Fussell
Article
Fussell is a recurring person in the Astral Codex Ten archive, appearing 5 times across 5 issues between February 24, 2021 and December 09, 2022. The archive places it in contexts such as “Fussell describes cruises as the working-class vacation par excellence”; “Fussell says cowboys represent the idea that poorer people are freer and more authentic”; “Fussell tries to come up with some general principles”. It most often appears alongside David Brooks, Paul Fussell, United States.
Metadata
- Category: People
- Mention count: 5
- Issue count: 5
- First seen: February 24, 2021
- Last seen: December 09, 2022
Appears In
- Book Review: Fussell On Class
- Highlights From The Comments On Class
- Your Book Review: Down And Out In Paris And London
- Book Review: First Sixth Of Bobos In Paradise
- Highlights From The Comments On Bobos In Paradise
Related Pages
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- David Brooks (3 shared issues)
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- Paul Fussell (3 shared issues)
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- United States (3 shared issues)
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- America (2 shared issues)
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- Bobos (2 shared issues)
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- Bobos In Paradise (2 shared issues)
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- Brooks (2 shared issues)
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- California (2 shared issues)
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- Chicago (2 shared issues)
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- Class X (2 shared issues)
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- Connecticut (2 shared issues)
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- Democrats (2 shared issues)
External Links
Source Context
Recovered passages from the original issue text. When the raw archive preserved outbound links inside the source passage, they are listed directly under the quote.
Paul Fussell wants to talk about class.
Inline links: wants to talk about class
Paul Fussell will have none of it. He believes America has one of the most hypertrophied class systems in the world, that its formal equality has left a niche that an informal class system expanded to fill - and expanded, and expanded, until it surpassed the more-legible systems of Europe and became its own sort of homegrown monstrosity. He says he prefers the term "caste system" to "class system" when describing America, conveying as it does a more rigid and inescapable distinction, and that he uses "class" only out of respect for conventional usage.
For example, apparently Super Bowl parties are a working-class custom. And apparently it's an middle-to-upper-middle-class custom to make fun of Super Bowl parties, either throwing them ironically or not at all. Even in 1983, Fussell describes "the satiric anti-Super Bowl party" among the middle class, where people deliberately get together on Super Bowl Sunday to conspicuously not watch sports and feel superior. This hits a little closer to home than the rhododendrons. Or: contempt for clothing with obvious brand names on it (eg a jacket that says ADIDAS in big letters) is apparently a middle-class reaction to a working-class preference for this sort of product. Or: your list of "grammatical pet peeves" is a suspiciously good match for the differences between the upper-middle-class dialect and the working class dialect (whether you keep a distinction between "less" and "fewer", for example). Also, I regret to inform you that the dead hand of Paul Fussell is reaching out all the way from 1983 to tell you that your contempt for people who overuse apostrophes is a class signaling game.
Inline links: your contempt for people who overuse apostrophes
Given the ways class is inherited, I was interested to hear some commenters mention Paul Fussell’s son is also famous. Psmith:
Inline links: Psmith
To my surprise, we have some genuine upper-class people reading this blog. Here’s what they thought, starting with Cabayun:
Inline links: Cabayun
While I hardly grew up in the upper-upper world Fussell is describing (though my grandparents and to a lesser extend parents surely did), a lot of the particulars stood out to me as right on the money (the food, names, boring social scene almost by design, locations, house/furniture descriptions).
The notion that Orwell might be lying never occurs to the major. The fact that Orwell is now a tramp like all the others doesn’t matter either. What matters is that he was a gentleman, and therefore still is a gentleman, deep down in chakras. I suppose this is the cultural groundwork for the income-independent classism dicussed at length in Scott’s review of Fussell on Class. I imagine Orwell was laughing at himself on the inside, dissapointed in the knowledge that even months of starving and working as a scullion couldn’t change the fact that he was a upper middle class Etonian that served in the imperial police. But of course it’s that tension that makes this and all the rest of Orwell’s non-fiction so interesting. Whether he’s taking down a stampeding Burmese elephant in Shooting an Elephant or fighting Franco’s fascists alongside anarcho-syndicalists in Homage to Catalonia, there’s alway a sense that he’s somewhere he’s not supposed to be, bringing back forbidden knowledge from unexplored moral territory, so that it might sit comfortably on middle-class and public school library bookshelves. Orwell’s genius, as I see it, is in not being a genius. He was merely among the first to realize that ugly, uncouth, and unconscionable places and people might be worth a closer look, and that the lives of such people had much broader political and social significance than the reading public had yet dared to imagine. If nothing else, Down and Out in Paris and London should serve as inspiration to journalists and writers everywhere; it’s proof that if one wishes to write an important book, one need only write truthfully about the vaguely terrifying parts of society that the average person often sees, but never enters.
Paul Fussell’s Class X. At the time I thought this reference was jarring; Fussell starts out as an equal-opportunity satirist, making fun of every class alike. But then he says actually there are some pure perfect people without any foibles, and goes on to describe what sounds like the normal upper-middle class he probably belongs to. Charitably when Fussell wrote his book back in the 80s, there were still real bohemians, or at least he could remember a time when there were. Now all the features of bohemia have been reprocessed into generic upper-middle-class markers.
Inline links: Paul Fussell’s Class X
* Whether or not 'starving artists' have vanished as a class, Fussell wasn't among their number, and the concept doesn't seem to much overlap with 'Class X'. (I do think ACX has a tendency towards over-cynicism in assuming that everything is signaling and that people have no honest interests. The vast majority of 'new elite' members do not enjoy whitewater rafting, and so they don't participate in whitewater rafting.)
Backlinks
- Bobos
- Bobos In Paradise
- Book Review: First Sixth Of Bobos In Paradise
- Book Review: Fussell On Class
- Books: B
- Brooks
- Class X
- Concepts: B
- Concepts: C
- Concepts: I
- Concepts: O
- Concepts: R
- Concepts: W
- David Brooks
- Eton
- Highlights From The Comments On Bobos In Paradise
- Highlights From The Comments On Class
- intelligentsia
- McDonalds
- Old Establishment
- Paul Fussell
- People: B
- People: D
- People: F
- People: P
- rhododendrons
- The Simpsons
- Venues: E
- WASP aristocracy
- WASPs
- Your Book Review: Down And Out In Paris And London