Organizations: J

Groups, collectives, magazines, venues, and institutions operating inside the scene. This section collects the J slice of the category index.

Reference Index

Use the title to open the reference entry. Use the caret to expand a compact inline dossier with source context, issue trail, related pages, and outbound links.

Johns Hopkins

Johns Hopkins is a recurring organization in the Astral Codex Ten archive, appearing 9 times across 9 issues between February 23, 2021 and February 07, 2025. The archive places it in contexts such as "Johns Hopkins says there were about 353,000"; "It would be better to use excess mortality numbers, but I can’t find this. This would mean the official Johns Hopkins numbers"; "As a Johns Hopkins scientist". It most often appears alongside Scott, US, Congress.

Article page
Johns Hopkins
Mention count
9
Issue count
9
First seen
February 23, 2021
Last seen
February 07, 2025
February 23, 2021 · Original source
Johns Hopkins says there were about 353,000 on 12/31/20, so false.
February 28, 2021 · Original source
1: On my predictions thread, I included a prediction that expert consensus would be that the US had the highest unofficial coronavirus death toll of any country. I graded it true. Commenters made a strong case that I was wrong, and it should have been India. A couple of studies (see eg here) suggest seropositivity numbers of 20%+. This is pretty similar to the US’ percentage, but India has three times as many people. Among known cases, India’s case fatality rate is half the US’; if the same pattern holds among missed cases, India probably has 1.5x the US’ death toll (it would be better to use excess mortality numbers, but I can’t find this). This would mean the official Johns Hopkins numbers for the India:US case ratio are off by a factor of four, and probably the same is true for lots of other Third World countries. I’m adding this to my Mistakes Page.
November 23, 2021 · Original source
Dr. Marty Mackary says this : "As a Johns Hopkins scientist who has conducted more than 100 clinical studies and reviewed thousands more from the scientific community at large, I can assure you that the agency’s review can be done within 24 to 48 hours without cutting any corners."
December 22, 2021 · Original source
I conclude that the risk-benefit calculation probably favors using Luvox. And I’m not alone here. Johns Hopkins University’s COVID treatment guidelines recommend fluvoxamine for appropriate COVID patients. Some leading psychiatrists, especially the Washington University psychiatrists who helped discover the new indication, support fluvoxamine for appropriate COVID patients. Many of the epidemiologists and statisticians most instrumental in debunking the hype around ivermectin have spoken out in favor of fluvoxamine, saying this one is the real deal (1, 2). The National Institute of Health hasn’t quite come out in support, but they have taken the unusual step of not disrecommending fluvoxamine the same as they disrecommend every other oral early COVID treatment, saying that the evidence "provides the sort of flexibility for the treating clinician to go either way".
There are many reasons not to prescribe a medication for a new indication. Maybe you genuinely think the risks outweigh the benefits. If it were me, I would trust the Johns Hopkins guidelines team on this, but honest opinions can differ. I have no problem with doctors who are holding off for this reason, and look forward to arguing with them in the appropriate venues.
Or maybe you suspect the benefits outweigh the risks, but you have a principled heuristic of not trusting your own suspicions. Doctors are constantly meddling with systems we don’t fully understand, people die when we make mistakes, and hordes of scammers and profiteers are trying to exploit us at any given moment. “Never do anything that five government bodies haven’t enthusiastically recommended” is a great meta-level heuristic for staying sane in that environment, and one which I follow 95% of the time. If someone else follows it 99.9% or 100% of the time, and even a Johns Hopkins endorsement isn’t enough of a recommendation for them, I can understand that.
November 04, 2022 · Original source
37: Good Science Project, Working To Improve Federal Science Funding (?/10) The Good Science Project officially launched back in April, and has brought on a Senior Fellow (Betsy Ogburn of Johns Hopkins, with an interest in clinical trial quality and infrastructure) and Eric Gilliam (formerly working for Steve Levitt, with an interest in progress studies and the creation of effective scientific institutions). They have published many articles on science reform, most recently including a Health Affairs piece arguing for an NIH Center of Innovation, and are advising ARPA-H (the new “DARPA for health”) on meta-science issues. Staffers at the White House and Congress regularly ask for their input. You can read their Substack here.
February 07, 2023 · Original source
Well, her life and legacy are now successfully being acknowledged and celebrated. Congress passed a resolution honoring Lacks in 1997. She has received honorary degrees, the WHO’s Director General Award, and membership in the National Women’s Hall Of Fame. Atlanta declared October 11 “Henrietta Lacks Day”. There is a high school named after her in Washington, a plaza named after her in Virginia, and an asteroid named after her somewhere between Mars and Jupiter. In 2014, at the 9th annual Henrietta Lacks Memorial Lecture, the dean of Johns Hopkins announced the college’s new research building would be named after Lacks, saying:
We at Johns Hopkins are profoundly grateful to the Lacks family for their partnership as we continue to learn from Mrs. Lacks's life and to honor her enduring legacy
April 12, 2023 · Original source
This changed in 1998. A Johns Hopkins doctor tested a new asthma treatment. A patient got sick and died. Fingers were pointed. Congress got involved. Grandstanding Congressmen competed to look Tough On Scientific Misconduct by yelling at Gary Ellis, head of the Office For Protection From Research Risks. They made it clear that he had to get tougher or get fired.
In order to look tough, he shut down every study at Johns Hopkins, a measure so severe it was called “the institutional death penalty”. Then he did the same thing (or various lesser penalties) at a dozen or so other leading research centers, often for trivial infractions. Duke got the axe because its IRB hadn’t properly documented whether a quorum of members was present at each meeting. Virginia University got the axe because, although it had asked patients for consents, it hadn’t asked the patient’s family members, and one family member complained that asking the patient for a family history was a violation of his privacy.
Peter Pronovost of Johns Hopkins helped invent these checklists, but wanted to take them further. He proved at his own ICU that asking nurses to remind doctors to use the checklists (“Doc, I notice you didn’t wash your hands yet, do you want to try that before the procedure?”) further improved compliance - just in his one ICU, it saved about eight lives and $2 million per year. Scaled up to the entire country, it could save tens of thousands of people.
July 14, 2023 · Original source
only 29 know that ordinary (as opposed to GMO) tomatoes have genes Q: Well, those are facts, not understanding — and that’s just looking at American adults in general! Surely good schools are doing a better job educating than that? Caplan cites a famous study by the educational psychologist Howard Gardner: “Researchers at Johns Hopkins, M.I.T., and other well-regarded universities have documented that students who receive honor grades in college-level physics courses are frequently unable to solve basic problems and questions encountered in a form slightly different from that on which they have been formally instructed and tested.” Q: Okay, but schools teach reading, writing, and math… right? Basic literacy and numeracy: yes. Adult-level: no. If you gave someone two editorials that clashed over interpreting economic evidence, what percent of American adults could compare the editorials? One U.S. Department of Education study that Caplan cites finds: just 13%. And while 78% could “calculate the cost of a sandwich and a salad, using prices from a menu”, only 13% could “calculate an employee’s share of health insurance costs for a year, using a table that shows how the employee’s monthly cost varies with income and family size”. Q: I’m afraid to ask about reasoning abilities. Caplan quotes from a study that looked into how well college students were at applying academic learning to everyday life. The authors write: “The results were shocking. Of the several hundred students tested… the overwhelming majority of responses received a score of 0. Fewer than 1% obtained the score of 2 that corresponded to a ‘good scientific response’.” America isn’t so much of an outlier; numbers across the rest of the world are comparable. The 4.7 trillion-dollar question is why. The usual suspects Ask around, and you’ll find people’s mouths overflowing with answers. “Lazy teachers!” cry some; “unaccountable administrators” grumble others. Others blame the idiot bureaucrats who write standards. Some teachers will tell you parents are the problem; others point to the students themselves. Egan’s not having any of it. He thinks all these players are caught in a bigger, stickier web. Egan’s villain is an idea — but to understand it, we’ll have to zoom out and ask a simple question — what is it, exactly, that we’ve been asking schools to do? What’s the job we’ve been giving them? If we rifle through history, Egan suggests we’ll find three potential answers. Job 1: Shape kids for society Before there were schools, there was culture — and culture got individuals to further the goals of the society. Egan dubs this job “socialization”. A school built on the socialization model will mold students to fit into the roles of society. It will shape their sense of what’s “normal” to fit their locale — and what’s normal in say, a capitalist society will be different from what’s normal in a communist society. It’ll supply students with useful knowledge and life skills. A teacher in a school built on socialization will, first and foremost, be a role model — someone who can exemplify the virtues of their society. Job 2: Fill kids’ minds with truth In 387 BC, Plato looked out at his fellow well-socialized, worldly wise citizens of Athens, and yelled “Sheeple!” Fresh off the death of his mentor Socrates, Plato argued that, however wonderful the benefits of socialization, the adults that it produced were the slaves of convention. So long as people were shaped by socialization, they were doomed to repeat the follies of the past. There was no foundation on which to stand to change society. Plato opened his Academy (the Academy, with a capital ‘A’ — the one that all subsequent academies are named after) to fix that. In his school, people studied subjects like math and astronomy so as to open their minds to the truth. Egan dubs this job “academics”. A school built on the academic model will help students reflect on reality. It will lift up a child’s sense of what’s good to match the Good, even when this separates them from their fellow citizens. And a teacher in an academic school will, first and foremost, be an expert — someone who can authoritatively say what the Truth is. Job 3: Cultivate each kid’s uniqueness In 1762, Jean-Jacques Rousseau looked out at his fellow academically-trained European intellectuals, and called them asses loaded with books. The problem with the academies, Rousseau argued, wasn’t that they hadn’t educated their students, but that they had — and this education had ruined them. They were “crammed with knowledge, but empty of sense” because their schooling had made them strangers to themselves. Rousseau’s solution was to focus on each child individually, to not force our knowledge on them but to help them follow what they’re naturally interested in. The word “natural” is telling here — just as Newton had opened up the science of matter, so we should uncover the science of childhood. We should work hard to understand what a child’s nature is, and plan accordingly. Egan dubs this job “development”. A school built on the developmental model will invite students into learning. And a teacher in this sort of school will be, first and foremost, a facilitator — someone who can create a supportive learning environment for the child to learn at their own pace. Q: Can you recap those? We might sum these up by asking what’s at the very center of schooling. For a socializer, the answer is “society”. For an academicist, the answer is “content”. And for a developmentalist, the answer is “the child”. You want a visual? We might think in terms of these three images: Kieran Egan laughs at your educational reforms Okay, of those three jobs, which should we give to schools? You probably have your favorite — I certainly did! But Egan wants you to know they’re all crap. None of them, by themselves, can give us the kinds of schools we want. Q: I kind of like Rousseau! What’s the problem with pure development? Like I said before, my bookshelves overflow with authors who want to knock down Rousseau (and the people who followed in his wake — John Dewey in particular). Egan will have none of it: before the developmental approach, many schools were terrible places where children were beaten for getting math problems wrong. “Rousseau and Dewey,” he writes, “have enriched our conception of education in important ways. We will not make educational progress by trying to cut away their contribution”. But, he continues, there’s no way a purely developmental approach could possibly work! Rousseau imagined human nature to be selfless and kind; this ideal state could only survive if it was kept away from the evils of society — the titular child in his book Emile was kept away from human society, unable even to read, until age twelve. Of course, schools don’t go this far — they can’t — but I can attest from personal experience that even fairly serious attempts to raise children in an accepting community of peers often crash and burn when faced with actual human nature. Kids reared in the most developmentally appropriate schools can be nasty, bored, and lazy at about the same rate as their mainstream peers. Q: In my heart, I’m an academicist. What’s the problem with it? I think Egan was an academicist in his heart, too. His book drips with classical references — so much so that it can make some sections difficult to read. But, he points out, those purely-academic schools really were hellscapes. And their brutality wasn’t something that was just tacked on, it flowed from their understanding of knowledge: enlightenment will come when the right information enters a child’s head, regardless of how it gets in there (or whether the child wants it in there). And again, Egan feels obliged to point out that we’ve tried this approach for thousands of years, and it hasn’t worked. In fact, Plato’s original vision so obviously doesn’t work that people hawking academic schools have modified their pitch: no longer is the goal for students to understand the Truth, but to cultivate inquiring, skeptical minds who are perpetually dissatisfied with old answers. Can we imagine taxpayers paying for this? Q: Fine, fine. I’m not a fan of socialization, but I’ll ask the question — what’s wrong with it? The funny thing is that of the three, this is the only one that has shown its ability to work for a long stretch of time! (As John Calvin pointed out, as animals, we’re pretty pathetic. Socialization allowed our ancestors to become something more than individuals so that they could survive; we owe this job our gratitude. That said, it would be impossible for schooling today to seek only to socialize. That would require that members of a society share values, and fundamentally agree that their society is good. It also requires that a society not be changing, so the values and skills that are taught to children today will be the ones that will be useful to them in thirty years. Obviously, modern Western society is none of those things. Pure socialization might work for the Amish, or for Catholic trad communities, but not for us. And, frankly, we should feel okay about this. (Do you know where you could get a pure socialization education in the 20th century West, Egan asks? The Hitler Youth!) There really are good reasons to be wary of any education that decrees that its society is uniformly good. Which combination is best? Okay, you say, it’s clear that none of these jobs is good on its own — the solution (obviously!) is to smoosh them together. If we do that wisely, the good parts of each will make up for the deficiencies of the others. This sounds eminently reasonable — but Egan would like to have a word with you. Q: What’s the problem in combining socialization with academics? Wouldn’t this be a beautiful combination? Socialization would cohere the school together, and then they could leverage those good feelings to, say, read Aristotle. I’ve seen this work in schools (like conservative Christian academies) founded on a set of specific beliefs. But when intellectual diversity enters in, it becomes harder. You, perhaps, say that socialization could unite people around their differences — schools could support a society made up entirely of critics! Yes, a society of critics would be interesting, and so would a herd of cats: neither works in practice. Imagine students reading their Ibram X. Kendi books in the morning, then pledging allegiance to the American flag after lunch. Q: What’s the problem in combining academics with development? Again, this seems like a beautiful vision: we can invite children into discovering the big ideas. Alas, it crashes into the reef of reality quite quickly: what do we do when kids don’t want to learn about the big ideas? This combination works wonderfully for kids who naturally want to be academics, but — and this is a crucial point that geeky education types too often sweep under the rug — lots of kids don’t naturally want to be academics. Okay, you say, ignore the “liberatory” element of the developmentalist program, and focus on the “uncovering the nature of the individual child” part: academics can tell us what the students should be learning, and development can tell us how they should learn it. Egan has a thought experiment for you. Imagine that you get the funding to fully pursue this combined goal — you set up a hundred different types of schools in the nearest big city. There’s a specific school for every possible permutation of learner — a school for big-picture kinesthetic learners who score as INFJ on the Myers–Briggs, a school for detail-oriented auditory learners who score ENFP, a school for marine-biology-loving hyperactive learners who lost their personality test results… you get the idea. You build the schools, you work out the bus schedule, and then, on the first day, all the students learn exactly the same content. Because that’s what it means for a school to be an academy — it teaches “the best that’s been thought or said”. Q: What’s the problem in combining development with socialization? What’s wrong with telling kids to become their authentic selves, even as you squeeze them into the roles most beneficial to society? Imagine two rural schools merging together, due to declining local population. Now imagine that one of them is a hippie free school, and the other is a military academy. (That’s a reality TV show I’d watch.) It’s possible, I suppose, to imagine this working for kids who naturally want to be, say, plumbers, or paleontologists, or presidents — and who happen to go to a school that prepares its students to fill that one role. But the odds of matching students to schools just perfectly seems small. But enough thought experiments — we can state this in a visual form: behold, the SAD triangle. It’s bright around the edges, but muddled where they mix: One of the things I love about Egan is that he looks at educational ideas historically. (Most histories of education start around the turn of the 20th century; I remember being excited when I found one that began in the 1600s. Egan begins in prehistory.) And what we’re reminded of, when we see these historically, is that these jobs were meant to supplant each other. Put together, they sabotage each other. What are we asking of schools? Of the three possible jobs, which are we asking mainstream schools to perform? Egan answers: all three. To confirm this, stretch your memory back to your student days, and see if you can put some of the most basic elements in any of these three categories. We’re so immersed in these that they seem obvious, “natural” aspects of schooling, but of course they’re nothing of the sort. Did you spend your time with other children of the same age? Was your work graded according to a standard? Were you forced to play team sports, or to pledge your allegiance to your nation-state? All of these, Egan says, bear the fingerprints of the goal of socialization. Progressive reformers in in the 1960s saw these as the markings of a dark conspiracy, but socialization has more warm-feely aspects: counselors to help students cope with the strains of modern society, field trips to the local fire station and historical monuments, and everything “practical” — life skills, sex ed, emotional regulation, and so on. Did you learn anything that wasn’t obviously useful? Did you read Hamlet, say, or master the Pythagorean theorem, or learn that the planets orbit the Sun (and not the other way around)? That’s the fingerprints of the academic goal. Finally, did you hear teachers show concern about “age-appropriate” content, or see signs that your school valued individualized learning? Does it seem right to you that learning should be “active” rather than “passive”, or that it’s better for someone to discover something than to be told it? Did your kindergarten have tiny, child-sized chairs? All these, Egan says, are the fruit of developmentalism. The first time I read the book, I wondered at all this. What Egan was saying was indeed lining up with my memories. But perhaps, I thought, he was playing loose with the categories; I was still skeptical that schools really were trying to balance all three goals. So I decided to check his idea from a different perspective and look up the mission statements of school districts I was familiar with. Here’s the one from the town I currently live in: “Skills” and “become involved members of a global community” seem to connote socialization, “challenge” and “knowledge” seem to connote academics, and “empower” and “reach their full potential” seem to connote development. But I wasn’t sure if I was just seeing faces in clouds, so I looked up the mission statement for my hometown: “Succeeding” seems like socialization, “learning” seems like a nod to academics, and “growing” seems like code for development. But again, I was worried that I engaging in motivated reasoning, so I looked up the largest district I’ve lived in, a city of about a million people: Wow. That seems pretty clear. So, to sum up: Egan says that there are three potential jobs we can give to schools. Alone, each of these jobs is terrible; together, they’re worse. And what we’ve done is given schools all three jobs. A sad triangle, indeed. What about alternative schools? I was curious to see whether this “sad triangle” could help us understand other philosophies of education, and why they work (or don’t). Where would, say, unschooling, and classical education, and vocational ed, and Montessori go? The first three seem obvious. Radical unschooling is in the upper-right, classical schools (with its focus on feeding kids “the best that’s been thought or said”) is in the upper-left, and vocational ed is in the bottom corner. What can that tell us? Intriguingly, each of those approaches can claim to have done some impressive stuff. I’ve worked with radical unschoolers, and while their skills have often been lopsided (not learning math is an acknowledged issue in the community), they’ve all at least exhibited a zeal for learning the topics they’ve been interested in. (Video games, frequently.) And I remember a massive study in the early 2000s that asked which kinds of schools actually improved student test scores controlling for the effects of socioeconomics. What it found was that only two types of schools stood out: Catholic schools that were operated by a religious order (e.g. the Jesuits — not local parish schools), and vocational schools. Q: Oh, that’s terrible evidence. One of those was just personal anecdotes! And what about selection effects? And what about…? I wouldn’t disagree — and, as Freddie deBoer points out, most educational research is bunk. I’ll take this to be only weak confirmation of Egan’s theory that combining jobs undercuts education. Are we hosed? If Egan’s critique is correct, we’re in a bad situation. Educational radicals yell from their dark corners to abandon the middle and come join them; a century of educational reforms have amounted to little more than wobbling around, first in one direction, then another. At the moment, the conversation about schools in the United States, at least, seems to have hit an all-time pessimistic blech. Freddie deBoer speaks for a lot of people when he says “Even the most optimistic reading of the research literature suggests that almost nothing moves the needle in academic outcomes. Almost nothing we try works.” I’m not quite that pessimistic — the word “almost” is doing some work, there. There are some reforms that seem to work at the margin: raising teacher pay, making it easier to become a teacher, reducing air pollution, free school lunches, and more. Actually applying what the science of reading has been telling us for a few decades seems a big one. And perhaps you have your own pet reform proposal. Sure — add it to the heap! What Egan suggests, though, is that so long as we’re bopping around this triangle of jobs, we won’t be able to get the schools that we want. The dream There’s a moment at the end of my favorite Bollywood movie that’s become stuck in my head. The protagonists have made the arduous journey to a beachside rural school. In the sun outside, flocks of children are experimenting with art and playing with inventions; inside, the walls are covered with books and the tables are covered with models. The kids are learning joyously and deeply. In the real world, such places do exist — they’re just exclusive, pulling their students from among the families who are already the most gifted and curious. They don’t make kids this way; they scoop up the kids who are already this way. But in the movie, we’re supposed to believe these are normal children — normal, except they’ve been transformed by a school. Egan’s wild idea is that it’s possible to make schools like this. He thought that we didn’t have to wait for the communists to make people equal or for the transhumanists to make people smarter. All he thought it required was giving schools a different job — not socialization or academics or development, but something that brings pieces of them together in a new way. But in order to understand that job, we have to come to a cleaner, bigger, and truer understanding of what “education” is. The road ahead: a special Q-and-A Q: This is the proverbial thousand-dollar-bill-lying-on-the-sidewalk: if this is possible, someone should have done it now. Is Egan going to give sufficient evidence for me to believe this? Maybe! I’ll address this in a special section at the end, after sketching out what his theory looks like. Q: If his theory is even plausibly true, then why haven’t I heard of Egan before? His books can be hard to read — he was an intellectual’s intellectual; he had difficulty writing a page without a reference to William Wordsworth, Friedrich Nietzsche, Sigmund Freud, Ludwig Wittgenstein, Claude Levi-Strauss, Richard Rorty, Noam Chomsky, or Steven Pinker. And his paradigm is wonky and multidimensional; he rejiggers common categories, and tells you everything all at once. But worst of all, when his paradigm is stated plainly, it sounds stupid. Q: Oh! What… is his paradigm? I’m going to jigsaw his