorse, goes something like: Top-tier: Intellectual subfields, especially obscure ones or ones involving pure abstract math. If you can say “I’m really into trans-finite 8-dimensional Hoffdorf groups” and justify this with a discussion of how innately beautiful they are, you’ve got it made.
Inline links: words are hidden inferences, writes, Tolaughoftenandmuch, writes, writes, writes, J.R. Leonard has, teaches us the etymology of “geek”, From Wikipedia, writes, writes, writes, this Yuan dynasty coin from 1350, writes, other, commenters, Drethelin, writes, enchantingacacia writes, odd anon writes, is less patient, Your Personality Has To Be Load-Bearing
From dry to daring What could a high school curriculum look like, if it were rebuilt on these tools? Once again, Egan has a trick. This time, it’s to ask what fights have driven the development of each of these fields forward — and how we can help students enter them. First, a mini-segment! Intellectuals invented the academic disciplines to better pursue the life of the mind, but the disciplines can get in the way. Some of the most important intellectual discoveries that could help students are too big to fit into any of the disciplines. We need a place to introduce them plainly. Egan proposes another mini-segment — again, just 15 minutes a day, a few times a week — called “Metaknowledge”. Q: Isn’t that already in the International Baccalaureate program? Yes, he acknowledges that he’s borrowing from that! This segment would introduce ideas that would enrich student thinking across the disciplines: game theory, cognitive biases, systems thinking, Bayesian reasoning, epistemology, ethics, logic, cultural evolution, and so on. High school literature How can we help students enter the big fights of literature? Intellectuals of a literary bent — professors, critics, poets, novelists — delight in arguing over literature like rabbis arguing over the Talmud. Take, just for one example, the debates over Shakespeare’s character of Ophelia. Does she love Hamlet, or is she a victim of his emotional abuse? Is she truly insane, or is she acting? Is she passive, or is she pulling the strings? Oceans of ink have been spilled arguing over questions like these; our students can, perhaps, spill a few ounces more. The usefulness of arguing literature, for Egan, isn’t that it’s oh-so important for educated adults to know a lot about Ophelia. (This, again, was where the academicists went wrong — in thinking that being educated was about getting the best knowledge in your head.) Rather, arguing over literature is a training arena for the all-important intellectual move of this kind of understanding: building general schemes out of evidence, and struggling with anomalies. One person, for example, might hold that Ophelia is insane, and cite all sorts of obvious evidence — her father just was murdered by her lover, she rants nonsense while (bizarrely) handing out flowers to friends… But then he’s challenged when he reads a scholar pointing out that, to people in Elizabethan England, types of flowers have symbolic meanings. How does he deal with that? He could ignore it, claiming it an over-reading of Shakespeare. (Sometimes a flower is just a flower!) Or he could address it, complicating his own scheme. This intellectual work is best done with other people, who are incentivized to challenge your understanding of something, and go back and forth, building competing models and calling attention to anomalies. This process — the “dialectic” — pops up again and again in the academic disciplines. It’s the center of how understanding works, at this stage. And the nice thing about practicing it on literature is that, more so than in history or science, the evidence is shared knowledge — it’s right in front of everyone, written out. But there are other ways literature class can be helpful to the general life of the mind. Egan also suggests that we’ll want to specially include literature that helps students understand complex ideas. Camus, Orwell, Borges, Calvino might be particularly helpful here… and I imagine that genres like science fiction and magical realism might be particularly useful, too. (Note, though, that once again none of this requires a radical remaking of the curriculum, or of the canon of texts that we traditionally assign to high schoolers.) Q: Oh yes, the canon — what does Egan have to say about the canon wars? When he wrote Educated Mind in the nineties, the long-brewing canon war was approaching its inevitable apocalyptic climax. On one side of this Plain of Megiddo were the pro-canon traditionalists, arguing that we should keep assigning the texts that had been argued over for centuries. Facing them were the anti-canon reformers, arguing the standard texts over-represented the perspective of dead white men. Onto the middle of the plain rides Egan on a white horse, who bellows above the din: “I’VE GOT A BUSLOAD OF HIGH SCHOOLERS WHO WANTS TO JOIN IN, EVERYONE OKAY WITH THAT?” To do so, he says, we need to give students the arguments from both sides. So, for example, bell