book, and hold back his big idea for its own section. First, I’m going to list out some simple observations of students at different ages, and imagine what schooling could look like, if it were built on these principles. (First I’ll do this for elementary school, then middle school, then high school.) Then I’ll explain how his theory ties all of this together… by clarifying our definition of what education actually is. Q: I’m not from America; could you be clear on what you mean by those divisions of schooling? Egan’s framework has three main stages, but they don’t divide neatly into “elementary, middle, and high school”. (The precise age ranges he talks about, if you’re interested, are 2–8, 8–15, and 15 and older.) Regardless, I’m going to use those terms — he sometimes did — because it gives me something specific to imagine. Don’t sweat ‘em. Part 2: A new kind of elementary school What’s the matter with elementary schools? Egan suggests that Plato and Rousseau, for all their differences, might have the same reaction if they visited a modern elementary school: they’d call it “trivial”. I’ll admit, here, that I have tremendously fond memories of my elementary school years — committed teachers, good friends, and interesting activities. But I suspect my memory has edited out the most typical work I did. Either that, or elementary schools have taken a drastic plunge in quality from the 1980s. My wife and I homeschool now, but before the pandemic, we sent our kids to our local public school, and whenever we volunteered in the classroom, we were horrified. They spent their days practicing reading on shallow texts, or half-mindlessly practicing basic arithmetic. Occasionally they’d bring us home a sign of learning about something from the real world — usually something as intellectually and emotionally compelling as the importance of tooth brushing. And at parent–teacher conferences every year, we’d be sat down on tiny chairs and informed that, while our children were quite bright, they were struggling to pay attention in class. No sh**, I wanted to reply. The school seemed hermetically sealed; almost nothing that felt meaningful from the outside world could get in. Though they might agree about little else, Egan thinks that Plato and Rousseau would look at the dull worksheets and insipid “hands-on activities” and call modern elementary schools trivial. He agrees, and thinks that fixing this is the first step to building a new kind of school. Why so trivial? Ironically, Egan thinks it's all the fault of Plato and Rousseau. Hidden in the ways that both the academicists and developmentalist think about education is an assumption: that children’s reasoning is basically the same as adult reasoning, but lesser. Q: This isn’t some romantic, children-are-the-real geniuses theory, is it? Egan actually does think that there’s an intensity to how children perceive the world that we lose — but no, it’s not. He’s building on mainstream cognitive science — just aspects of it that are currently more-or-less ignored in school. The upshot, though, is that he thinks that educational researchers (be they of academic or developmentalist persuasions) see kids as smaller, stupider versions of adults. Q: But that’s the opposite of what my local developmentalist school says! It was the opposite of what the developmentalist school that I worked at said, too. But at teacher meetings, I’d frequently hear people ask what was “developmentally appropriate” for a child. I’ll grant that there are perfectly reasonable times to ask this: “Honey, is it developmentally appropriate for our 10-year-old to watch ‘Cocaine Bear’?” is just one of many examples. But “is it developmentally appropriate for our class to learn about world religions?” or “is it developmentally appropriate for our school library to have a book mentioning homosexuality?” probably aren’t some of them. (The latter example was not one that I heard at my progressivist school, but Egan points out that this sort of language is often used by conservative activists.) This notion of “developmentally appropriate” took on a scientific sheen with the work of Jean Piaget, the famous Swiss psychologist. Before age 12, he “proved”, children aren’t able to form hypotheses, draw conclusions, or think abstractly. This, his followers thought, should transform schools — and so they did! To math, they added in “manipulatives” — physical cubes and rods and such — to help students see math. To the history curriculum, they — well, they ended it. Why waste time, they asked, lecturing students about history that they couldn’t possibly understand? In its place they put the “expanding horizons” model of social studies. One version goes as follows: In kindergarten, students learn about themselves In first grade, they learn about their families In second grade, they learn about their neighborhood In third grade, they learn about their city In fourth grade, they learn about their state In fifth grade, they learn about their nation In sixth grade they learn about the world We can admit that there’s an elegance to this model. (I can picture how clever the theorist who first came up with it must have felt!) The downstream effects of it, however, seem horrible. Doesn’t keeping kids ignorant of the rest of the world seem provincial? Doesn’t reinforcing their self-centeredness seem infantilizing? Perhaps we could stomach it if it was founded on some unshakable findings of child psychology — but does it really strike you as likely that kids are incapable of understanding anything that happened long ago or far away? How, Egan asks, can we explain the $50 billion success of a movie franchise aimed at children that literally begins “A long time ago, in a galaxy far, far away?” Q: Because… Jedis aren’t history? The point is, kids obviously have the mental abilities to understand — and in fact care a lot about — things far outside their own experience, and we’ve built elementary schools on a long-dominant model of educational psychology that swears they can’t. This is actually a great example of a general principle. Let’s call it “the Star Wars test”: can our model make sense of the most obvious facts of students? When we find that the answer is “no”, we should at least consider radically revising what we’re doing in school. What are elementary schoolers good at? (or: kids are smarter than students) Someone — I can’t now find who — once observed that children seem to lose IQ points the moment they step into a classroom. Egan agrees, and suggests that we think of ourselves as primatologists to kids, Jane Goodalls who investigate children “out in the wild” to see the sorts of things they gravitate to, and do fairly well at. If we do this, what do we see? Kids tell jokes, for one. They get mental images stuck in their heads, for another. They engage in role-playing, get lost in reverie, and beat out rhythms when they’re bored. They make ample use of metaphors, tell stories, and insist on seeing the world in terms of abstract binaries (e.g. stupid/smart, cowardice/courage, slavery/freedom, and so on). These, Egan holds, are the cognitive strengths that children use to understand the world. They’re the things that kids are often about as good at as adults — or much better than. They’re going to be the tools Egan wants us to use to rebuild the entire elementary curriculum, and in fact he spends most of his second chapter geeking out about how we might define these, how they operate in the mind, where they first pop up in history and anthropology, and even how they might have developed in our evolutionary past. I’m going to skip all of that, and get to the curriculum. From trivial to rich: the trick What could an intellectually rich elementary school curriculum look like, if we built it on kids’ cognitive strengths? He gives us one suggestion to help us do this: ask where each discipline came from in the first place. What was math before it was math, for example — or science before it was science? Q: How on Earth could that help? That’ll become clear later, when we finally uncover what Egan thinks “education” actually is, and see what job he wants us to give schools. For now, take it as a tantalizing hint… or, y’know, just ignore it. Elementary literature & language What was literature before it was literature? Before people invented writing, they had rich oral traditions: they told simple stories, recited poems, and shared proverbs. Egan suggests that these bits of oral tradition should form the backbone of the elementary literature curriculum. Q: What sorts of stories? As many as we can, and from as many diverse cultures as possible! Folktales are wonderful, as are myths. Think the Aboriginal story of “The Rainbow Serpent”, episodes from the Sumerian “Epic of Gilgamesh”, the Egyptian story of Osiris & Isis, the Greek story of Orpheus & Eurydice, the Chinese Legend of the White Snake, the Japanese Tale of Amaterasu and Susanoo, the Ashanti tales of Anansi, the Aztec myth of Quetzalcoatl, the English legend of King Arthur, the Maori myth of Maui and the Sun, the Roman story of Romulus and Remus, selections from the Indian Mahabharata, the Anglo-Saxon epic of Beowulf, the Inca legend of the Sun and Moon, the Iroquois Myth of the Flying Head (a real thing! look it up!), and the Ojibwe story of Turtle Island. Q: That was a lot of examples. Are you going to keep giving so many? I’ve got a [mumble mumble mumble] to get to. Sorry about that. Sometimes, though, I feel that a limitation of reading Educated Mind is that, in trying to keep his book to a manageable size, Egan skimped on examples in some places that it matters. It’s easy to read his occasional example and assume he intends that it hold some central place in the curriculum — when all he wants to do is display how rich and diverse the curriculum could be. (Also: good God, I didn’t even include an example from Norse mythology!) So from now on, just assume that every category could be filled with oodles of examples. Q: What sorts of poems? Lots of poems, first of all. We shouldn’t steer toward “fancy” poems — rather, we should find poems that appeal to kids immediately — think Shel Silverstein, Mother Goose, Dr. Seuss, Jack Prelutsky, Edward Lear, or Ogden Nash… that sort of thing. In a biting essay, Egan suggests these poets like these appeal to kids precisely because they leverage kids’ cognitive strengths: “we should find, and encourage saying and singing and shouting aloud verse with strong narrative forms, thumping rhymes and rhythms, the most vivid images, fun with metaphors, and a rollicking story.” Q: Why proverbs? Proverbs stick in your mind almost effortlessly. (“All’s fair in love and war!” “When in Rome, do as the Romans do!” “You can’t judge a book by its cover!”) They’re also useful; they capture general truths. Kids can apply them to all sorts of situations, but also discuss them — to what extent are they wise or foolish? (I remember my surprise when I realized that they couldn’t all be true — because you can’t follow “look before you leap” and “he who hesitates is lost” at the same time! I’m embarrassed to say that I think I only realized this when I was in college.) Elementary science What was science before it was science? Egan suggests: being immersed in the natural world. We might, he writes, encourage elementary students to “adopt” some feature of the natural world — a patch of grass, a cat, a branch, a stream — and simply observe it at length. To do this, we can use the cognitive strength of reverie. Q: Oh, do you mean like kids sometimes do in science class nowadays — describe a thing to a partner, make notes, draw it, and label its parts? No, the exact opposite! That’s all about squeezing the experience into words and forms that we understand. What we want “is less an attempt to know about nature as to know it in some participatory way, to know it as something we are an intimate part of, not set off from”. Q: That sounds a little… “woo” to me. It did to me, too… until I remembered my childhood climbing tree. I didn’t much like to go outside as a child, but I had this one tree that I’d climb up and read for hours and hours. If I close my eyes I can bring to mind the precise texture of its bark, the roughness of its broken-off branches, the coolness of its leaves, the always-surprising solidness of its trunk… I’m bigger now, but I think if I were back in my parent’s yard, I could still navigate its limbs with my eyes closed. I have, at this point in my life, read a fair number of books about trees, but I’d be surprised if all of them together more than equaled the amount I learned from that tree — my tree. Elementary math What was math before it was math? Egan suggests: counting and logic. We might, then, use rhythms, metaphors, stories, and jokes to help kids become fond of these. Q: Counting is pretty… basic. Could it really be improved? Beware of “the curse of knowledge”: Steven Pinker’s phrase for forgetting that something was once difficult! Egan suggests we should spend time helping kids count wonderfully. We can start early with counting rhymes. (“One, two, buckle my shoe! Three, four, out the door! Five, six…”) But we can also help kids use their fingers as metaphors. There are some pretty cool ways of using your hands as an abacus — and did you know that you can count up to 1,023 using just your fingers on both hands, and a knowledge of binary? Q: Logic — I’m intrigued! Aristotelian, or Boolean? Neither, for the time being — Piaget was presumably onto something when he found that young children couldn’t reason abstractly, but he was looking at logic in a vacuum. When we put logic into the context of stories, we find that kids can deal with logic just fine. There’s an entire worldwide network of educators, in fact, called Philosophy for Children, who have written whole books about how to do this, and Egan loves it all. Sometimes they read stories and ask simple questions: “What is friendship?” or “What does it mean to be brave?” They also pose ethical questions: “Is it ever right to spill a secret?” And they pose paradoxes: “Can you step in the same river twice?” Q: You mentioned “jokes” a moment ago. Care to elaborate? Egan thinks that, to help kids get good at math, you should tell kids jokes. Q: That’s… new. I think so, too — but he backs it up pretty well. To be funny, jokes (or at least most kid jokes) rely on a leap in logic: Why can’t you trust an atom? They make up everything. Knock-knock. Who’s there? Boo. Boo-hoo? Don’t cry, it’s just a joke! To understand the joke, kids have to follow the logic — spotting patterns, making connections, and tracking what their audience expects a word to mean. That’s a lot of cognitive lifting. And Egan goes further, suggesting that we grit our teeth and create methods to help kids invent their own jokes, no matter how horrible they’ll be at first. (The things we do for learning…) Q: Wait wait wait! What about addition facts, and multiplication tables, and fractions? Egan emphasizes that his methods are designed to be add-ons to the standard math curriculum. In general, he’s a don’t-blow-up-the-system sort of guy, and if something seems especially weird, you should probably assume it’s an add-on to the regular curriculum rather than a replacement, even if I forget to say so. Elementary arts What was art before it was art? Egan suggests we pop our heads into Paleolithic caves for our inspiration. Whatever the specific meaning of all those charcoal elk and aurochs and mammoths (communication with the spirit world? art for art’s sake? a way to impress babes?), Egan thinks it obvious that they were also an attempt to capture an intense experience that would be difficult to express in words alone. What did it feel like to be near an aurochs, or a saber-toothed tiger? “The arts help us,” Egan writes, “to hear and see afresh, to force our perceptions and sensations to experience again the immediacy and vividness of the world”. If we follow this, then, we don’t want to help kids build “art skills” so they can draw like an adult — rather, we want to help them amass a repository of diverse aesthetic feelings that they’ll want to express. We should provide them with a riot of experiences. Q: That couldn’t be more opaque. Examples, please! Egan writes that we should have children learn to whistle, sing, and click their tongue; we should help them emulate the ways a skunk or a hawk or a stick bug might move through a space. We should expose them to scores of different temperatures and materials. In music, we should help them love Beethoven, yes, but also the Beatles; Tchaikovsky, yes, but also Tuvan throat singers, and also John Cage, whale song, and bird song. Q: That’s a lot of experiences, but what would they be doing? An interesting aspect of Egan’s view of education is that he doesn’t seem to think we should push kids right to the “doing” phase. He wants to help kids cultivate an affective relationship with the world. In any case, he writes that as students get more experienced, we should prompt them to move from merely enjoying these experiences to trying to systematically shape similar experiences. And drawing, painting, and playing music could easily be folded into other parts of the curriculum. Elementary social studies What was social studies before it was social studies? Well. Remember how, just a moment ago, I wrote that you could assume that you should probably assume that Kieran isn’t in favor of junking the curriculum as it currently stands? He suggests we very carefully pick up the elementary social studies curriculum, place it into a trash can, and set the whole mess on fire. He isn’t worried about much of importance being lost. (Remember that the “expanding horizons” model is, to him, the original sin of 20th century educational reform, and he repeatedly quotes student surveys showing that “social studies” regularly wins the title of “most boring subject”.) In its place, he suggests we put history — which, he hints, we should think of as the centerpiece of the elementary curriculum. So the real question is what was history before it was history? His answer, surprisingly, is myth. Q: Egan wants us to teach myths as if they were history? Not at all. What he suggests, though, is that we look at how myths operate as narratives — so we can design an intellectually vivid history curriculum. And myths really are special: each is built on at least one binary (like weak vs. strong, or lies vs. truth, or so on), and uses that to tell the story of the big picture of the world. They’re so powerful that people can understand it, remember it, and love it — even if that thing never happened. We should take that power, Egan says, and apply it to things that really did happen. Q: So what history does he think kids should learn in elementary school? The great struggles of humanity from across the whole. Flippin’. World. We’re still talking about young children, so these should be done as simple stories. The goal isn’t to make them history PhD’s, so we needn’t even try to put them in any sort of order. Egan suggests that, in first grade, we pick a single binary like “freedom against oppression” and tell kids a welter of stories, again from as many cultures as possible, and as many times in history as possible. Q: Can you give examples? Oh, all right — in first grade we can tell kids the stories of the war of the Greek city-states against the Persian empire, and the slave uprising of Spartacus against the Romans. We can tell them about the plight of Jews in medieval Europe, and of the unsuccessful Sepoy Rebellion in India against the British. We can tell the stories of the American, French, and Haitian Revolutions, and about the Chinese Taiping Rebellion against the Qing Dynasty. We can tell them the story of the escaped slave Harriet Tubman returning to the South to rescue her kinsmen, the story of six-year-old Ruby Bridges facing threats to integrate her elementary school, and the story of how the Mau-Mau uprising led to modern-day Kenya. We can tell the stories of Mexican-American union organizer Cesar Chavez and of Malala Yousafzai surviving an assassination attempt to advocate for female literacy. The world does not lack for stories of oppression and liberation that can capture the attention of a six-year-old. Q: That’s… huh. What stories might they hear in second and third grade? Egan gives examples, but I won’t list them here. He suggests we use a similar approach for each, except that we swap out the binary each year. He thinks “the struggle for security against danger” would work well for year two, and “the struggle for knowledge against ignorance” would work well for year three. (That year could have a lot of overlap with the science curriculum.) Q: Anything else, for history? Yes — they should get a sense of Big History. They should get some simple stories about the ice age, the Cenozoic, the age of dinosaurs, the Paleozoic, the origins of our solar system, and the Big Bang. (Because if the ancient Norse can tell their story of the beginning of the universe, by gum, we can tell ours, too.) To sum up Egan argues that the problem of early schooling is that it’s trivial — and it’s trivial because the dominant theories of educational psychology see children as lesser versions of adults. What else would we teach them, except dumbed-down versions of what adults learn? But children have certain cognitive strengths that schools aren’t making systematic use of. If we rebuild elementary schools on those strengths, we could turn schooling upside down. We could stop seeing the curriculum as a bag of information to impart, and start seeing it as a set of great stories to tell — and invite kids into. Kids could experience (both intellectually and emotionally) the great struggles of humanity and see that they can join in them. Students could experience the story of education as the beginning of a very real adventure. Egan’s elementary school: some skeptical questions Q: I’m not sure I’m understanding what you mean by “mental images”. Care to explain? It’s an interesting fact of human cognition that just a few words can whip up a complex mental experience. Egan doesn’t just mean what we might call “visual imagery” — the ability to hold, say, the image of a bespectacled, spat-wearing duck in your mind without seeing a photograph. He’s also including what psychologists call auditory imagery, olfactory imagery, gustatory imagery, and tactile imagery. Q: How could all of that be helpful in schools? Humanity has a built-in VR system, and we’re not using it! Egan invites us to pretend we’re teaching a class about the humble earthworm. We might list off facts — “earthworms are so many centimeters long, move through soil by means of their something-or-other muscles…” but he suggests we can evoke images, say, “of what it would be like to slither and push through the soil, hesitantly exploring in one direction then another, looking for easier passages, contracting and expanding our sequence of muscles segment by segment, and sensing moisture, scents, grubs, or whatever”. Those facts are now felt by the student; the knowledge has become part of them. And just a few words can spark a complex mental experience, one going beyond literal images to include imagined sounds, smells, tastes, and more. These experiences can feel real and stick with us. (That these mental images are so easy to evoke, and so meaningfully felt, feels something like the proverbial hundred dollar bill on the ground.) Q: How could metaphors be helpful? It really is interesting that so much of the “constructivist” turn in psychology — that is, the notion that children don’t absorb knowledge, but construct it — has continued to focus on logics-mathematical reasoning, when there’s been mounting evidence for decades that metaphors are more central. It’s not just that we use metaphors to better understand things we already know, we also use them to grasp new knowledge. What’s more, psychologists have devised tests to measure the skill at metaphor-making, and have given them to people of different ages. What they found was that eleven-year-olds make more metaphors (and higher quality metaphors) than do undergraduates — and that four-year-olds have both groups beat. Again, hundred dollar bills on the sidewalk. Q: Your talk of “binaries” has me worried — binaries like good/evil and male/female are the source of so many of our most pernicious stereotypes! Isn’t the purpose of education to get us beyond stuff like this? Yes, it is! Education is supposed to complicate our understanding — but that means we’ve gotta start somewhere, and binaries provide us a natural starting place. As an uncontroversial example, think about temperature. We all begin as babies by perceiving two temperatures — hot and cold. Later, we add on intermediate categories — warm and cool. (Note that the human body is the assumed mid-point to temperature. Binaries often work like this; “big” and “small” mean “bigger or smaller than me”, “nasty” and “kind” mean “nastier or kinder than I am, except when my brother is really asking for it”, and so on.) A good story (and an Egan-inspired elementary curriculum is, in a sense, nothing but good stories) will go further, and transform the binary. Toy Story is grounded in the binary of abandonment/belonging: at the beginning, the toy cowboy Woody belongs to his owner, and has his affection. Then a rival comes who threatens his belonging. In trying to get back to belonging, Woody is entirely lost — and to save the day, he has to come to a deeper understanding of what belonging means. Now, all lessons can’t be Pixar movies. But the good stories (especially in literature and history) will challenge and subvert the binaries they begin with. Q: I see the pattern of Egan drawing from “as many cultures as possible”. Why so many? Is this a political correctness thing? If it helps to think of it as such, then, sure! I don’t think Egan would have had a problem with that. But his ultimate reason for including so much diversity goes deeper. For Egan, including such world-wide diversity isn’t optional, and the answer to why is bound up in his definition of education. (Keep reading.) His answer also insists that we, whenever possible, also include stories from the Bible and Homeric epics (the Iliad and Odyssey). Q: Mmm, stories from the Bible aren’t going to fly in my local school! So be it! Egan doesn’t spend much time obsessing over the practicalities of… His interest is in describing what an ideal education might look like, if it were possible. Every lesson, every classroom, and every school is necessarily a compromise. Q: You make a big deal of poems. But isn’t poetry dead? An interesting contrast can be made to classical education, which also has kids read a lot of poems — they see knowing great poems as one of the marks of an educated person; again, for an academicist, it’s the information that transforms. Egan begs to disagree. Poems are important because they’re a wonderful way to train their cognitive strengths, like rhythm (poems are language fueling by thumping). We want to help kids learn to use this tool better, and a great way to do that is to help them recite poems that they’ve learned by heart. Q: “Learn by heart” — is that code for “memorize”?! It is! Egan is actually quite big on memorization — he points out that all the knowledge in the world can do nothing for a person once they’ve forgotten it. He didn’t, however, appreciate the academicist focus on memorizing without understanding (or at least enjoyment). Q: I’m still worried about the science curriculum, as you’re describing it. Can you allay my fears? Honestly, while I feel there’s something profoundly right to how Egan is describing early experiences of nature, I feel the same way. Note that there’s more science coming in the social studies curriculum. But if that’s still not enough, one could bring down aspects of the middle school science stage. Q: Anything else that Egan suggests we do in elementary school literature and language? He suggests that we help kids learn a second language! This is so obviously true (why do American schools typically wait until kids lose the ability to naturally absorb languages to start teaching languages?) he doesn’t belabor it, though. Q: You had mentioned that Egan’s vision seems more internal-focused. Should we be worried about that? While I strongly suspect that his curriculum would make kids more creative in any way you’d like to measure it, Egan wasn’t particularly interested in “creativity” — he was more about helping kids find the world interesting. I get the sense that he thinks kids will do things with minimal prompting once they’re loaded up with complex internal experiences. Q: I think I’m beginning to understand Egan — is he basically saying “make learning fun”? “Fun”, applied to education, is a dangerous word. Egan worries about the dangers of an emotionally unserious curriculum producing emotionally stunted adults. That doesn’t mean we need to tell students only “serious” stories — only that we treat the world honestly. “Disney-esque sentimentality is the exact emotional equivalent to intellectual contempt”. Q: But aren't some of these stories too dark for children who have themselves experienced oppression and disaster? Egan argues that these stories may be especially helpful to them — they can help them understand their struggles better, and give voice to them. Q: At the very start of this, you promised us “rationality”… but I’m not seeing rationality here! All this talk of “adventure” almost seems to go the opposite direction. What gives? Wait for it. But for a hint right now — Egan is fond of citing his fellow educational theorist Jerome Bruner, who claimed “any subject can be taught effectively in some intellectually honest form to any child at any stage of development”. Bruner was criticized for that; his critics charged that he was ignoring learning differences and socio-economic realities. Egan thinks he was profoundly right. Part 3: A new kind of middle school What’s the matter with middle school? What was middle school like for you? In math, I recall a jumble of barely-related topics. In literature, I remember reading great literature — Frankenstein, Romeo and Juliet — only in their dumbed-down summary formats. In social studies, I remember teachers proclaiming on the first day of class that unlike all of our previous history classes, this class wouldn’t be about names and dates… and then going on to memorize names and dates. And in science, I remember being forced to dissect a frog only to discover that frogs are — you guessed it — made of slimy frog parts. Your mileage may vary, but for a lot of us, middle school feels like getting booted out of the (in retrospect) Eden of elementary school, and like marking time before the serious studying of high school. It feels meaningless. In my favorite of his books, Egan calls so much middle school curricula “human deserts”, noting “we have created a system in which the importance of human emotions for meaning seems barely noticed”. Why so meaningless? If our dominant approaches to educational psychology fundamentally misinterpret younger children, Egan suggests, they basically throw up their hands when faced with pre-teens and teenagers. Mainstream schools begin to introduce vocational training to help lighten the load, and Maria Montessori famously suggests that adolescents should be sent to go run a farm. Egan is sympathetic to those responses, but points out that they don’t do much to lighten the load that the academic curriculum often becomes at this age. This feeling of meaninglessness, he argues, is utterly tragic — it comes just when a hunger for meaning blossoms in adolescents! We can see that hunger for meaning in their lives outside the classroom, where their interests ramp up into veritable obsessions. What are adolescents obsessed with? What might we see, if we become Jane Goodalls of early adolescence? First, teens are obsessed with gossip. The motivations of others — why did he do that? and what was he THINKING? — are hypothesized and talked to death. Second, that they’re pulled toward idealism. Many feel a dissatisfaction with the world as it is, and feel a romantic urge to make it a better place. They’re often lured into simplistic beliefs that promise to help them do that. Third, they love extremes: they want to find limits, and test them. Obviously, this can show up as risky behavior, but we can also see it in their love for the bizarre — note adolescents’ fascination in things like aliens, cryptids, and ghosts. (Egan loves pointing out that The Guinness Book of World Records is a perennial bestseller among kids at this age. How else would they find out who had the world’s longest fingernails?) Fourth, they gravitate toward heroes — people who push the edges of those limits. By celebrating heroes, they can vicariously share in their transcendence. Look for the posts hanging up in a teenager’s bedroom to guess what boundaries they feel most hemmed in by: athletes push against physical limits; a death metal guitarist might push against authority and conventional morality. An activist or entrepreneur might push against our dulled morality or our sense of what’s possible. Finally, we might spot teens taking up hobbies and making collections. Hobbies can be a way to identify yourself as part of a group against the rest of the world (“I’m the sort of person who goes bird-watching!”), and collections can be a way to climb the status ladder inside the community. Egan points out that a collection can also be a way to feel like you have control over what you’re discovering is a very big and complex world of detailed information (“I’ve spotted every one of the fifty most common birds of Texas — even the black-capped vireo!”) Egan’s insight is that these obsessions give teenagers a sense of meaning, and that we can use them as tools to make middle schools that overflow with meaning. From meaningless to meaning-soaked Again, Egan sketches out a new kind of curriculum subject-by-subject. Before, his trick was to ask where the subject first evolved out of; now, it’s to ask who first discovered or created the specific content we’re teaching. “All knowledge”, he writes, “is human knowledge. Everything we know is knowable through the lives of its inventors, discoverers, or users, and we can have access to that knowledge through the hopes, fears, or intentions that drove them”. Middle school math Who first discovered the concepts students learn in math? The answer, of course, is a wide diversity of curious men and women living across the world over the last few thousand years. Egan says: bring those people into how we teach math. If we used gossip and heroes to help students find it meaningful, what kind of math would result? When we teach the Pythagorean theorem, we should give a sense of who Pythagoras was — a cult-founder who worshiped numbers to find God, whose followers (according to a piece of ancient gossip) murdered one of their members who discovered irrational numbers! Q: Well, sure, that works for Pythagoras, but he’s a known nut job; surely most math doesn’t come from such interesting roots? When we teach the Cartesian coordinate system, students should meet Rene Descartes, the Calvinist French polymath who saw the possibility that math could decipher the world, if only we could unite algebra and geometry… and invented the xy-plane to do exactly that. When we teach scientific notation, we should call our students’ attention to the importance of the number zero, and tell them the story of the Pope who tried to introduce Arabic numerals to Christian Europe and may have been assassinated because of it. When we teach algebra, we should ask students why “algebra” is Arabic for “the fixing of bones”, and tell the story of what Muhammad ibn Musa al-Khwarizmi was up to. We could do this all day. Literally everything students learn in school was first invented or discovered by some interesting person who was struggling to accomplish something hard. To learn is to connect with those people, whether we know it or not. Egan says: help kids know it. Math has been dehumanized: re-humanize it. Q: So the math curriculum needs to become a history of math curriculum, and math teachers need to become history teachers? No, the content needn’t change. But with surprisingly little work, we can bring in the gossipy stories of heroes, and their obsessions can spread to students. Middle school science Who first discovered the things students learn about in science? If you’re thinking “scientists”, you’re only partially right. Most of the big-picture ideas that we now think of as “science” were discovered before the word “scientist” was invented, or the discipline was professionalized. Frequently, they were hatched by true amateurs, working in their free time, hungry to unlock the secrets of nature. We can use gossip and heroes to spread their obsessions to students just as we taught math, but Egan points out two twists. The first is that the content itself can take on heroic qualities: everything is impressive, when you look at it in a certain light. In an interview, Egan once said: “My book is an attempt to show that, indeed, everything in the world is wonderful, but that schools are designed almost to disguise this slightly shameful fact. We represent the world to children as mostly known and rather dull. The opposite is the case: we are surrounded by mystery, and what we know is fascinating”. What would even the most boring subjects look like, if we emphasized their heroic qualities? Well: What’s a tooth? Bone, wrapped in rock, surrounding tiny cells that your body feeds with blood. What’s a bar of chocolate? A crystal of jellyfish-shaped fat molecules stacked together; when you put it in your mouth you shake them apart into a writhing confusion. What’s the air around you? The bottom of a 10-mile-deep ocean; when you put your tongue over a soda straw and your Pepsi stops leaking out, it’s not because a “vacuum” is “sucking” it up, but because that ocean is squeezing it into your face. Again, we could do this all day! And in middle school science, we can. Everything in the world is wonderful; we can help students see this again and again. The second twist is that science is a subject rich in extremes. Here Egan introduces a concept that we’ll see crop up again: “15-minute segments”. To help us fit as much wonder as possible into a school day, he suggests we supplement the usual school subjects with a few quick lessons. To infuse science with extremes, he suggests we add on three: “human & natural records”, “extremes of animals & plants”, and “cosmology”. Middle school history Who first made the things students learn about in history? Why, the historical characters themselves! Since we’ve given kids a grounding in history in elementary school, now we can build on that, going through many of the same events as before, but in more depth, and more vividly. We’ll leverage the interest with other people’s inner lives to tell stories focusing on the perspectives of the people who made history — zooming in, when possible, on scandalous details. We’ll leverage the tool of idealism to choose historical characters who chafed against their surroundings, and understand what they were trying to accomplish. What was their vision of the world? What did they hope for, and what did they fear? Q: Isn’t the “great man” approach to history out of fashion? Egan’s approach doesn’t say that “great men” made history — it’s just leveraging gossip to help kids see history as something meaningful that can expand their own possibilities. “Early adolescence is commonly a time of intense and vivid emotional life, and also a time of deepest boredom and depression… [We] can give shape to the intermediate curriculum and offer the students a world that is rich, complex, varied, and as intense and vivid as their own emotional lives”. We also should add on another “15-minute segment” just to pump in as many biographies as possible, and from people who don’t always fit into the normal history curriculum. Call it “Brief Lives”, and throw in anyone who’s struggled to push some limit — Mary Wollstonecraft, Jesse Owen, Dietrich Bonhoeffer, one of the students’ great-aunts, whoever. As students get older, this can transition to “People and Their Ideas”. Here, we’d focus less on the details of the person’s life, and use it as a backdrop to showing how meaningful some of history’s most important ideas could be. Think Aristotle and syllogisms, Edward Said and orientalism, Confucius and propriety, Cornel West and race, Buddha on the four noble truths, Muhammad and the five pillars, Karl Marx and communism, Adam Smith and the invisible hand, Thomas Hobbes and the state of nature, John Locke and natural rights, Jeremy Bentham and utilitarianism, Thomas Aquinas on the sacraments, Martin Luther on faith, Voltaire on the freedom of speech… you get the idea. Q: Can you really get a profound understanding of utilitarianism in 15 minutes? Yes! The point of this segment isn’t to develop a systematic understanding of any one idea, it’s to introduce students to the exciting possibilities of human thought. (As a bonus, this might make them less likely to fall for the first ideology that they encounter later in life.) Diversity is important for this — as it is with culture. Throughout this, we should also be trying to expose students to as much cultural diversity as possible, because in high school, we’ll be trying to make sense of our society, and it’s impossible to do that unless we have something to compare it against. Middle school literature & language You might think that this subject would be easy — that middle school literature is already filled with “strong and clear narratives”, that it deals with “transcendent human qualities such as courage, love, and persistence”, that it focuses on “extremes of human experience”, that it examines “something strange and exotic”. You’d be right! Egan’s pretty happy with a bog-standard middle school literature curriculum, done well. In this part of the book, his spends most of his limited space suggesting three rather odd activities which could also be useful — especially for increasing students’ awareness of language, so they can use it better. The first is etymology — not, however, memorizing lists of roots, but in being told the entertaining backstories of specific words. Take the word “berserk”, for example — we now use it to mean something relatively mild (“if my mom catches me coming home late, she’ll go berserk”), but it comes from an old Norse word meaning “a raging warrior of superhuman strength”. And that’s because ber meant “bear” and serk meant “shirt”: soldiers of the bear cult would don the skin of a bear to, in their minds, transform into one — howling, foaming at the mouth, and gnawing the rims of their shields. (Most adults walk through life with little understanding that the words falling out of their mouths are entities, with their own back-stories. Communication is, at the very least, more interesting when we become aware of this.) The second is to add on another language to learn — not, this time, to become fluent in it, but just to become aware of how very different human languages can be. (For native English speakers, Sanskrit might work well, or Cantonese, or perhaps even ancient Egyptian. Again, the point isn’t for this language to be useful — it’s to explore diversity.) The final one is to study humor — not just jokes anymore, but comedy at its finest. Egan cites (at length!) Monty Python as a group of people who were particularly brilliant in their use of the English language. Examining their skits can lead us into not just an appreciation of semantics (the study of how meaning is made from smaller pieces, like etymology) but also pragmatics (the study of how meaning is made in social situations). Pretty heady stuff, for a conversation about a dead parrot. Part 4: A new kind of high school I’ll confess — I loved parts of high school… and among nerdy folks, I suspect I’m not alone. For some of us, this was a golden time. Even at my local public high school, I had access to academically thrilling classes — especially, in my last two years, advanced literature and history. I felt like I was finally understanding the ideas that mattered. In any case, Egan is quick to acknowledge that, at this level, the sort of education he advocates really is being practiced in some places. What he can add is an understanding of what makes it wonderful, how to make it even more wonderful, and how to make it wonderful for many, many more people. What’s the matter with high school? Far too often, even when high school classes are intellectual, they’re dry. For the majority of students, all this academic stuff is experienced as utterly lifeless, a mass of dead information to be squeezed inside one’s head for a test and then left to evaporate. Egan mocks the curriculum wars that seem to be a permanent feature of the teaching life; quoting the sociologist Pierre Bourdieu, he says “while the academic left and right bicker over whether the curriculum is too traditional or too radical, they fail to recognize that most students absorb so little of academic culture that the bickering is largely irrelevant”. Why so dry? Egan suggests three reasons to explain this. First, because high school academic classes are too often masses of small details with no sign of the big picture. Second, because they’re typically slavishly disciplinary, and aren’t able to address the questions that span the disciplines. Third, because they’re often designed to bring students through what everyone is sure of, and hide away any controversies. In all of these, Egan suggests that what’s called “academics” in high school is too often a dim imitation of what real academics are actually practicing. There’s a fourth reason, though, and it’s probably the biggest of all — by the time they get to high school, most students haven’t actually learned that much! An academic approach is designed to connect small details into the big picture; for people who arrive in high school (and college) classes without having already collected much in their heads, academics are going to taste dry. (An implication of this for anyone trying to improve schools is that we might not want to start with high schools. If your goal is to create a new kind of academic learning, first start at elementary school — or barring that, middle school.) What motivates mad scientists? When we wanted to re-conceive the elementary and middle school curriculums, we looked at what students were already good at — kids’ cognitive strengths and adolescents’ obsessions. For this level it might be easier to look — for reasons that will become clear when we finally unveil Egan’s crazy-sounding definition of education — at the sorts of things that bring intellectuals joy. Q: Which intellectuals? Take your pick. Galileo, Einstein, Smith, Marx, Goodall, Chomsky, Curie… all the people who took to the life of the mind like fish to water. But that’s a lot to hold in my mind at once, so I’m just going to think about Doc Brown from Back to the Future: He was high on intellectualism I’ve never been there, but the brochure looks nice Let’s call these people “mad scientists”. And let’s pretend we once again took up our job of being primatologists, and snooped on these folks “in the wild” (“in the lab”? this is beginning to get recursive…)… what would we find motivating them? Asking simple questions, for one. (What is space? What is society? What is a human? What is language?) Building general schemes (big theories) that hold lots of evidence together. Finding their place in the cosmos. And (perhaps above all) seeking certainty. Once again, Egan suggests we use these as tools to remake the curriculum. From dry to daring What could a high school curriculum look like, if it were rebuilt on these tools? Once again, Egan has a trick. This time, it’s to ask what fights have driven the development of each of these fields forward — and how we can help students enter them. First, a mini-segment! Intellectuals invented the academic disciplines to better pursue the life of the mind, but the disciplines can get in the way. Some of the most important intellectual discoveries that could help students are too big to fit into any of the disciplines. We need a place to introduce them plainly. Egan proposes another mini-segment — again, just 15 minutes a day, a few times a week — called “Metaknowledge”. Q: Isn’t that already in the International Baccalaureate program? Yes, he acknowledges that he’s borrowing from that! This segment would introduce ideas that would enrich student thinking across the disciplines: game theory, cognitive biases, systems thinking, Bayesian reasoning, epistemology, ethics, logic, cultural evolution, and so on. High school literature How can we help students enter the big fights of literature? Intellectuals of a literary bent — professors, critics, poets, novelists — delight in arguing over literature like rabbis arguing over the Talmud. Take, just for one example, the debates over Shakespeare’s character of Ophelia. Does she love Hamlet, or is she a victim of his emotional abuse? Is she truly insane, or is she acting? Is she passive, or is she pulling the strings? Oceans of ink have been spilled arguing over questions like these; our students can, perhaps, spill a few ounces more. The usefulness of arguing literature, for Egan, isn’t that it’s oh-so important for educated adults to know a lot about Ophelia. (This, again, was where the academicists went wrong — in thinking that being educated was about getting the best knowledge in your head.) Rather, arguing over literature is a training arena for the all-important intellectual move of this kind of understanding: building general schemes out of evidence, and struggling with anomalies. One person, for example, might hold that Ophelia is insane, and cite all sorts of obvious evidence — her father just was murdered by her lover, she rants nonsense while (bizarrely) handing out flowers to friends… But then he’s challenged when he reads a scholar pointing out that, to people in Elizabethan England, types of flowers have symbolic meanings. How does he deal with that? He could ignore it, claiming it an over-reading of Shakespeare. (Sometimes a flower is just a flower!) Or he could address it, complicating his own scheme. This intellectual work is best done with other people, who are incentivized to challenge your understanding of something, and go back and forth, building competing models and calling attention to anomalies. This process — the “dialectic” — pops up again and again in the academic disciplines. It’s the center of how understanding works, at this stage. And the nice thing about practicing it on literature is that, more so than in history or science, the evidence is shared knowledge — it’s right in front of everyone, written out. But there are other ways literature class can be helpful to the general life of the mind. Egan also suggests that we’ll want to specially include literature that helps students understand complex ideas. Camus, Orwell, Borges, Calvino might be particularly helpful here… and I imagine that genres like science fiction and magical realism might be particularly useful, too. (Note, though, that once again none of this requires a radical remaking of the curriculum, or of the canon of texts that we traditionally assign to high schoolers.) Q: Oh yes, the canon — what does Egan have to say about the canon wars? When he wrote Educated Mind in the nineties, the long-brewing canon war was approaching its inevitable apocalyptic climax. On one side of this Plain of Megiddo were the pro-canon traditionalists, arguing that we should keep assigning the texts that had been argued over for centuries. Facing them were the anti-canon reformers, arguing the standard texts over-represented the perspective of dead white men. Onto the middle of the plain rides Egan on a white horse, who bellows above the din: “I’VE GOT A BUSLOAD OF HIGH SCHOOLERS WHO WANTS TO JOIN IN, EVERYONE OKAY WITH THAT?” To do so, he says, we need to give students the arguments from both sides. So, for example, bell hooks, Edward Said, and China Achebe should be on the syllabus, as should Allan Bloom, Mortimer Adler, and Diane Ravitch. And of course they should actually read the texts cherished by both sides, too, so they can argue better. High school history How could entering the big fights help us reinvent high school history? First, we might look for dueling histories. It’s time for students to get into historiography and understand that history isn’t just what happened, it’s something we make. We might help kids read chapters from Howard Zinn’s socialist history of America alongside the corresponding chapters from Paul Johnson’s conservative history of America. How could big questions help? We want to help students see how various people have disagreed over some of the big questions of what human history is, at its most basic. We can have them compare Steven Pinker’s theory of civilization’s progress (Better Angels of our Nature) with Yuvah Noah Harari’s theory of civilization’s woes (Sapiens). We could have them compare so-and-so’s account of human history as an ever-expanding unlatching of energy sources with Robert Wright’s account of human history as unlatching more and more positive-sum games (Nonzero). What role could the lure of certainty play? To help them grow their skills at finding anomalies, we might help them work through pseudo-histories and conspiracy theories. Q: Conspiracy theories! Oh, come now, you’re playing with fire. Well, the world is on fire. Our students will spend the rest of their lives encountering terrible-but-beguiling arguments about how the world works; if we don’t prepare them for those, what have we been doing? So we should introduce arguments that the Moon landing was a hoax, that the Illuminati founded America, that aliens built the pyramids, and so on. At no point can we demean students for falling for any of these theories — the job of a teacher at this stage, Egan writes, is to support students in their reasoning even when their beliefs are offensive and stupid, gradually offering anomalies. There’s no way out of bad theories except through them. By the time students graduate, we want them to have wrestled with terrible ideas and — for a while — lost. They need to experience what it’s like to change their minds about something they felt strongly about. They need to viscerally realize, in Feynman’s famous phrase, “The first principle is that you must not fool yourself and you are the easiest person to fool.” High school natural science How could entering the big fights reinvent high school science? At present, so much of the high school science curriculum — especially “honors” classes — is oriented toward helping amass details. (The same is true of 100-level university classes, which famously “survey” the field to prepare for more advanced studies. I always thought this was stupid — of the huge lecture hall of students in my Geology 100 class, how many went on to take even a second course?) The meaty debates that propel science forward are held back. Egan complains: “The more general and speculative theories in any discipline are treated like an unconventional and disreputable relation who, even though the children find her exciting and entertaining, must be kept hidden from view, her very existence denied as long as possible”. This is a stupid approach — students with an adventurous bent are convinced that science isn’t for them. Egan proposes, simply, that we flip this, and organize high school science classes around the big debates. We shouldn’t be ashamed at how, well, adolescent this might look: “the dramatic, speculative, and contentious theories will be up-front in the early years of the [high school] curriculum”. What might those be? Egan doesn’t give a list, but we can spitball some: instead of explaining what “matter” is from the top down, a physics class could problematize “matter” by following the debates over the nature of dark matter and dark energy, and by becoming familiarized with the various interpretations of quantum mechanics
February 07, 2025 · Original source
Makary is a Johns Hopkins surgical oncologist, former MedPage Today editor-in-chief, and frequent FOX News guest. He wrote a book Blind Spots about past failures of the medical establishment, like denying babies peanuts to reduce peanut allergies (in fact, this increased the allergies). He’s also been a constant champion of medical transparency. Our wish list builds on this work.
Jane Street