hooks, Edward Said, and China Achebe should be on the syllabus, as should Allan Bloom, Mortimer Adler, and Diane Ravitch. And of course they should actually read the texts cherished by both sides, too, so they can argue better. High school history How could entering the big fights help us reinvent high school history? First, we might look for dueling histories. It’s time for students to get into historiography and understand that history isn’t just what happened, it’s something we make. We might help kids read chapters from Howard Zinn’s socialist history of America alongside the corresponding chapters from Paul Johnson’s conservative history of America. How could big questions help? We want to help students see how various people have disagreed over some of the big questions of what human history is, at its most basic. We can have them compare Steven Pinker’s theory of civilization’s progress (Better Angels of our Nature) with Yuvah Noah Harari’s theory of civilization’s woes (Sapiens). We could have them compare so-and-so’s account of human history as an ever-expanding unlatching of energy sources with Robert Wright’s account of human history as unlatching more and more positive-sum games (Nonzero). What role could the lure of certainty play? To help them grow their skills at finding anomalies, we might help them work through pseudo-histories and conspiracy theories. Q: Conspiracy theories! Oh, come now, you’re playing with fire. Well, the world is on fire. Our students will spend the rest of their lives encountering terrible-but-beguiling arguments about how the world works; if we don’t prepare them for those, what have we been doing? So we should introduce arguments that the Moon landing was a hoax, that the Illuminati founded America, that aliens built the pyramids, and so on. At no point can we demean students for falling for any of these theories — the job of a teacher at this stage, Egan writes, is to support students in their reasoning even when their beliefs are offensive and stupid, gradually offering anomalies. There’s no way out of bad theories except through them. By the time students graduate, we want them to have wrestled with terrible ideas and — for a while — lost. They need to experience what it’s like to change their minds about something they felt strongly about. They need to viscerally realize, in Feynman’s famous phrase, “The first principle is that you must not fool yourself and you are the easiest person to fool.” High school natural science How could entering the big fights reinvent high school science? At present, so much of the high school science curriculum — especially “honors” classes — is oriented toward helping amass details. (The same is true of 100-level university classes, which famously “survey” the field to prepare for more advanced studies. I always thought this was stupid — of the huge lecture hall of students in my Geology 100 class, how many went on to take even a second course?) The meaty debates that propel science forward are held back. Egan complains: “The more general and speculative theories in any discipline are treated like an unconventional and disreputable relation who, even though the children find her exciting and entertaining, must be kept hidden from view, her very existence denied as long as possible”. This is a stupid approach — students with an adventurous bent are convinced that science isn’t for them. Egan proposes, simply, that we flip this, and organize high school science classes around the big debates. We shouldn’t be ashamed at how, well, adolescent this might look: “the dramatic, speculative, and contentious theories will be up-front in the early years of the [high school] curriculum”. What might those be? Egan doesn’t give a list, but we can spitball some: instead of explaining what “matter” is from the top down, a physics class could problematize “matter” by following the debates over the nature of dark matter and dark energy, and by becoming familiarized with the various interpretations of quantum mechanics
We divide “high culture” from “mass culture”. High culture, those books that plumb the depths of the human spirit, go from the Iliad through the great Greek tragedies through Dante and Shakespeare and so on to Tolstoy, Proust, and Knausgaard. Mass culture - those books that the average person finds entertaining - might also start with the Iliad, but ends up at Dan Brown, J.K. Rowling, and Batman comics.
Recalibrating our hedonic set-point doesn't - or at least needn't - undermine critical discernment. All that's needed for the abolitionist project and its hedonistic extensions to succeed is that our ethic isn't committed to perpetuating the biology of involuntary suffering. Likewise, only a watered-down version of psychological hedonism is needed to lend the scenario sociological credibility. We can retain as much - or as little - of our existing preference architecture as we please. You can continue to prefer Shakespeare to Mills-and-Boon, Mozart to Morrissey, Picasso to Jackson Pollock while living perpetually in Seventh Heaven or beyond.