Jane Street is a recurring organization in the Astral Codex Ten archive, appearing 5 times across 5 issues between July 21, 2023 and April 07, 2025. The archive places it in contexts such as "He is an engineer, worked as a quantitative trader and researcher at Jane Street"; "I'm not talking about Google or Jane Street"; "Some say Jane Street is named after her". It most often appears alongside China, OpenAI, Sam Altman.

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Jane Street
Mention count
5
Issue count
5
First seen
July 21, 2023
Last seen
April 07, 2025
July 21, 2023 · Original source
Tales of Icarus flying too close to the sun, where readers revel in schadenfreude, e.g., When Genius Failed. With The Laws of Trading, Agustin Lebron has written something different: part love letter to trading, part philosophical treatise on epistemology and modeling the world around us, and part guide to applied decision-making. Lebron’s Laws are Laws of the Jungle, not Laws of Nature. He views financial markets as the most competitive Darwinian environment on Earth, where participants must adapt or die. According to Lebron, the book is for people working in finance and trading, as well as anyone in the business of making rational decisions. This explicitly rationalist bent is similar to Julia Galef’s The Scout Mindset or Annie Duke’s Thinking in Bets. Where The Laws of Trading sets itself apart is with the best description of financial market dynamics that I’ve ever seen while diving deep into philosophical concepts. Why trust Lebron? He is an engineer, worked as a quantitative trader and researcher at Jane Street, and has a deep understanding of trading. He has what Taleb would describe as skin in the game. You and I may read Astral Codex Ten in our spare time, post on LessWrong, and navel gaze about our epistemic certainty, but at the end of the day most of us are pursuing rationality for fun, as a hobby. Traders like Lebron pursue rationality as a profession: Their livelihood depends on having a better model of the world than their competition. There are lessons to learn from them that apply to our daily lives. 1: Motivation Know why you are doing a trade before you trade. “What is trading about? Fundamentally, it’s about the relationship between you and the rest of the world.” Right now, you’re making a trade. You’re trading your time to read this book review. You have a cost: you could be spending time with your loved ones, exercising, working, sleeping. You might be hoping to learn something, to take away lessons that you can apply to your life, or simply to entertain yourself. Here, off the bat, are two key insights: We are all making trades, all of the time.
May 07, 2024 · Original source
My admittedly anedotical 0.05$ as a generic office drone. *Every* white collar job I've heard of uses patently IQ test-like screening. I'm not talking about Google or Jane Street, I'm talking about big4 consultancies, mid-sized accounting firms etc. Places where productivity is not nearly high enough to justify resisting the acrimonious persecution Hanania posits, and that yet are happy to ask their applicants to submit Raven matrices or quirky plane geometry problems (the joke is even that the only thing those working there got out of grad school/MBA was prepping for the GMAT/GRE, since once hired they'll end up filling excels anyway).
February 20, 2025 · Original source
St. Joanne of ARC had a resume so beautiful that Sam Altman, Demis Hassabis, and Elon Musk all sought her hand as employee. They became increasingly insistent that she choose one of them, and refused to take ‘no’ as an answer. She asked Paul Christiano what to do, and on his advice she called the three men together and said “I will make my decision once my simple twenty-line program finishes running”. After they agreed, she revealed that her program was calculating BusyBeaver(100), and they all admitted they were unworthy of her. She cut her hair, gave her jewelry to the poor, and joined the Alignment Research Center, where she discovered many important theorems. Some say Jane Street is named after her, although others attribute it to a St. Jane of Manhattan who is otherwise unrecorded.
April 03, 2025 · Original source
Dwarkesh Patel kindly invited me and Daniel on his podcast (sponsored by Jane Street, who also sponsored SSC many years ago!) to promote and explain the scenario. I don’t usually do podcasts, and I worry I was a bit of a third wheel in this one, but I’m hoping that my celebrity will get people to pay attention to what Daniel‘s saying. Think of it as “International aid expert discusses the Ethiopian famine with concerned Hollywood actor,” with me in the role of the actor, and you won’t be disappointed.
April 07, 2025 · Original source
1: Thanks to everyone who commented on AI 2027 and the podcast (and special thanks to podcast sponsor Jane Street). I hope to host an AMA with the team here sometime this week or next.
Jhourney

Jhourney is a recurring organization in the Astral Codex Ten archive, appearing 2 times across 2 issues between October 30, 2022 and October 31, 2022. The archive places it in contexts such as "Stephen Zerfas, describing his work on Jhourney, a startup making neurofeedback headsets"; "Jhourney, a neurotech company attempting to map the neural correlates of the jhanas". It most often appears alongside Discord, Stephen Zerfas, 538.