85% know who wrote Romeo and Juliet (Shakespeare)
<1% know what city the general Hannibal was from (Carthage) Remember, these are university students, so the average person’s performance is worse. Most of these are the kinds of facts that I would expect school to teach people. Some of them (eg the branches of government) are the foundations of whole subjects, facts that I would expect to get reviewed and built upon many times during a student’s career. If most people don’t remember them, there seems to be little hope that they remember basically anything from school. So what’s school even doing? Maybe school is why at least a majority of people know the very basics - like that the US won independence from Britain, or that Shakespeare wrote Romeo and Juliet? I’m not sure this is true. Here are some other questions that got approximately the same level of correct answers as “Shakespeare wrote Romeo and Juliet”: What is the name of the rubber object hit by hockey players? (Puck, 89%)
What is the name of Dorothy’s dog in The Wizard of Oz? (Toto, 80% correct) I don’t think any of these are taught in school. They’re absorbed by cultural osmosis. It seems equally likely that Romeo and Juliet could be absorbed the same way. Wasn’t there an Academy-Award-winning movie about Shakespeare writing Romeo and Juliet just a decade or so before this study came out? Sure, 19% of people know that Orwell wrote 1984 - but how many people know the 1984 Calendar Meme, or the “1984 was not an instruction manual!” joke, or have heard of the reality show Big Brother? Nobody learned those in school, so maybe they learned Orwell’s name the same place they learned about the other 1984-related stuff. Okay, so school probably doesn’t do a great job teaching facts. But maybe it could still teach skills, right? According to tests, fewer than 10% of Americans are “proficient” at PIIAC-defined numeracy skills, even though in theory you need to know algebra to graduate from most public schools. I took a year of Spanish in middle school, and I cannot speak Spanish today to save my life; that year was completely wasted. Sure, I know things like “Hola!” and “Adios!”, but I also know things like “gringo” and “Yo quiero Taco Bell” - this is just cultural osmosis again. So it seems most people forget almost all of what they learn in school, whether we’re talking about facts or skills. The remaining pro-school argument would be that even if they forget every specific thing, they retain some kind of scaffolding that makes it easier for them to learn and understand new things in the future; ie they keep some sort of overall concept of learning. This is a pretty god-of-the-gaps-ish hypothesis, and counterbalanced by all the kids who said school made them hate learning, or made them unable to learn in a non-fake/rote way, or that they can’t read books now because they’re too traumatized from years of being forced to read books that they hate. II. Step back a bit. Why should any of this be true? That is: Why would most students forget things that schools teach many times?
Biden: Have you read Shakespeare? Being “from your mother’s womb untimely ripp’d” doesn’t count as being born. I think the anti-choice side is covertly trying to restrict abortion rights by expanding the definition of “born” until basically any method of separating a fetus from its mother would count.
I need a poem — well, I need a poet To give us some heroic tale to sing. Shakespeare? Each tale’s the same — besides, you know it: The king’s most trusted ally kills the king; Someone, disguised, is smitten (yet can’t show it); They all soliloquize on everything; The actors play, a noble plays insane; They die (or wed), except one guy to reign,
With Julia told to “get thee to a nunnery,” Don Juan’s mother shipped him to Leghorn; His ship, though it avoided hostile gunnery, Soon hit a storm and, mast by mast, was torn. He watched his lifeboat-mates drop one by one (or he, Perhaps, just rued the day that he was born); They killed his dog; no sooner had they chewed her Than, starving, they drew lots — and ate his tutor.
Inline links: get thee to a nunnery
The two were purchased by an old black eunuch, Baba, who led them to the Sultan’s palace, The greatest from Hyderabad to Munich (Though I to dear Vienna mean no malice); He gave Johnson (the Englishman) a tunic, And Juan — in a manner cold and callous — A dress, which Juan finally deigned to touch. (Methinks the “lady” did protest too much.)