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Jhourney
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2
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2
First seen
October 30, 2022
Last seen
October 31, 2022
October 30, 2022 · Original source
2: Comment of the week is by Stephen Zerfas, describing his work on Jhourney, a startup making neurofeedback headsets that can help you reach jhana more easily (see also their FAQ). In case you ever wonder how realistic my short stories are, I did first meet Stephen and hear him explain his headset startup at a Bay Area house party.
October 31, 2022 · Original source
I’m the founder of Jhourney, a neurotech company attempting to map the neural correlates of the jhanas and use tools like neurofeedback to help make them more accessible.
I started drafting a comment in response to Scott's post and it ended up a bit long so I posted it here: https://www.jhourney.io/blog/scott-alexander-nick-cammarata-jhana
JP Morgan

JP Morgan is a recurring organization in the Astral Codex Ten archive, appearing 2 times across 2 issues between October 18, 2022 and October 19, 2022. The archive places it in contexts such as "A managing director at JP Morgan"; "one JP Morgan analyst talking to another JP Morgan analyst". It most often appears alongside OpenAI, 2024 elections, 5 U.S.C. §§ 558, 706.

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JP Morgan
Mention count
2
Issue count
2
First seen
October 18, 2022
Last seen
October 19, 2022
October 18, 2022 · Original source
A managing director at JP Morgan
October 19, 2022 · Original source
“Like, one JP Morgan analyst talking to another JP Morgan analyst. It’s all got to be done over special recorded channels, because the SEC wants to be able to comb it over for evidence of crimes. And we’re not pro-crime, but - you know what they say, even model citizens commit three felonies a day by accident. And it’s more like thirty when a dour government bureaucrat is reading everything you say verbatim. The big banks used to solve this by holding all their important discussions in person, but now remote work makes that impossible and they’re having to follow basically impossible compliance standards. That’s where we come in. We’re going to leverage CA Bill 2799 for legal security enhancement. You heard about it?”
Justice Department

Justice Department is a recurring organization in the Astral Codex Ten archive, appearing 2 times across 2 issues between August 03, 2023 and September 11, 2023. The archive places it in contexts such as "administration uses the courts and Justice Department to go after their enemies"; "they also are under fire from the Justice Department"; "they also are under fire from the Justice Department for spreading Russian propaganda". It most often appears alongside FBI, France, Supreme Court.

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Justice Department
Mention count
2
Issue count
2
First seen
August 03, 2023
Last seen
September 11, 2023
August 03, 2023 · Original source
Reading this has made me seek out concerns about the FBI more, which led me to articles like Why We Can’t Trust The FBI and FBI Helps Ukraine Censor Twitter Users. I absolutely believe the FBI is spreading fear of terrorism for their own gain, often crosses the line between monitoring extremists and entrapping/provoking them, and is part of the general censorship apparatus. But even their enemies don’t accuse them of the tiniest fraction of what Putin and his security services were doing. I’ve also been trying to pay more attention to ways that the administration uses the courts and Justice Department to go after their enemies; although this is a time-honored dictatorship tactic, I think the allegations against Trump are mostly fair and there aren’t a lot of other, unfair ones I know about. I do think it’s a valid question whether, even if the allegations against Trump are fair, we ought not to make them, as part of a norm of making it hard to investigate enemies of the regime. But I’m not sure there has ever been such a norm - the investigations of Nixon and Clinton went further, on less serious charges.
September 11, 2023 · Original source
Wildly, they also are under fire from the Justice Department for spreading Russian propaganda in exchange for payments from a Russian influencer, who has since been arrested by the FBI and was allegedly bankrolling Hammer City.
J+J

J+J is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between November 10, 2023 and November 10, 2023. The archive places it in contexts such as "J+J allowed to procure generic versions of the drug". It most often appears alongside #EEGManyLabs, 23andme, @freeshreeda.

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J+J
Mention count
1
Issue count
1
First seen
November 10, 2023
Last seen
November 10, 2023
November 10, 2023 · Original source
One person did not accomplish this. This was part of a concerted campaign by MSF, Stop TB, and a few other organizations to let the patents expire. I'm actually kind of annoying that John Greene gets credit. Not because he doesn't deserve any credit but because MSF and other such organizations deserve much more. Anyway, eventually J+J allowed to procure generic versions of the drug in certain countries. It did not ultimately surrender the patent.
Jacobins

Jacobins is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between October 04, 2021 and October 04, 2021. The archive places it in contexts such as "wearing dress associated with the royalist Ancien Régime made the wearer a target for the Jacobins". It most often appears alongside 19th century African art, 20th century, 9-11.

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Jacobins
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1
Issue count
1
First seen
October 04, 2021
Last seen
October 04, 2021
October 04, 2021 · Original source
During the French Revolution, wearing dress associated with the royalist Ancien Régime made the wearer a target for the Jacobins. Working class men of the era, many of whom were revolutionaries, came to be known as sans-culottes because they could not afford silk breeches and wore less expensive pantaloons instead. The term was first used as an insult by French officer Jean-Bernard Gauthier de Murnan but was reclaimed by these men around the time of the Demonstration of 20 June 1792.
Jacobs Engineering

Jacobs Engineering is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between April 14, 2021 and April 14, 2021. The archive places it in contexts such as "the same company that did a lot of the work in Sandy Springs"; "which subcontracts out to Jacobs Engineering". It most often appears alongside Alaska, America, Amisulpride.

Reference entry
Jacobs Engineering
Mention count
1
Issue count
1
First seen
April 14, 2021
Last seen
April 14, 2021
April 14, 2021 · Original source
- 12% go to Honduras, as their incentive for allowing ZEDEs at all - 44% go to the General Service Provider, a private company that handles things like sanitation and power. This will probably be an HPI subsidiary which subcontracts out to Jacobs Engineering, the same company that did a lot of the work in Sandy Springs. - 44% go to the Próspera municipal government, to handle whatever services they can’t subcontract out.
Jagex Moderators

Jagex Moderators is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between October 14, 2021 and October 14, 2021. The archive places it in contexts such as "before Jagex Moderators were notified". It most often appears alongside @literalbanana, ACX, Barcelona.

Reference entry
Jagex Moderators
Mention count
1
Issue count
1
First seen
October 14, 2021
Last seen
October 14, 2021
October 14, 2021 · Original source
23: The Falador Massacre was an incident in the MMORPG Runescape. A glitch gave the players who attended a certain party the ability to fight and kill other players even in neutral “no-fighting” zones; other players not subject to the glitch couldn’t fight back. Gamers being gamers, the attendees took advantage of this to massacre the unsuspecting players in no-fighting-allowed zones. “The killing lasted almost an hour before Jagex Moderators were notified...the bug was fixed and Jagex permanently banned many players. Mod Peter apologised to the victims who were attacked from this glitch, but no items were recovered, nor was the game rolled back.”
Jane Street Capital

Jane Street Capital is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between December 17, 2024 and December 17, 2024. The archive places it in contexts such as "time at Jane Street Capital where he built a system to get the 2016 US Presidential election results". It most often appears alongside 2016 US Presidential election, ACX Grant, AI.

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Jane Street Capital
Mention count
1
Issue count
1
First seen
December 17, 2024
Last seen
December 17, 2024
December 17, 2024 · Original source
5: Nick Maggiulli: "My favorite story about Sam Bankman-Fried involves his time at Jane Street Capital where he built a system to get the 2016 US Presidential election results [a few minutes] before any mainstream media outlets...however, despite learning of a pending Trump victory before anyone else, Jane Street still managed to lose money on their trade because they [incorrectly thought a Trump win would be bad for] US markets."
Janssen

Janssen is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between November 30, 2022 and November 30, 2022. The archive places it in contexts such as "Janssen's Invokana diabetics drug has also been proven to cause weight loss". It most often appears alongside Adam, AMG-133, amoxicillin suspension.

Reference entry
Janssen
Mention count
1
Issue count
1
First seen
November 30, 2022
Last seen
November 30, 2022
November 30, 2022 · Original source
As an interesting aside, Janssen's Invokana diabetics drug has also been proven to cause weight loss. https://www.fiercepharma.com/pharma/proof-concept-trial-j-j-s-invokana-combo-helps-non-diabetics-shed-significant-weight sadly the trials went nowhere after in 2017 invokana got slapped with a black box warning for heightened risk of big toe amputations. A risk that one may be willing to take to treat diabetes but not weight problems. There must be something in mechanism of action of diabetes drugs that causes this nice weight loss side effect.
Janus

Janus is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between January 26, 2023 and January 26, 2023. The archive places it in contexts such as "Janus relays a story about a user who asked the AI a question". It most often appears alongside aphid, Bostrom, Buddha.

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Janus
Mention count
1
Issue count
1
First seen
January 26, 2023
Last seen
January 26, 2023
January 26, 2023 · Original source
Janus writes about Simulators.
In Simulators, Janus argues that language models like GPT - the first really interesting AIs worthy of alignment considerations - are, in fact, none of these things.
Janus was writing in September 2022, just before ChatGPT. ChatGPT is no more advanced than its predecessors; instead, it more effectively covers up the alien nature of their shared architecture.
Japanese

Japanese is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between August 09, 2024 and August 09, 2024. The archive places it in contexts such as "The Japanese conquered the Philippines". It most often appears alongside 101st Airborne, Admiral Ernest King, Albert Speer.

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Japanese
Mention count
1
Issue count
1
First seen
August 09, 2024
Last seen
August 09, 2024
August 09, 2024 · Original source
The US bombed the Japanese into submission by destroying Japanese cities, ultimately by dropping atom bombs on Hiroshima and Nagasaki.
Japan (really, Japan plus the giant empire it conquered at the beginning of the war) was an industrial behemoth to rival the Soviet Union. However, the destruction of the Japanese merchant fleet by American air and sea forces wrecked Japan’s economy.
The firebombing of Japanese cities and the atomic bombings of Hiroshima and Nagasaki had an ambiguous strategic effect. American air power played a much more important role in severing Japan from the natural resources it had conquered in the early part of the war.
Japanese AI safety community

Japanese AI safety community is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between April 01, 2024 and April 01, 2024. The archive places it in contexts such as "The Japanese AI safety community apparently exists and is holding a Technical AI Safety Conference in Tokyo". It most often appears alongside Anthropic, Astralcodexten Com, Chicago, IL.

Mention count
1
Issue count
1
First seen
April 01, 2024
Last seen
April 01, 2024
April 01, 2024 · Original source
The Japanese AI safety community apparently exists and is holding a Technical AI Safety Conference in Tokyo in, uh, four days, so if you’re interested sign up quickly. Attendance is free, it looks like the talks are in English, and featured speakers include Dan Hendrycks and researchers from Anthropic and DeepMind.
Japanese contingent

Japanese contingent is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between November 20, 2022 and November 20, 2022. The archive places it in contexts such as "I trust our Japanese contingent to keep him honest". It most often appears alongside ACX Tokyo meetup group, ACX unofficial subreddit, AI Safety.

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Japanese contingent
Mention count
1
Issue count
1
First seen
November 20, 2022
Last seen
November 20, 2022
November 20, 2022 · Original source
4: The ACX Tokyo meetup group will be hosting Bryan Caplan on December 4, including a discussion of our long-running debate on mental illness (eg here, here). I won’t be able to make it but I trust our Japanese contingent to keep him honest. See here for details.
Japanese military

Japanese military is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between July 01, 2023 and July 01, 2023. The archive places it in contexts such as "not the Japanese military". It most often appears alongside 1960 Valdivia earthquake, AEC, Atomic Energy Commission.

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Japanese military
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1
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1
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July 01, 2023
Last seen
July 01, 2023
July 01, 2023 · Original source
In the worst case scenario, not made public until long after the disaster, the entire Tokyo Metropolitan Area - 35 million people - would have to be moved to temporary shelter. The very existence of the nation of Japan was at stake. And no one - not TEPCO, the utility that owned Fukushima, not the Prime Minister, not the Japanese military - could do anything but hope.
jazz band

jazz band is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between August 26, 2021 and August 26, 2021. The archive places it in contexts such as "No chess club, robotics, jazz band, or lacrosse". It most often appears alongside ADHD, alt-right, American.

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jazz band
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1
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1
First seen
August 26, 2021
Last seen
August 26, 2021
August 26, 2021 · Original source
During the pandemic a lot of kids sat at home bored out of their minds, wasting away on their laptops, melting into twitter and facebook, eating bonbons, and getting fat. They missed badmouthing their teachers and playing jokes on their friends, having tween relationships, and playing sports. No chess club, robotics, jazz band, or lacrosse. Many parents saw their kids wasting away so they ponied up the big bucks for private schools that stayed open. One of my elementary-age daughters got into Finnish hobbyhorsing through school. The school does expose kids to things they would not see at home. None of this is measured on tests...
During the pandemic a lot of kids sat at home bored out of their minds, wasting away on their laptops, melting into twitter and Facebook, eating bonbons, and getting fat. They missed badmouthing their teachers and playing jokes on their friends, having tween relationships, and playing sports. No chess club, robotics, jazz band, or lacrosse. Many parents saw their kids wasting away so they ponied up the big bucks for private schools that stayed open. One of my elementary-age daughters got into Finnish hobbyhorsing through school. The school does expose kids to things they would not see at home. None of this is measured on tests.
JD Power

JD Power is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between September 18, 2023 and September 18, 2023. The archive places it in contexts such as "we pay JD Power far too much to find out just how bad the quality numbers are (hilariously bad)". It most often appears alongside 787, adderallposting, ADL.

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JD Power
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1
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1
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September 18, 2023
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September 18, 2023
September 18, 2023 · Original source
But out of all of that, my biggest take-away was that Teslas..... just aren't very good? Their structures up to the Model 3 are quite inefficient and don't have great rigidity. The dimensional variation is shocking (far beyond even SBU, IYKYK). The hang-on parts are generally relatively poorly performing on their own. They can't touch our structural or powertrain durability tests. Rate and handling is bad, ergonomics fails to meets package targets, NVH and sound quality are poor, and we pay JD Power far too much to find out just how bad the quality numbers are (hilariously bad). I don't think it's an exaggeration to say that most other OEMs can't make a Tesla, because our systems and processes prevent us from releasing something that half-baked.
Jedi Council

Jedi Council is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between May 07, 2025 and May 07, 2025. The archive places it in contexts such as "change your name to “Darth,” don’t expect to keep your internship at the Jedi Council". It most often appears alongside 2025-Yarvin, Antiversity, Apple.