Inline links: protest too much
None of #2 takes away from the fact that Stan Lee, Jack Kirby and Steve Ditko were brilliant storytellers that created innovations in the medium that had never been seen before I am going to start with my second point: How is it possible to say that storytelling is getting better? Michael Lewis’ book, Going Infinite, about Sam-Bankman Fried (founder of FTX and Alameda Research, and convicted of fraud in November 2023) was controversial mostly because Lewis suggested that Sam was a good hearted, misunderstood guy who wasn’t really doing anything wrong. But it was also controversial for a quote from Sam about William Shakespeare. Here is part of the original blog post by Sam: I could go on and on about the failings of Shakespeare and the constitution and Stradivarius violins, and at the bottom of this post I do*, but really I shouldn't need to: the Bayesian priors are pretty damning. About half of the people born since 1600 have been born in the past 100 years, but it gets much worse than that. When Shakespeare wrote almost all of Europeans were busy farming, and very few people attended university; few people were even literate--probably as low as about ten million people. By contrast there are now upwards of a billion literate people in the Western sphere. What are the odds that the greatest writer would have been born in 1564? The Bayesian priors aren't very favorable. This quote blew up and became the story of the day among the intelligentsia on Twitter. Was Shakespeare the greatest playwright? And if he was, what is the counter argument to Sam’s point. How could it be possible that the greatest writer of all time was born in a period when there were less than 3.5MM English speakers on the planet, and only about 20% were literate? Even if he was the best writer of the 700,000 writers of the time, how is it possible he is better than the ~1.5 BILLION literate native-level English speakers alive today? Sam’s point is that it would be highly unlikely. One explanation is that Shakespeare may not have been the best writer, but he was a very good writer (the best of his time), and that he was able to pick up the low hanging fruit of writing ideas. Once Shakespeare had written Romeo and Juliet, no one else could write Romeo and Juliet (well they could, but then they would be derivative of Shakespeare’s work). The idea here is that there are innovative ideas in storytelling (and all art). The writers and artists that come first have their pick of possibilities. As more art gets created it gets harder and harder to come up with new ideas. Meanwhile the old ideas, once created, are there to be used. Richard Hanania quotes Anne Gat in pointing out there are three ways to understand greatness: Intrinsic: He produced the best plays and sonnets by some objective standard. This can be in an elitist sense focusing on the impact his work has on the most refined among us, or a more “democratic” one where the same can be said for all humans.
Relative: Shakespeare was great compared to those who came before him, or others of his time.
Generative: Shakespeare was the inspiration for a great deal of later work.
Poetry itself ages: Shakespeare, Milton, Virgil, and Horace, are more used in the classroom than in the living room today, and so of the rest of them.
Second, those uniformly distributed across humans. This is what you might use to solve Sam Bankman-Fried’s3 Shakespeare problem - what’s the chance that the greatest playwright in human history is alive during a given period? Freddie sort of gets this far4, and provides a number: 7% of humans who ever lived are alive today5.
“To the Buddhist or the eastern fatalist existence is a science or a plan, which must end up in a certain way. But to a Christian existence is a story, which may end up in any way. In a thrilling novel (that purely Christian product) the hero is not eaten by cannibals; but it is essential to the existence of the thrill that he might be eaten by cannibals. The hero must (so to speak) be an eatable hero. So Christian morals have always said to the man, not that he would lose his soul, but that he must take care that he didn't…the point is that a story is exciting because it has in it so strong an element of will, of what theology calls free-will. You cannot finish a sum how you like. But you can finish a story how you like. When somebody discovered the Differential Calculus there was only one Differential Calculus he could discover. But when Shakespeare killed Romeo he might have married him to Juliet's old nurse if he had felt inclined. And Christendom has excelled in the narrative romance exactly because it has insisted on the theological free-will.
If you’re only concerned about avoiding wireheading, you could spend Utopia appreciating art. The Deep Utopians could hack your brain to give you the critical refinement of Harold Bloom or some other great art-appreciator, and you could spend eternity reading the Great Books and having extremely perspicacious opinions about them. Plenty of scholars do that today, and nobody thinks their lives are meaningless. In fact, why stop at Bloom? The Utopians could hack you into some kind of superbeing who can appreciate superart as far beyond current humanity as Shakespeare is beyond a tree frog.
While one might hold that that the interestingness value that an individual can derive from the works of Shakespeare would be permanently depleted after a few decades of study, what about the enjoyment value of a nice cup of tea? Drinking tea may not be a source of an intense flash of value, the way that an epiphany into some deep truth about human nature may be…but it is quite renewable. The 162,330th cup of tea, on your 200th birthday, may not be less valuable than the one you had a century earlier. And whereas the supply of human-accessible profound truths might be limited, you can always put another kettle on.