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Jedi Council
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1
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May 07, 2025
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May 07, 2025
May 07, 2025 · Original source
A patchwork of city-states, unbound by modern “international law”, with few barriers to the free flow of capital and population. I’ll then describe how carefully Moldbug explained that you had to have these things, or else the dictatorship would fail in more or less the ways normies expect dictatorships to fail - leaving himself no room for the kind of pivot he’s trying now. 1: Classic Moldbug Believed Populist Dictatorship Would End In Disaster Classic Moldbug admitted that fascism and communism were extremely bad. He just drew different borders around political systems: fascism, communism, third world banana republic dictatorship, and democracy all cluster together as systems where coalitions rule because they can seize temporary power in a semi-lawless society. In the various totalitarianisms, it’s literal seizing of power through armed troops or secret police; in democracy, it’s electoral seizing of power through distributing the most goodies to coalition members. From here, my bolding. Clearly, the worst forms of demotism, the really bad apes, were the totalitarian systems—fascism and communism. The main difference between fascism and communism was not in mechanism, but in origin—fascist elites tended to be militarist, communist elites intellectual. But the one-party state is a clear case of convergent evolution. To a neocameralist, totalitarianism is democracy in its full-blown, most malignant form. Democracy doesn’t always deteriorate into totalitarianism, and lighting up at the gas pump doesn’t always engulf you in a ball of fire. Many people with cancer live a long time or die of something else instead. This doesn’t mean you should smoke half of Virginia before lunch. A political party is a political party. It is a large group of people allied for the purpose of seizing and wielding power. If it does not choose to arm its followers, this is only because it finds unarmed followers more useful than armed ones. If it chooses less effective strategies out of moral compunction, it will be outcompeted by some less-principled party. When one party gains full control over the state, it gains a massive revenue stream that it can divert entirely to its supporters. The result is a classic informal management structure, whose workings should be clear to anyone who watched a few episodes of The Sopranos. Without a formal ownership structure, in which the entire profit of the whole enterprise is collected and distributed centrally, money and other goodies leak from every pore. Totalitarian states are gangster states, in other words, and they tend to corruption and mismanagement. The personality cult of dictatorship is quite misleading—a totalitarian dictator has little in common with a neocameralist CEO, or even a cameralist monarch. The difference is the management structure. The CEO and the monarch owe their positions to a law which all can obey, and those who choose to obey the law are naturally a winning coalition against those who choose to break it. The dictator’s position is the result of his primacy in a pyramid of criminals. This structure is naturally unstable. There is always some other gangster who wants your job. Dictators, like Mafia chiefs, are not good at dying in bed. The internal and external violence typical of totalitarian states is best explained, I think, by this built-in mismanagement. Dictators are violent because they have to be—they use violence as an organizing principle. The totalitarian state has no principle of legitimacy that would render it impractical for an ambitious subordinate to capture the state with a coup. European monarchs made war, sometimes they were assassinated, and there were even succession struggles, but coups in the modern sense were very rare. Note that the financial logic which keeps the neocameralist state lawful does not apply in any way to the totalitarian state, because the latter does not have a stable management structure which is controlled by its shareholders. Lawlessness is not profitable for the state as a whole, but it may be quite profitable for the part that chooses lawlessness, and in the totalitarian state no one is counting as a whole. Similarly, only shareholder control gives the neocameralist state an incentive to remain small and efficient. The totalitarian state has an incentive to become large and inefficient, because every functionary has an incentive to expand his or her own department, and no bean-counter who demands that the department do more with less. In a totalitarian state, since no gangster is permanently safe from any other gangster, there is a strong incentive for anyone with power to take what he can, while he can. And there is no disincentive for him to avoid abusing a resource which neither he nor his allies benefit from. Under gangster management, the totalitarian states often engaged not only in mass murder, but mass murder of their most economically productive citizens. I’m trying to avoid subjecting you to too many Moldbug walls of text, but this is a constant hobbyhorse of his. Unless you implement his neocameralist ideology of shareholder control, your attempted autocracy will become a totalitarian state, which will be even worse than regular democracy. 2: The Dictator Must Not Be Elected The original sin of democratic/totalitarian governments is permitting power struggles. When you permit power struggles, the most power-hungry person wins. This person is probably a bad guy. But even if he isn’t, he has to optimize for gaining and maintaining power, instead of for the national interest. This usually means paying off the people who raised him to and keep him in power, i.e. corruption. Sometimes the corruption is straightforward, like giving friendly colonels vast sums from the public treasury. Other times it’s more insidious; if someone rose to power because organized labor joined their coalition, they have to overpay public unions, pass stifling pro-labor regulations, and ban whatever productive economic activity the labor unions don’t like. Therefore, we need a dictator who came to power without a struggle and doesn’t owe anyone anything. This is Moldbug’s read on “the divine right of kings”: Divine-right monarchy is very easy to understand, even for an atheist like me. We have already derived it. To an atheist, the King’s authority must be absolute, not because he is appointed by God, but because he is appointed by no one. If someone appoints him, that man is King. If their roles are divided—the famous “balance of powers” or “checks and balances”—they will struggle, and one or the other prevail. Probably the many over the few. How do you come to power without a fight? This is a tough ask, but Classic Moldbug bit the bullet: anybody who wants power is unworthy of it. You have to just sit there being worthy. When people get tired of sucking, they’ll give you power. The Procedure [for installing a virtuous government] comes in Three Steps: 1: Become worthy. 2: Accept power. 3: Rule!!1! You think I’m kidding. But I’m not. How do you become worthy? You must absolutely, 100%, avoid any kind of candidacy in elections, protesting the government, criticizing the government, thinking you could do government better than the current government, or (god forbid) deliberately trying to take power: As a reactionary, you don’t believe that political power is a human right. You will never convince anyone to adopt the same attitude, without first adopting it yourself. Since you believe others should be willing to accept the rule of the New Structure, over which they wield no power, you must be the first to make the great refusal. They must submit to the New; you must submit to the Old. The reactionary’s opinion of USG is that it is what it is. It is run by the people who run it. And at present, the present management may well be the best people in the world to run USG, and even if they’re not he can’t imagine what might be done about it—short of replacing the whole thing. This simple and final judgment, like the death penalty, admits no possible compromise. In particular, passivism is to Gandhi as Gandhi is to Hitler. Hitler, before 1933, was a violent democratic activist; Gandhi was a nonviolent democratic activist. Passivism is not any sort of activism. Passivism is passivism. In plain English, you may not even begin to consider the rest of the Procedure until you have freed yourself entirely from the desire, built-in burden though it be of the two-legged ape, for power. Break the steel rule, change your name to “Darth,” don’t expect to keep your internship at the Jedi Council. As a matter of both principle and tactics, the passivist rejects any involvement with any activity whose goal is to influence, coerce, or resist the government, either directly or indirectly. He is revolted by the thought of setting public policy. He would rather drink his own piss, than shift public opinion. He finds elections—national, state or local—grimly hilarious. And if he needs to get from Richmond to Baltimore, he drives through West Virginia. The passivist has a term for democratic activism directed by the right against the left. That term is counter-activism. Passivism does not dispute the fact that counter-activism sometimes works. For instance, it worked for Hitler. (We’ll say more about Hitler.) However, it only works in very unusual circumstances (such as those of Hitler), and is extremely dangerous when it does work (e.g., the result may be Hitler). In case this isn’t crystal-clear, the steel rule precludes, in no particular order: demonstrations, press releases, suicide bombs, lawsuits, dirty bombs, Facebook campaigns, clean bombs, mimeographed leaflets, robbing banks, interning at nonprofits, assassination, “tea parties,” journalism, bribery, grantwriting, graffiti, crypto-anarchism, balaclavas, lynching, campaign contributions, revolutionary cells, new political parties, old political parties, flash mobs, botnets, sit-ins, direct mail, monkeywrenching, and any other activist technique, violent or harmless, legal or illegal, fashionable or despicable […] In the First Step, passivism is a no-brainer. Why should you be interested in influencing OUSG? You’re trying to replace the Structure, not join it. One clear sign that you’re doing this right and haven’t been corrupted by power is that people won’t write hit pieces about your blog. I swear I’m not making this up: [A] passivist blog will appear, at worst, harmless and extremely strange. There’s something going on here, Mr. Jones. But you don’t know what it is—do you, Mr. Jones? As an existential enemy of USG, the reactionary may well deserve some immune attention. But he won’t get it, and he is quite happy with that. True fact: the author of UR has received over 7 zillion very interesting emails, all of which deserve responses, often long, that most have not received (but will). Number of hostile communications received, in over two years of blogging: zero. One can ascribe this result to many hypotheses, not all flattering, but I put it down to passivism. If you break this rule and seek electoral power, you are punished with something terrible: right-wing populism, which is basically the same as Hitler and must be prevented at all costs. [The] third tactical benefit [of passivism is] Hitler prevention. To an orthodox reactionary, Hitler is basically the poster child for what happens if you break the steel rule. Fascism is reaction, but laced with cancerous tumors of democracy—“right-wing populism,” as people say these days. If it loses it loses; if it wins, the tumors grow. An improvement on Communism, but not much of one. Just about all of Hitler’s shtick, right down to the name of his party, was ripped off from the Left. Who introduced nationalism to the Continent of Europe? The Hapsburgs, or Garibaldi? Under this camouflage, which never convinced anyone with a college education, Nazism was never in any way leftist. Rather, it was a demotic corruption of the old Prussian tradition […] Since most people are neither historians nor philosophers, the fact that Hitler was on the extreme Right, and this Reaction is also on the extreme Right, raises some natural concerns. Again: the only way to face these concerns is to (a) provide a complete engineering explanation of Hitler, and (b) include an effective anti-Hitler device in our design. The reactionary’s basic answer to the Hitler Question is the Law of Sewage. (This is not my invention, but I don’t know where I got it. Heinlein, perhaps?) The Law is: if you put a drop of wine in a barrel of sewage, you get sewage. If you put a drop of sewage in a barrel of wine, you get sewage. You’ll find that this rule applies perfectly to many fields of human endeavor. Thus, Nazism contains a great deal of reactionary wisdom, because those who created it were quite familiar with the old Continental tradition of government. However, the Nazi movement originated as a democratic political party. Thus Nazism combined the venom of democracy with the experience and efficiency of Prussia, an understandably dangerous combination […] This is where passivism, by abjuring democracy, vaccinates itself against Hitler. True: at a higher level, the reactionary seeks to cause a transition in power, and thus in a sense seeks power itself. But he is not an activist, because he is not working for power. His actions do not excite the human political instinct, the love for forming coalitions and tearing hell out of the apes across the river. For one thing, said actions bear no resemblance to normal politics. For another, they cannot bring any actual power to the actors, even if they succeed. Which, however likely, must remain intuitively implausible—if not laughable. And thus the project of reaction does not attract those with a real taste for power, which if nothing else is very un-Nazi-like. In other words - the failure mode of neoreaction (good) is right-wing populism eg Nazism (bad). You’ll know you’ve fallen into the failure mode if your reactionary movement starts with a democratic political party, or if its members are feeling normal human political emotions. If you can’t have a normal democratic party, how do you complete steps two and three - accepting power and ruling? Moldbug’s answer is complicated and not very related to our topic, but he thinks you first create the Antiversity, a shadow university system laser-focused on always telling the truth. Then you bootstrap it into a shadow government, which doesn’t engage in violent revolution or political campaigning, but just sits there being right about things (I’m imagining for example a shadow FDA that produces better drug information than the real FDA, so people gradually come to trust the shadow FDA more even though its rulings have no legal effect). Then people gradually switch their allegiance from the real government to the shadow government, until finally the shadow government proposes a pseudo-candidate in an election whose sole platform is “switch power from the real government to the shadow government”. Once he wins, he revokes the Constitution, implements the shadow government charter, and resigns. Why do you have to use this weird process instead of taking power the normal way? Because if you take power the normal way, you will fall into the trap of right-wing populism and become like Hitler: You start to see the difference between this and the Nazis. For the Nazis, the equivalent of the Antiversity was… Hitler. Have you read Hitler? I have. (The Table Talk is the Hitler to read.) Frankly, Hitler reads a lot like me, if I lost 25 IQ points from drinking lead soda, and also had a nasty case of tertiary syphilis. I may have some of Hitler’s talents—I will be the first to admit it. But I have no intention of applying for his job. I would never be able to do it, anyway. I don’t think anyone could. 2.5: The Dictator Must Not Need Anyone’s Approval This is a trivial extension of the previous point - “If someone appoints [the King], that man is King”. If the people appoint the King, the people are King, and then you’re a demotic totalitarianism. How do you avoid dependence on other people’s approval? In a democracy, you need the approval of 51% of people to win the next election; in a traditional dictatorship, you need the approval of the secret police or military to keep crushing your opponents. The reason [an unquestioned autocracy with no dissent] is peaceful and free is that we’ve defined [the autocrat’s] primary right so that it works just like a secondary right, [ie his legal rights are completely enforced by real power/control.] Hitler, Stalin and Mao, on the other hand, had enemies. Stalin and Mao, especially, basically operated under the assumption that everyone in the world wanted to kill them and take their jobs. After a while this was quite the self-fulfilling prophecy. Terrorist government—as in the Reign of Terror, a usage that’s unfortunately lapsed—is a consequence not of absolute primary title, but of insecure primary title. It is best understood as a form of civil war. So a dictator who still has enemies risks being crazy and genocidal. We’ll never get a dictator with nobody who dislikes him, but can we get a dictator with effectively no enemies - ie one whose enemies have zero chance of seizing power and so who might as well not exist? Yarvin admits this is a tough problem, but suggests cryptographically-locked weapons: In a full CDCC government, the sovereign decision and command chain is secured from end to end by military-grade cryptography. All government weapons—not just nukes, but everything right down to small arms—are inoperable without code authorization. In any civil conflict, loyal units will find that their weapons work. Disloyal units will have to improvise. The result is predictable, as results should be. That is, all weapons need a key to fire (or have a key that can prevent them from firing). The dictator owns the key. He can selectively disable weapons of rebel forces, allowing even the tiniest remnant of loyalists to easily overpower them. There are probably some implementation difficulties here; the point is that it’s definitely not democracy, nor even some kind of two-bit dictatorship where the dictator depends on the continued goodwill of the army. Why go to these lengths? Because without them, the dictator needs to curry favor through various corrupt strategies that undermine the national interest. Of these, the most malignant - the one Moldbug holds his deepest vituperation for - is fake news. Democratic parties necessarily lie, because they are not infinitely correct about everything, but they need the public to think they are. In order to maintain the support of the masses, they will lie about the nature of their policies, the details of their policies, and especially the success of their policies. There are two kinds of government: those whose formula of legitimacy depends on popular consent, and those whose doesn’t. Following contemporary usage, we can classify these as authoritarian and democratic. An authoritarian state has no need to tell its subjects what to think, because it has no reason to care what they think. In a truly authoritarian government, the ruling authority relies on force, not popularity. It cares what its subjects do, not what they think. It may encourage a healthy, optimistic attitude and temperate lifestyle proclivities, but only because this is good for business. Therefore, any authoritarian state that needs an official religion must have something wrong with it. (Perhaps, for example, its military authority is not as absolute as it thinks.) A democratic state which tells its citizens what to think is a political solecism. Think about the motivation for democracy: it consigns the state to the collective responsibility of its citizens, because it feels this is an independent and well-anchored hook on which to hang the common good. Once the republic has an established church, this hook is no longer independent, and the (postulated) value-add of democracy is nullified. Without separation of church and state, it is easy for a democracy to indulge itself in arbitrarily irresponsible misgovernment, simply by telling its bishops to inform their congregations that black is white and white is black. Thus misdirected, they are easily persuaded to support counterproductive policies which they wrongly consider productive. Moldbug warns that this is especially characteristic of right-wing populism, which is why he [Moldbug] is relieved when right-wing populism loses: The entire political structure of the American populist tradition is set up to select for ignorance and stupidity, and select against organization and cohesion. Thus it is simultaneously undesirable and ineffective, and even those of us who like myself sympathize with it to a considerable degree are often slightly relieved to see it lose, as it always does. 3: The Dictator Must Be Limited By A Board Of Directors How do we know that the dictator won’t have terrible policies, or be sadistic, or rename every state to “Statey McStateFace” just for fun? Moldbug proposes running the dictatorship as a joint-stock corporation. This helps in two ways. First, the dictator will be checked by a board of directors, who can fire him if he goes crazy. Second, the board of directors (or the investors who elect them?) will be aligned because they have stock. The stock goes up if the nation does better. If the dictator tries to kill the Jews and the market thinks that’s bad for business, then the directors will fire and replace the CEO. What happens if the controllers disagree on what “responsible” government means? We are back to politics. Factions and interest groups form. Each has a different idea of how Steve should run California. A coalition of a majority can organize and threaten him: do this, do that, or it’s out with Steve and in with Marc. Logrolling allows the coalition to micromanage: more funding for the threatened Mojave alligator mouse! And so on. That classic failure mode, parliamentary government, reappears [...] Actually, there’s one way to do it. We can define responsibility in financial terms. If we think of California as a profitable corporation, a capital asset whose purpose is to maximize its production of cash, we have a definition of responsibility which is not only precise and unambiguous, but indeed quantitative...We have, of course, reinvented the joint-stock company. There is no need to argue over whether this design works. It does. How would the board of directors remove a dictator who didn’t want to be removed? If the country is running on the cryptographically-locked weapon system discussed earlier, the directors will have a higher-level key that can overrule the dictator’s key and make sure that factions loyal to the board have working weapons while those loyal to the dictator don’t. How would the system guard against the dictator arresting the directors and torturing the key out of them? Maybe the directors could live in foreign countries (remember, they aren’t motivated by patriotism - they just want their stock to go up). Or maybe some of this process can be done cryptographically, so that nobody knows how many shares people have, how they voted, or even who the directors are at any given time. If the dictator started poking around to try to figure this out, the directors could remove him. I bring this up partly because 2025-Yarvin has been pushing the corporations vs. democracies argument pretty hard recently. Corporations, he argues, are nimbler and better-run than democracies. A big part of their advantage is that the buck stops with an autocratic CEO instead of a limited President. Therefore, to improve upon democracy, give President Trump the limitless powers of a corporate CEO. [When people ask me why I think monarchies are better than democracies] I ask them to look around the room and basically point out everything in the room that was made by a monarchy. Because these things that we call companies are actually like monarchies. And then you’re looking around yourself and you see, for example, a laptop. And that laptop was made by Apple, which is a monarchy. Whereas if your MacBook Pro was made by the California Department of Computing, you can only imagine it […] I think that if you took any of the Fortune 500 CEOs, some of them are good, some of them are bad. But the overall quality, just pick one at random, and put him or her in charge of Washington, and I think you’d get something much, much better than what’s there […] One of the things about monarchy that’s been known for quite some time—and again, even in very, very anti-monarchial regimes and periods, an exception is made for this—is that a ship always has a captain. An airplane always has a captain. Basically, in any very safety-critical environment … you should have someone in charge. But even granting that corporations are better-governed than democracies, this comparison doesn’t work. Corporate and national governance are trying to solve different problems. Corporate governance asks “Given pre-existing rule of law and the certainty that all of our bylaws will be enforced by a greater power, how do we ensure competent administration?” National government asks “How do we generate rule of law out of nothing in a way that can prop itself up and defend against attacks?” What prevents Tim Apple from refusing to pay dividends to Apple investors and keeping all the profit for himself? Easy question, it’s the United States government, no problem here. What prevents Donald Trump from murdering America’s five richest billionaires and taking their stuff? The police? What about the thing where Trump is the police chief’s boss’s boss’s boss’? Awkward, but that’s why we have separation of powers, checks and balances, government-of-law-and-not-of-men, all that stuff. What prevents Donald Trump from calling in the military to arrest all the other separate powers that are supposed to check and balance him? Uh, more separation of power, different checks and balances, some sort of loyalty to the Constitution. When Yarvin points out that companies thrive without separation-of-powers, that’s because they never encounter the problem that separation of powers was intended to solve. Classic Moldbug understood this well, which was why he proposed a separate power capable of checking his dictator - the board of directors1 - and a mechanism for keeping the system stable against power grabs - the cryptographic weapons. But the regime he boosts today has nothing like this, so it’s facile to use the corporate comparison argument. 4: The Dictator Must Be Embedded Within A Patchwork Of Similar Corporate City-States. Architectonics already did a great job covering this one. Read his Part 1 and Part 2, then meet me back here for the Conclusion section. At Long Last, I’ve Created The Populist Strongman From My Classic Series Of 11,000 Blog Posts “Don’t Create The Populist Strongman” I enjoyed reading Unqualified Reservations, way back in 2013. I didn’t agree with it, but I thought some parts of it were good, and even the bad parts helped me think clearly about the nature of power. I hoped the neoreactionaries would take the good parts, ditch the rest, and build something useful out of it. I think some people, mostly outside the organized neoreactionary movement, did exactly that (subscribers-only post, sorry). Unfortunately, Yarvin went the opposite direction, jettisoning the good stuff in favor of the bad. All the warnings against populism, party politics, corrupt power-seeking officials, misinformation, and mobocracy have been filed away in favor of a Flanderized “maybe dictatorship is good”. One reason I respect Sam Altman is that back in 2016, when he founded an AI charity to bring a positive singularity to the world, he realized that it would later be extraordinarily tempting to turn it into a normal profit-focused company and get rich. So he tied himself to the mast by designing a nonprofit structure capable of thwarting all the machinations his future self could throw at it. A few years later, he gave into temptation, tried to turn it into a normal profit-focused company, and failed, because the structure he designed was really good. This was the best possible outcome, and one of many reasons I number him among the all-time greats. Moldbug deserves a similar level of respect. He clearly saw that the failure mode of his philosophy was that power-seeking people would use it to support right-wing populism. He included a fantastic number of tests to determine whether any given self-professed reactionary was the real deal or a false prophet, begging his readers to apply them carefully to anyone claiming the mantle of reaction. Then he got corrupted by power and tried to use his philosophy to endorse right-wing populism. But the tests are still there! Anyone who reads through 11,000 blog posts can see all the red flags where Moldbug says “…and if I ever do X, then I’ve sold out and you should stop listening to me.” Another all-time great! Just the few posts I’ve highlighted in this essay have listed over a dozen tests - by tests I mean something where Moldbug says something is an absolutely vital feature of the new regime, or that without it things would descend into kleptocracy, or that this is the only safeguard against Hitler, or something along those lines. These include: The reactionary party always tells the truth
Jesuits

Jesuits is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between June 10, 2022 and June 10, 2022. The archive places it in contexts such as "most Jesuits describing French-speaking Native Americans as highly eloquent"; "some conversations being held by Jesuits and fur traders in New France". It most often appears alongside 50,000 BC, Africa, Altamira.