Same state curriculum, same worksheets, same pace. The school philosophy was “no acceleration—just go deep.” We knew this was the philosophy going in. The pitch was that instead of accelerating through the state curriculum the teachers would take their time with the kids and allow them to fully explore and master the content of each grade. When we asked for examples of what that meant in practice we were told things like: “Instead of reading more advanced vocabulary, the students will learn to read out loud and use emotion and character impressions. They will learn how to vary the timing of their reading like where and when to pause to create emotion in the listener”. That sounded reasonable! It sounded like more learning, but just different learning than what the state had mandated. In practice that was not what happened. In practice “deep” just meant “un‑measured.” Smart kids + small classes ≠ accountability. The kids had time to do music, lego building, theatre and Friday ski trips because they were all really bright. They didn’t need 6+ hours a day to learn the limited math required by the state, and since the school did not feel the need to advance faster than the state, there was no pressure to push learning at all – on anything really. There was no overall school curriculum. Every teacher did their own thing. While one first grade class had weekly spelling bees, the teacher in the other classroom did not believe in learning spelling at all. But it didn’t matter. The metrics they measured the kids on in both classes advanced “enough” that no one was concerned. Most time wasn’t spent on math or language anyway. Beyond the brochure activities like skiing and theater and the four hours of foreign language per week they split between Spanish and Mandarin (which was really a great opportunity for the kids who already spoke Spanish and Mandarin to have their egos flattered. I did not see any learning in either language class. I don’t see how you can teach a language a couple of hours a week to a group of 18 kids with skill levels from zero to fluency and expect to have any impact), a lot of time was spent on DEI. DEI was pitched as helping kids handle the emotions that often come from being sensitive gifted children (they called it “Synapse”). In practice my oldest daughter got four years of learning about the basic ideas of Martin Luther King Junior and Rosa Parks, a rough understanding that some people are non-binary, and a great deal of anxiety every time I left the water running while I was brushing my teeth. The talent drain In Spring 2024 the “intermediate-school” head resigned, as did the 40+ year veteran science teacher we had been looking forward to our daughter having, the beloved tech teacher who had built a her own proprietary “learn to type” software, plus half the lower‑school faculty. Our oldest was going to be entering fourth grade; her incoming roster read like a rebuilding year for a professional sports team. It was possible we could get her into a middle school that would feed into a top tier high school, but those did not start until 5th grade. Our best option looked like “suck it up and accept whatever we had for at least a year”. One option was to do something radical. We considered taking a GAP year and traveling the world with an organization called “Boundless” but decided the timing wasn’t right. Earlier in the year we had started exploring moving to the charter city of Prospera. There is a Montessori school there that seemed like it might be alright. And we could surround the kids with an interesting group of people (and live on the beach!). But by the spring we had ruled it out. There did not seem to be many families as part of the community and we were not comfortable with the risk profile based on what was happening with the conflict between Honduras and their charter cities. Then I stumbled across Alpha: Two‑hour mornings, life‑skills afternoons, claims of 2x learning. Marketing copy is cheap; still, the promise was different enough to warrant due diligence. The initial plan was to fly some of the kids to Austin for an Alpha summer camp for a week in June – just to try it out. But once we started exploring more my wife asked me: “Could we actually move to Austin and try it for a year? Based on what is happening at the kids' school, this might be the year to try it.” So over eight weeks we flew to Austin five times – conversations with admissions and school heads, real estate searches, kids doing shadow‑days. Every parent we spoke to was very impressed with the school. Their kids really were advancing at 2x+ speed – and no one believed it was just a “selection effect”. And every guide I spoke to was extremely impressive themselves. They reminded me of the staff you run into when visiting Disney World. They all seemed “full faced” and fully-engaged. When I asked the head of admissions how they found such good staff he told me their compensation was fully transparent. “Associate Guides” were paid $60,000/year (vs the $40,000 average for Austin teachers), “Full Guides” made $100,000 and the five “Head Guides” in the school each made $150,000. They were able to both poach the best teachers from other schools, but also bring exceptional people into teaching that would not have considered it otherwise. It also let them have very high expectations for teachers once they were hired. We pulled the trigger in July. New house. Admissions letter signed. Moving truck (plus car-mover) scheduled for October. Worst case, it would be a one‑year sabbatical from stagnation. The hypothesis I carried south Elite private school attendance buys