Reference entry
Jesuits
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1
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1
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June 10, 2022
Last seen
June 10, 2022
June 10, 2022 · Original source
The conversational nature of the Wendat government led to most Jesuits describing French-speaking Native Americans as highly eloquent, as, at least among those who spoke Iroquoian languages, open conversation and debate were how tribe decisions got made, a process that rewarded the more eloquent and convincing of its members (although not all Native American states valued the reasonable debate of the Iroquois).
The reality was quite different, the Davids suggest, once you investigate evidence from the Great Lakes region where tribes like the Wendat, and Jesuits and fur traders, all mixed together. In the late 1600s, Lahontan, a French aristocrat, spent much time in New France, and there met the Kandiaronk (also called ‘Le Rat’, since his name meant ‘muskrat’). Kandiaronk was
This is a great hand to be holding, but, in a pattern that repeats throughout the book, the Davids overplay it. They claim the idea of inequality arose in Europe entirely through the indigenous critique, essentially proposing that some conversations being held by Jesuits and fur traders in New France were the mono-causal origin of the political Left. This spills into other ambitious overclaims, like how
JET

JET is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between June 17, 2022 and June 17, 2022. The archive places it in contexts such as "JET is an acronym for Joint European Torus. It is located in England". It most often appears alongside Alcator C-Mod, Apollo Program, ARC.

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JET
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1
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1
First seen
June 17, 2022
Last seen
June 17, 2022
June 17, 2022 · Original source
[11]: JET is an acronym for Joint European Torus. It is located in England as a thank you for British special forces helping to rescue a German plane being held hostage by terrorists in 1977. More recently, JET itself was held hostage as part of the Brexit negotiations.
Jews

Jews is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between September 19, 2023 and September 19, 2023. The archive places it in contexts such as "a version written by Jews where Alexander kneels before the High Priest in Jerusalem". It most often appears alongside 15th century Sicilian manuscript, Agrimardio, Aigeis.

Reference entry
Jews
Mention count
1
Issue count
1
First seen
September 19, 2023
Last seen
September 19, 2023
September 19, 2023 · Original source
You can see the zigs and zags where one culture seizes control of the narrative, then gives it up. Alexander spends a while standing on the site of Alexandria, talking about how it will be the greatest city in the world by far and extend until the end of time, and how its patron god Serapis is the true god of the universe - then leaves and basically never thinks about either of them again. I am told there is a version written by Persians where Alexander is the son of a Persian Shah instead of an Egyptian Pharaoh, and a version written by Jews where Alexander kneels before the High Priest in Jerusalem and agrees that Judaism is the true religion. After Alexander’s death, the generals read out his will, which begins with effusive and totally-unrelated-to-anything-that-has-happened-before praise for the city of Rhodes, its people, and its glorious history; in the footnotes, the editor writes “one may suspect a Rhodian had a hand in the addition of the first four paragraphs”.
Jews for Jesus

Jews for Jesus is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between April 21, 2021 and April 21, 2021. The archive places it in contexts such as "met some Jews for Jesus". It most often appears alongside Andes Mountains, Antiochan subgroup, Argentina.

Reference entry
Jews for Jesus
Mention count
1
Issue count
1
First seen
April 21, 2021
Last seen
April 21, 2021
April 21, 2021 · Original source
The best information I can find comes from this article, which tells the story of a group of Colombian converts in more depth. A megachurch pastor visited Israel, met some Jews for Jesus, liked it, and incorporated Jews for Jesus ideas into his megachurch. But the more he learned about it, the more he realized Jews for Jesus was incoherent, and wanted the real thing. So after a while, he asked his church to convert to Judaism en masse; most of them said no, but a few hundred stuck around and became Orthodox Jews. You should really read the article, but here’s my favorite part:
JHPIEGO

JHPIEGO is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between May 29, 2025 and May 29, 2025. The archive places it in contexts such as "the real overhead of CRS, JHPIEGO, and presumably other USAID charities"; "The 3.9% overhead in JHPIEGO?". It most often appears alongside ACX Grants, ACX subreddit, Africa.

Reference entry
JHPIEGO
Mention count
1
Issue count
1
First seen
May 29, 2025
Last seen
May 29, 2025
May 29, 2025 · Original source
(is CRS unusual in its low overhead, maybe because of its Catholic affiliation? I checked one of USAID’s biggest secular partners, the Johns Hopkins Program for International Education on Obstetrics and Gynecology (JHPIEGO), which despite its name operates AIDS, malaria, and COVID clinics in Africa. Its NICRA was 17% and its true overhead was 3.9%, and I couldn’t otherwise find any big difference from CRS.)
Anyway, Tyler’s 2-5% grant program overhead is pretty similar to the real overhead of CRS, JHPIEGO, and presumably other USAID charities, so I don’t think there’s a mystery here.
I keep hearing about how most USAID money goes to rich woke snobs who use it to throw parties celebrating how much better they are than you. But where are these people? Are they hiding in the 6% overhead in Catholic Relief Services? The 3.9% overhead in JHPIEGO? The Ukrainians? The African clinics? I hear a lot about how USAID is funding foreign journalists to be really liberal, but it looks like all “democracy and human rights” grants combined - the category that this would fall into - are 2-5% of the budget (and this category also includes a lot of things like election observers).
JLA

JLA is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between August 16, 2024 and August 16, 2024. The archive places it in contexts such as "he decided to build himself his own JLA". It most often appears alongside 20th Century Fox, Abomination, Abomination.