you smaller classes, brighter kids, and fancier field trips – not academic acceleration. If Alpha was real, we’d see that differential, measurable impact by Christmas – that was when we would need to decide if we would cut bait and re-apply to schools back home (and sign the kids up for more IQ-tests. The school would not accept old ones). That prior—show me velocity, not polish—is the lens through which the rest of this review should be read. Part Two: A History of Alpha Note: This is my best attempt at piecing together the history of the school based on conversations with co‑founder MacKenzie Price, high school head Chris Locke, Alpha staff, and Alpha parents; All dates are estimates and I am SURE I have gotten some details wrong. I will come back after the fact in the comments and make corrections as I hear from the people involved with corrections. 2013 – 2017 | Garage‑School to “Alpha” MacKenzie Price, then a mortgage broker in Austin, wasn’t impressed by the city’s gifted programs. She invited a small number of neighbourhood kids (including her two) into a makeshift microschool that ran two intense, teacher‑led academic “sprints” each morning, then “life‑skills” projects after lunch. Joe Liemandt — Founder of Trinity Technology, ESW Capital billionaire and family friend (MacKenzie’s husband worked for him) — kept his own children in conventional private school until he saw the qualitative improvement in the life skills of MacKenzie’s kids. He decided he wanted his kids to join MacKenzie’s but he wanted to take the project to the next level. Sometime around 2014-2017 he joined MacKenzie as a co-founder and started writing checks. Alpha recruited more students and guides and the operation jumped from location-to-location looking for a larger permanent home. 2017 – 2020 | K-8 Expansion and 2-hour focus Alpha grew to roughly 90 students from K‑8 and stabilized. Morning “core blocks” were still teacher‑driven (20‑minute bursts, 5‑minute breaks, rinse, repeat), but focused on students engaged in exercises with rapid feedback (not lectures). Afternoon workshops covered “life skills” like how to give and receive feedback or public speaking. I have not seen academic data from this time period, but when I spoke to Chris Locke, head of Alpha’s high school (which launched around 2020), he told me the kids coming into his 9th grade program were “fine,” academically – it was their life skills, confidence, and ability to engage with adults and their peers were exceptional. At this stage no AI, no dashboard, no 2x learning, no portal — just better ratios and focused pacing and the result was well balanced kids who were enjoying their education experience (even if they were unexceptional academically). 2020 – 2022 | Platform Era Begins Somewhere along the way Liemandt hired a small engineering team to stitch together edtech learning tools. Many schools use tools like iXL, Beast Academy and Amira. Those tools fit in well with the 2-hour structured approach Alpha was using. The “platform” Liemandt’s team built was meant as a tool to free up guide time so that students could be more self-directed. The dev team stitched together the preferred off‑the‑shelf apps behind a single login, and built out tracking and dashboards so guides (and students) could easily see how they were progressing. This also gave the curriculum team (there was a curriculum team now) data to understand where students were spending their time, what tools were working, and which weren’t as effective. The Alpha Portal was born. Not only did it increase efficiency, it provided data to iterate with. Chris Locke saw the curve change incrementally: each new cohort of ninth‑graders under the new tech-enabled learning platform came in a little stronger academically. The “life skills” were now being matched by the “academic skills”. 2022 | Expansion and Iteration By having access to Alpha kids post-graduation in the high school, Locke could send feedback back to the elementary school.The kids coming out of the new program were now killing it academically on Math, Language, and Science, but they were still weak on things like History and Geography. He fed that type of information back to the curriculum designers, who iterated and improved the program. Soon, in addition to the core platform that directed students to third-party tools, the tech team was building proprietary “Alpha” tools themselves. The flagship of the in-house tools was “AlphaReads”. AlphaReads requires students to read progressively more complicated passages, followed by answering reading comprehension questions. In addition to helping the kids improve reading skills, Alpha uses it to push types of content. Instead of classes in history, geography, economics and political science, some of the reading passages will cover that material (in addition to learning how to read and understand Shakespeare and Proust). The success of the 2-hour learning platform was giving the Alpha founders confidence. Liemandt in particular wanted to see if the program had legs beyond the elite group of students being educated in Austin. Alpha’s first external test in August 2022 in Brownsville, TX – a small community on the Mexico border with less than half the per capita income of Austin. SpaceX had recently launched Starbase in Brownsville in 2014 and the employees there were not happy with the existing school options. Someone at SpaceX approached Alpha and asked if they could launch a new campus for their employees. It is unclear if any money changed hands, but when Alpha launched their Brownsville campus (available to SpaceX employees and any other locals who are interested) tuition was only $10,000 (vs $40,000 at the main Austin campus); incoming students trailed national academic standards by over a year. But after nine months on the Alpha program the first cohort of students had caught up and surpassed the national average, and they kept accelerating, achieving an average learning velocity of ~2× the national average (see section four for what that means). Brownsville was Alpha’s attempt to show that their model wasn’t just rich‑kid selection effects. Spring 2024 | Field Pilots & Ukraine Trip Alpha tuition is high for the Austin area ($40,000 vs average private school ~$10,000-$15,000), but unlike most private schools tuition is all-inclusive. There are no extra fees for computers or field trips. There are no silent auctions or appeals for donations. This “no extra fees” allows the school to do some pretty ridiculous things. In the first half of 2024 Alpha sent a group of students to Poland to help launch a 2-hour learning pilot among Ukrainian refugees. Students did not pay to go on the trip. But students also did not have a “right” to go on the trip. They had to earn it. In addition to being on top of academic and non-academic expectations, students who wanted to participate had to learn basic Ukrainian so they could interact with the students in Poland they were meant to be helping. By not linking the opportunity to payment, the school could instead link it to behavior and achievement. This year a group of kids who learned to sail during the school year are going on a sailing trip through the Caribbean – for no additional fees to the parents. I also heard that around this time Alpha began testing the 2-hour learning platform at a facility for juvenile delinquents in Florida. I heard that from one individual who was not directly involved and I have not found any written documentation on it, so unclear if it worked, it was a one off, or if it even happened. But it fits into the pattern of Alpha at this stage: “We know this program works for a specific type of kid. Let’s find out how broadly it is applicable. Can it work for everyone? Is it the solution for learning and education for the world?” Fall 2024 | “Pick‑Your‑Afternoon” Specialist Schools MacKenzie told me that there was consensus among the current parents of Alpha that the 2-hour learning program was exceptional and was making a huge difference with their kids. Their kids were all learning at breathtaking speed in a very condensed period of time. But there was NOT consensus about what the kids should be doing in the other 22-hours of the day. Some parents wanted to utilize the platform’s capabilities to go even faster. Some wanted their kids to just chill out and enjoy the rest of their day – let kids be kids. Others wanted their kids to use the freed up time to do sports, or study music. It was clear to her that “learn more faster in a short period of time” was a universal desire. But beyond that it was unclear what the “right” solution for the rest of her program was. You can make the morning ultra-personalized, but if the goal of the afternoon is socialization that you are missing in the morning, you need to have some sort of alignment on how to spend that afternoon. That challenge led to Alpha’s 2024 expansion into specialty schools. Three micro‑campuses opened August 2024: GT School (Georgetown, TX) — Alpha’s “Gifted and Talented” School. Higher admissions bar; higher academic expectations; Afternoon programming focused on excelling in “academic competitions” like chess, go, debate, public speaking, robotics, programming and Quiz Bowl.
Agincourt was the standard model of battle - Henry V "made it his course to busy the minds of his people with foreign quarrels", to misquote Shakespeare, landed an army in Normandy and went around taking and besieging towns. When the French went up to engage him, Henry attempted to withdraw, took up a position on good ground and when the French attacked the English broke them utterly. Halfway through the battle the order was given to kill the prisoners instead of holding them for ransom, and so the battle was not merely a defeat for the French, but a disaster, with a generation's worth of military leaders dead in a single day.19
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And the French rushed on the English vanguard with incredible speed, which was not quite finished joining the rest of the English army. Shocked to see the French, who they though were waiting for them, already rushing out of the woods, the vanguard routed instantaneously. The French pursued them into the second force, which, seeing the first disintegrate, routed itself, and meanwhile the commander of the rearguard, Sir John Falstaff, implemented a tactical withdrawal in good order, thereby extricating his force and wrecking his military career, ending up as the scapegoat for the entire doomed campaign and a comic relief character for Shakespeare. The casualty figures are staggering; the English lost "two to four thousand men" killed or captured, the majority of their force, while the French army had three deaths. This, to be clear, is about the number of men you expect to accidentally trip over their own stirrups dismounting and break their necks. The French swept onwards to Rheims, every town they reached surrendering within the day, and the Dauphin Charles was crowned King Charles VII of France before crowds cheering or weeping at the extraordinary victory, with Joan having the place of honor beside him. Crowds flocked to the king and the mood in the country was ecstatic.
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