Reference entry
JLA
Mention count
1
Issue count
1
First seen
August 16, 2024
Last seen
August 16, 2024
August 16, 2024 · Original source
By early 1963 it was established that the Fantastic Four, the Hulk and Spider-man all existed together within the same shared universe. But what about Ant Man,Thor and Iron Man? Aside #5: The Hulk comic in Fantastic Four #5 pretty clearly establishes that the Hulk was a fictional character in the Fantastic Four world, but there are other clues that Lee was not thinking about his characters as existing and crossing over in the early days. Both Bruce Banner (the Hulk) and Mr Fantastic fight off global alien invasions in their early issues. In both cases the stories make clear that only Bruce/Reed is smart enough to save the world. No mention is made of the OTHER scientist who saved the world from the alien invasion a few months earlier. Bringing different superheroes from their own titles together was not an idea created by Atlas/Marvel and Lee. That was likely All Star Comics #3 (December 1940) when writer Gardner Fox brought together all the major DC heroes who were not staring in their own independent titles, including Green Lantern, the Flash and Doctor Fate, to create the Justice Society of America (JSA). Batman and Superman cameoed in All Star Comics #7, but generally they were considered too popular to dilute their appearances in ensemble titles. That changed in March 1960 when DC re-launched the idea of a superteam with the Justice League of America and included all of their most popular heroes as the leads – Superman, Batman and Wonder Woman. It was immediately a top seller. The launch of JLA is likely what caused the owner of Atlas to ask Lee to create a ”superhero team comic”. Lee did not have a stable of heroes to bring together, so he had to create something entirely new – The Fantastic Four. But now that Lee DID have a collection of his own heroes AND he had the greenlight to create straightforward superhero comics, he decided to build himself his own JLA. In September 1963 Atlas published two new titles: The Avengers and the X-men. The X-men were a brand new team of all new heroes, but the Avengers were a close parallel to the Justice League. Lee took his existing collection of heroes (except the Fantastic Four and Spider-man) and created an excuse for a team-up. In the issue they individually battle Thor’s brother Loki before coming together to defeat him as a team. They decide that given they all have different powers, they should work together to be unstoppable. The entire formation of the team takes only four panels and is a little corny, but it does its job: While the Avengers were a clear copy of the Justice League, Stan Lee put his own spin on it. While the JLA superheroes all had roughly the same personality and no real inter-team conflict, Lee made his heroes very distinct – almost caricatures – and there was PLENTY of inter-team conflict. The Hulk in particular abandoned the team in the second issue and was the primary antagonist by Avengers #3. Avengers #3 (January 1964) is itself the final step in connecting all of the Marvel heroes together. The Hulk has gone missing and the rest of the team wants to find him. Iron Man uses an “Image Projector” to ask other superheroes around the world if they had seen the Hulk. He visits the Fantastic Four, Spider-man and the X-men. In that same month in Tales of Suspense, Iron Man meets Angel (one of the X-men). The cat was out of the bag. Lee had a new trick to boost sales of all of his titles and he put it to work throughout the year. The first full crossover of the Fantastic Four and the Avengers happens in May (Fantastic Four #26). Daredevil premiered in March 1964 (with Spider-man on the cover, but not in the pages), and crosses over in Amazing Spider-man #16 (September 1964). Dr Strange first appears on the cover of another title in Fantastic Four #27 (June 1964). The Avengers battle the X-men (before teaming up) in X-men #9 (Dec 1964) Atlas was no longer just a collection of comic books about various topics, or even a collection of different flavors of superhero. It was a single shared universe: The Marvel Universe. It wasn’t planned out in advance, instead it happened in stages due more to commercial rather than artistic needs. Basically Stan Lee created the most successful modern mythology because he needed the money. III. Are Silver Age Marvel Comics any good? Well, apart from Amazing Spider-man, which holds up surprisingly well, I would not recommend reading any of them. Even Spider-Man is much weaker than the Ultimate Spider-Man reboot version of the story published 2000-2011. If you wanted to read Spider-Man from the beginning you would likely enjoy that later series a lot more than the original. The other titles vary in quality from “okay” (the Fantastic Four) to “absolute garbage” (Ant Man stories in Tales to Astonish). Which begs the questions, if these comics were so bad, how did they succeed as well as they did? Clearly the comics were “good for their time”. Millions of people bought and read them, and they clearly passed the “test of time”. So does that mean that we are better today at making art than we were back then? Or is art neither better or worse, just “of its time” and people back then would think the Ultimate Spider-man stories from 2000 were unreadable? I will argue the following: The stories were “good for their time”. VERY good for their time. They were much much better than the comic book stories that preceded them, and much better than other contemporary comic book adventures (like those being published by DC)
Given Marvel Comics, why Silver Age (1961-1965)? I.a. Why Superhero Comic Books? The winner of last year’s Astral Codex Ten book review contest was Brandon Hendrickson. Brandon wrote about Kieran Egan’s The Educated Mind. One of the foundations of Egan’s educational philosophy is that people learn through stories. He believes early education should focus on teaching lessons through myths and legends. This matches my experience. My kids’ favorite podcast is Greeking Out – a very well produced, very entertaining, National Geographic podcast about Greek Legends. Aside #1: When my oldest daughter was three years old she would ask everyone she met “Do you know any myths? Can you tell me a myth?” She especially liked asking people from different places to get myths from their local cultures. Once, she asked the question to a friend of mine who grew up in South Africa, “Can you tell me any South African myths?” He struggled for a minute and then said, “Okay! I have one! Bread never falls butter side down!”. That was not the type of myth she was looking for; nor the type of myth we will be discussing in this review. Every culture has foundational myths. These stories are entertaining and engaging, but they also teach valuable lessons about both what is important in that culture, and how people in that culture are expected to behave (or at least the Platonic Ideal of how they should behave). In the modern, Western world, we have assimilated many of these foundational stories, particularly the Greek myths. My kids definitely know the Greek myths, but they also know elements of Norse mythology, Egyptian myths, stories about Anasi from West Africa and more. More fundamentally my wife and I, while not religious ourselves, have made a point of exposing the kids to the stories from the Bible. It is not politically correct to call Biblical stories “myths”, but they serve the same purpose – shared cultural understanding of the way the world works. My wife grew up without any religion, and when she was in high school, she struggled with the metaphors and religious allegories that were omnipresent in most of the Western canon. In our culture, familiarity with the Bible is important for an educated person – whether they are religious or not – because it is the foundation of so much of the rest of our culture. I believe the other set of mythological stories that are foundational to our culture are – and by this point I am sure you see where I am going here – comic book superheroes. If true, then having more than a surface-level understanding of the most important superhero stories is important in a similar way to that knowing the Bible stories is important. “Do unto others as you would have them do unto you” is an important idea to understand. So is, “With great power comes great responsibility”. I.b. Why Marvel? While there are many independent superheroes that are not owned by major conglomerates, the superheroes who have built our modern foundational myths are currently owned by two corporations. Warner Bros. Discover owns the DC library of superheroes including Superman, Batman and Wonder Woman. In 2009 Disney purchased Marvel Comics and took ownership of their characters, including Spiderman, X-men and the Avengers. Aside #2: Marvel has sold temporary film rights to many of their characters over the years. The most relevant sales started in 1994 when Marvel sold the film rights of X-men and mutants to 20th century Fox, then in 1996, when Marvel went bankrupt, Fox picked up the rights to the Fantastic Four (and New Line picked up Blade). In 1999 Marvel sold the film rights (and live action TV, and animated TV longer than 44 minutes) of Spider-man and related characters to Columbia Pictures (part of Sony) for $7MM. Marvel actually attempted to sell ALL of their remaining Marvel IP film rights to Sony for $25MM, but the top management at Sony was not interested. Sony’s management allegedly told their chief negotiator “Nobody gives a shi*t about any of the other Marvel characters. Go back and do a deal for only Spider-Man). Disney acquired Marvel in 2009, and then Fox in 2019, bringing the two separated packages of characters all back together under one roof (Blade reverted back to Marvel in 2012). Sony still owns the rights to Spider-man but has made a deal with Disney to include some of his films within the Marvel-Disney universe. Marvel sold the film rights of The Hulk to Universal in 1990 and the current status of that agreement is complicated (the consensus is that Marvel now controls the film rights to the character, but Universal owns distribution rights to any stand-alone Hulk film, which could be why Disney let's Hulk co-star in Thor movies, but not vice versa). In the early aughts Marvel wanted to build their own film franchise, but were limited to only using their remaining “B-list” characters – Spider-man, X-men, and the Fantastic Four were all off limits. Fortunately, Kevin Feige, president of production for Marvel at the time, saw a way forward. He convinced Ike Perlmutter, Marvel CEO, to allow for the production of a series of films with the remaining characters begining with Iron Man (2008). Jon Favreau directed and cast Robert Downey Jr as Tony Stark. The film blew away expectations. Kevin’s plan of a series of movies where the characters would interconnect was suddenly feasible. Iron Man was followed by The Incredible Hulk, Thor, and Captain America: The First Avenger. None managed the box office magic of Iron Man, but all were successful enough that the plan stayed on track. In 2012 the characters were all brought together in the first Avengers film, which opened to over $200MM domestically and went on to gross more than $1.5B (which made it the 3rd highest grossing film of all time). Marvel became the first studio to take the interconnected world of their comic books and make the model work on the big screen (for a much larger audience). Once the model was proven to work, other studios tried to duplicate it. Aside #3: Warner Bros’ stumbles with the DC shared universe of Batman, Superman and the Justice League are well known, but that was actually their SECOND attempt at a shared universe. Their first attempt tried to copy the Marvel method more closely. They chose their own B-list hero and set up his first film to allow for a wider mythology. Alas Green Lantern (2011) failed at the box office and we never got stand-alone films about Sinestro (Yellow Lantern), Carol Ferris (Star Sapphire, the Violet Lantern), John Stewart (African American Green Lantern), Kyle Rayner (1990s Green Lantern), Alan Scott (original Green Lantern), or the Blue, Red, and Orange Lantern Corps. At least so far, no studio has successfully created anything with close to the traction obtained by the Marvel Cinematic Universe (MCU). Warner’s DC Extended universe (DCEU) had trifling success, but is being shelved and rebooted for a fresh attempt next year. Universal’s attempt at a “Dark Universe” kicked off with Tom Cruise in The Mummy (2017), but was dead on arrival. Paramount’s attempt to link the Transformers Universe to GI Joe at the end of Transformers: Rise of the Beasts has been appropriately mocked. Sony’s Spider-man films linked to the MCU have been very successful, but their attempt at a stand-alone non-MCU Spider-man universe using Spider-man’s villains as anti-heroes has floundered (mostly succeeding only as a source of memes). Next Mattel will be attempting to build a universe off the success of last year’s Barbie and may include Polly Pocket, American Girl, Hot Wheels, and He-Man and the Masters of the Universe (no word yet on Thomas the Tank Engine, View Master and the Magic-8 Ball, but all are apparently in development). To date, only Marvel has successfully built a “Cinematic Universe”. One potential reason for the MCU’s success is that Kevin Feige built his cinematic universe on the back of the existing interconnected universe of the comics. But those comics were not the first interconnected universe of stories. For that we would need to go back to our foundational myths. The Bible stories mostly interconnect. Adam and Eve flows into Cain and Abel. David and Goliath leads to the Wisdom of Solomon. Greek Myths DEFINITELY interconnect. Supporting characters in one Greek myth have starring roles in their own stories. The Greek pantheon of tales even have their own version of the Avengers. In the Quest for the Golden Fleece, Jason brings together the Argonauts, who included in their number Theseus (who defeated the Minotaur), Orpheus (who braved the underworld) and Hercules himself – all A-list stars in their own “franchises”. Stand alone stories that exist within an interconnected universe are rare in modern media but were common in the ancient myths that have stood the test of time. Only Marvel has successfully created a shared universe that follows the pattern of ancient myths. Only Marvel films have stand-alone stories and protagonists who exist together in an interconnected world. Something about that method of storytelling is deeply pleasing for humans across many cultures. Marvel films are the first and most successful modern version of the mythological universe, and that it is worth spending more time exploring Marvel’s underlying mythology and where it came from. I.c. Why 1961? The origins of Christianity and Judaism (and Buddhism and Hinduism) are very murky. Even Islam is far enough in the past that we only have a very rough understanding of how it came to exist. When scholars want to understand in detail how a new religion is born they are far better to look at Mormonism or, if you accept it as a religion, Dianetics. Similarly, we have versions of Greek myths that have been passed down to us, but we can never know how those myths changed from their first telling to their “final” versions. Were the stories once unrelated, and only later became crafted into a single “universe”? Or were the stories built off each other one by one (“Dad that Golden Fleece story was amazing! Do you know any other stories about the Hercules guy?”)? Or was it something in between? Perhaps the stories all existed independently, but were later crafted together (“Remember that 12-labors story I told you? Actually that was the same guy who was on the Argo!”) Unlike Greek legends, we can know the origin of the Marvel Universe. We can see how it was constructed step-by-step. The people who did it (most importantly Stan Lee, Jack Kirby, and Steve Ditko) are dead now, but they have not been dead for long. We can read the original work, see how it changed over the last 60 years, and we can ask the creators “what were you thinking at the time” (or at least read their answers from old interviews). We can’t always trust what Stan Lee says, but at least we can hear his point of view. No one has a transcript of an interview with Homer, or knows exactly what he was thinking when he called it the “wine-dark sea”. Tl;dr: Why read about Marvel Comic superheroes 1961-1965? Because interconnected mythological stories are very important to cultures, Marvel is the leading contender of the most recent modern mythology, and it originated in the first half-decade of the 1960s. II. How did Marvel Superhero Comics happen? Timely Comics published their first comic book in 1939 and called it “Marvel Comics”. Their most popular World War II comics included Captain America, the Human Torch (an android unrelated to the modern Human Torch except in powers, appearance and name), and Namor, the Submariner. In the early 1950s superheroes became less popular, so Timely changed its name to Atlas Comics and focused on humor, western, horror, war and science fiction stories. But in 1956 DC Comics began re-introducing their Golden Age superheroes and, in the second half of the 1950s, the genre took off again – particularly Superman, whose title, Action Comics, became the number one selling comic in America. Stan Lee, editor and chief at Atlas at the time, wanted to get in on the superhero action. Unfortunately in 1957 Atlas lost its distributor and the company had to rely on “Independent News” to get its comics on newsstands. The complication was that Independent News was owned by “National Periodical Publications”, who also owned DC-comics and did not want Atlas to introduce superheroes to compete with Superman, Green Lantern and the Flash. Independent News agreed to distribute Atlas comics but limited the publisher to eight titles per month, and only in non-super hero genres (like horror, romance and science fiction). Blocked from creating and launching new superhero titles, Stan Lee got creative, and in August 1961 Atlas Comics published Fantastic Four #1. Aside #4: Fantastic Four #1 was on newsstands in August 8th, 1961, but the date on the cover was November 1961. The convention at the time was that the cover date was not the “publication date” but rather the “pull date”. The pull date was the time when the retailer could send back unsold copies back to the publisher for a refund. In fact the retailer did not need to send the entire issue back, just the cover, as it was assumed that comic books could not be sold without the cover, and it saved on postage. This was only relevant because it was great for my dad who was a child at the time. My dad was friends with the kid whose father owed the local pharmacy which meant he had access to every comic book published in the late 1950s as long as he was willing to wait a few months and read it without a cover. Going forward in this essay I will always use the pull dates rather than the publication dates for individual comic book issues as they are far easier to source. If you want to convert pull dates back into publication dates you can subtract roughly two months, but it is inconsistent and sometimes longer, as was the case with Fantastic Four #1. Check out the cover of Fantastic Four #1: To the modern eye this certainly looks like a superhero comic. Four heroes with super powers fighting a giant monster. But in the eyes of publishers in 1961 this looked more like a science fiction adventure comic than something that would go head to head with Superman. Here are the covers of Action Comics (the best selling superhero comic at the time) from the three months leading up to Fantastic Four #1: Notice what they have in common? “Super Rivals”, “Super revenge”, “Super Substitutes”. And all include Superman in his blue and red tights. Fantastic Four’s cover featured super powers, but never used the word “super” and no one was wearing superhero costumes. Fantastic Four, as a superhero story, slipped under the radar because it wasn’t really a superhero story at all. It was a story about four close friends who attempted to fly into space, but then something goes wrong and they crash back to Earth. The experience changes them and they decide they now need to use their new abilities to help the rest of humanity – specifically against monsters who are invading from under the Earth. It is a fantastical science fiction story – not a superhero story. Later in his career Jack Kirby, the illustrator of the issue and co-creator of the Fantastic Four, was asked about his inspiration for the Fantastic Four heroes. He did NOT say Superman – or any superhero. He said Challengers of the Unknown. Challengers of the Unknown was an adventure story co-created by Kirby in Showcase #6 in February 1957. Here is how Wikipedia describes the Challengers origin: When acquaintances miraculously survive a plane crash unscathed, they conclude that since they are "living on borrowed time" they should band together for hazardous adventures. The four—pilot Kyle "Ace" Morgan, daredevil Matthew "Red" Ryan, strong and slow-witted Leslie "Rocky" Davis, and scientist Walter Mark "Prof" Haley—became the Challengers of the Unknown. Showcase #6, and the first appearance of the Challengers of the Unknown, by Jack Kirby Visually the Challengers and the Fantastic Four were similar. Both wore skin tight uniforms with belts and minimal decoration. The Fantastic Four’s relatively simple characterizations were practically pulled from Challengers. Reed takes on the traits of both Kyle, the leader, and Walter, the scientist. Johnny, the Human Torch is the daredevil. The Thing is “strong and slow-witted”. Sue, the only woman on the team, seems like a new addition, but is likely based on June Robbins who joined the Challengers team in Showcase #7, as an “honorary” or “girl-Challenger”. After surviving their respective “miraculous” crashes, both the Challengers and the Fantastic Four band together to help the world. They both travel through space and other dimensions, fighting mad scientists and monsters. The Fantastic Four’s early antagonists were not traditional super villains. In the first few issues they fight monsters from under the Earth (Issue #1), shape changing aliens (#2), and a charlatan who uses hypnotism to steal from his audience (#3). In issue #4 Kirby and Lee re-introduce Namor, the Submariner, one of Marvel’s top IP from the 1940s, and have him kidnap Sue. Only in Issue #5 and #6 (June and August 1962) and do we get a more standard-supervillain when Dr Doom attempts to steal the Fantastic Four headquarters and throw it into space. The next superhero Lee created was even less heroic than the Fantastic Four. In April 1962 (pull date), Marvel published The Incredible Hulk. If it was even a superhero story in disguise it was a very good disguise. The story was a scientific-filtered version of Dr Jekyl and Mr Hyde. It was a pure monster-story with nothing very super about it. Nothing on the cover suggests this has anything to do with superheroes: It is not clear if even Lee at the time thought the Hulk would be a superhero. In Fantastic Four #5 Johnny is reading a “great new comic mag” and mocks the Thing by comparing him to the Hulk. It seems pretty clear at this point that in the Fantastic Four’s world, the Hulk is just a fictional comic book, like in ours (more on that later): The other two superheroes the Marvel introduces in this period have even more subtle introductions. At the time Marvel had a number of generic-sounding titles and told science fiction and fantasy stand-alone stories: Tales to Astonish
While the Avengers were a clear copy of the Justice League, Stan Lee put his own spin on it. While the JLA superheroes all had roughly the same personality and no real inter-team conflict, Lee made his heroes very distinct – almost caricatures – and there was PLENTY of inter-team conflict. The Hulk in particular abandoned the team in the second issue and was the primary antagonist by Avengers #3. Avengers #3 (January 1964) is itself the final step in connecting all of the Marvel heroes together. The Hulk has gone missing and the rest of the team wants to find him. Iron Man uses an “Image Projector” to ask other superheroes around the world if they had seen the Hulk. He visits the Fantastic Four, Spider-man and the X-men. In that same month in Tales of Suspense, Iron Man meets Angel (one of the X-men). The cat was out of the bag. Lee had a new trick to boost sales of all of his titles and he put it to work throughout the year. The first full crossover of the Fantastic Four and the Avengers happens in May (Fantastic Four #26). Daredevil premiered in March 1964 (with Spider-man on the cover, but not in the pages), and crosses over in Amazing Spider-man #16 (September 1964). Dr Strange first appears on the cover of another title in Fantastic Four #27 (June 1964). The Avengers battle the X-men (before teaming up) in X-men #9 (Dec 1964) Atlas was no longer just a collection of comic books about various topics, or even a collection of different flavors of superhero. It was a single shared universe: The Marvel Universe. It wasn’t planned out in advance, instead it happened in stages due more to commercial rather than artistic needs. Basically Stan Lee created the most successful modern mythology because he needed the money. III. Are Silver Age Marvel Comics any good? Well, apart from Amazing Spider-man, which holds up surprisingly well, I would not recommend reading any of them. Even Spider-Man is much weaker than the Ultimate Spider-Man reboot version of the story published 2000-2011. If you wanted to read Spider-Man from the beginning you would likely enjoy that later series a lot more than the original. The other titles vary in quality from “okay” (the Fantastic Four) to “absolute garbage” (Ant Man stories in Tales to Astonish). Which begs the questions, if these comics were so bad, how did they succeed as well as they did? Clearly the comics were “good for their time”. Millions of people bought and read them, and they clearly passed the “test of time”. So does that mean that we are better today at making art than we were back then? Or is art neither better or worse, just “of its time” and people back then would think the Ultimate Spider-man stories from 2000 were unreadable? I will argue the following: The stories were “good for their time”. VERY good for their time. They were much much better than the comic book stories that preceded them, and much better than other contemporary comic book adventures (like those being published by DC)
JLL Capital

JLL Capital is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between September 11, 2023 and September 11, 2023. The archive places it in contexts such as "The largest is a Mexican firm, JLL Capital, which is suing for $380 million". It most often appears alongside 101, ALUC, Antioch.

Reference entry
JLL Capital
Mention count
1
Issue count
1
First seen
September 11, 2023
Last seen
September 11, 2023
September 11, 2023 · Original source
Meanwhile several other companies which have suffered similarly have collectively asked for about half a billion with more on the way. But these are mostly normal companies. The largest is a Mexican firm, JLL Capital, which is suing for $380 million. Previously some Scandinavian firms sued for even more.
Job Board

Job Board is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between October 25, 2022 and October 25, 2022. The archive places it in contexts such as "They also have a Job Board". It most often appears alongside 80,000 Hours, ACX Grants, Andrew Ng.

Reference entry
Job Board
Mention count
1
Issue count
1
First seen
October 25, 2022
Last seen
October 25, 2022
October 25, 2022 · Original source
If you mean working for the cause: read 80,000 Hours and if appropriate apply for their career counseling. They reject many applications and nobody has a good idea for how to deal with this, sorry. They also have a Job Board.
Jobbik

Jobbik is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between November 04, 2021 and November 04, 2021. The archive places it in contexts such as "2.6 Jobbik votes"; "It so completely outflanked Jobbik that they gave up on being neo-Nazi". It most often appears alongside Alcsutdoboz, Allied Powers, Angela Merkel.

Reference entry
Jobbik
Mention count
1
Issue count
1
First seen
November 04, 2021
Last seen
November 04, 2021
November 04, 2021 · Original source
He shamelessly gerrymandered unequally sized districts. Left-wing voters were crammed into a few very large districts; likely Fidesz voters were put into many much smaller ones. The big districts and the small districts each elect one MP; as a result, one observer calculates that in terms of power to elect parliamentarians, “1 Fidesz vote = 2.1 Left Alliance votes = 2.6 Jobbik votes = 3.1 LMP votes” The system also uses a weird electoral quirk called “winner compensation” to ensure that the largest party gets Parliamentary representation even larger than its actual majority would suggest; due to the gerrymandering (plus infighting on the left) the largest party is always Fidesz.
There’s no mystery why he did it. Viktor Orban is a guy who likes winning. And despite being beyond the pale of conventional opinion, rejecting refugees was a winning proposition in Hungary. As Syrians began trickling in, Orban watched the neo-Nazi Jobbik Party’s polling numbers go up and up, until they started to look like a serious competitor. But they only had one issue, and Orban could easily steal it from them. So he did.
This certainly successfully raised Orban’s popularity within Hungary. It so completely outflanked Jobbik that they gave up on being neo-Nazi and switched to being a moderate pro-EU party that “rejects hatemongering” (what is it with Hungarian parties changing their whole platform?), then declined into irrelevance. Even if Orban hadn’t spent the past five years mangling the Constitution to make it impossible to ever not elect him, he probably still would have won elections in a landslide.
Jobbik Party

Jobbik Party is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between November 04, 2021 and November 04, 2021. The archive places it in contexts such as "Orban watched the neo-Nazi Jobbik Party’s polling numbers go up". It most often appears alongside Alcsutdoboz, Allied Powers, Angela Merkel.

Reference entry
Jobbik Party
Mention count
1
Issue count
1
First seen
November 04, 2021
Last seen
November 04, 2021
November 04, 2021 · Original source
There’s no mystery why he did it. Viktor Orban is a guy who likes winning. And despite being beyond the pale of conventional opinion, rejecting refugees was a winning proposition in Hungary. As Syrians began trickling in, Orban watched the neo-Nazi Jobbik Party’s polling numbers go up and up, until they started to look like a serious competitor. But they only had one issue, and Orban could easily steal it from them. So he did.
John Hopkins’ virus tracker

John Hopkins’ virus tracker is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between June 17, 2021 and June 17, 2021. The archive places it in contexts such as "on the John Hopkins’ virus tracker". It most often appears alongside Africa, antelope, August Hirsch.

Mention count
1
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1
First seen
June 17, 2021
Last seen
June 17, 2021
June 17, 2021 · Original source
I happened across this book last summer, literally on the floor of Buckeye Bend Books in Greenbrier County, West Virginia. An overarching history of humanity framed through the importance of viruses written in 1976 was exactly what I needed. Something to put the year 2020 in context and not hitting refresh on the John Hopkins’ virus tracker. While reading with the intent of relating everything to COVID-19, not too much really correlates super well.
John Rawls Foundation

John Rawls Foundation is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between March 19, 2026 and March 19, 2026. The archive places it in contexts such as "They’re all giving to this group called the John Rawls Foundation"; "a call from the John Rawls Foundation". It most often appears alongside Baltimore, calea zacatechichi, Causal Ocean.

Reference entry
John Rawls Foundation
Mention count
1
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1
First seen
March 19, 2026
Last seen
March 19, 2026
March 19, 2026 · Original source
“You haven’t heard?” asked the volunteer. “None of the rich people donate to us anymore. They’re all giving to this group called the John Rawls Foundation. If you’re in trouble, you should talk to them. They’re swimming in money!”
John Rawls Banker always turned down invitations to charity luncheons - why couldn’t everyone else work hard, the way he did? - but he was tickled to get a call from the John Rawls Foundation. Of course, it wasn’t really named after him - he assumed it had something to do with the famous liberal philosopher, whose hand he had shaken once at a country club - but he was intrigued enough to say yes. Besides, imagine the headlines: “JOHN RAWLS REFUSES TO DONATE TO JOHN RAWLS FOUNDATION”.
Johns Hopkins CRC

Johns Hopkins CRC is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between February 16, 2021 and February 16, 2021. The archive places it in contexts such as "From Johns Hopkins CRC". It most often appears alongside AIDS, AZ, B117 strain.

Reference entry
Johns Hopkins CRC
Mention count
1
Issue count
1
First seen
February 16, 2021
Last seen
February 16, 2021
February 16, 2021 · Original source
So far there have been three waves of coronavirus cases in the US. The first wave was the beginning, when it caught us unprepared. The second wave was in July, when we got sloppy and lifted lockdowns too soon. The third wave was November through January, because the coronavirus is seasonal and winter is its season (also probably the holidays). From Johns Hopkins CRC:
Johns Hopkins IRB

Johns Hopkins IRB is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between April 12, 2023 and April 12, 2023. The archive places it in contexts such as "Johns Hopkins IRB approved the study". It most often appears alongside AAAS, AIDS, American Academy of Arts and Sciences.

Reference entry
Johns Hopkins IRB
Mention count
1
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1
First seen
April 12, 2023
Last seen
April 12, 2023
April 12, 2023 · Original source
To prove that it could work in any situation, he teamed up with the Michigan Hospital Association, which included under-resourced Detroit hospitals. They agreed to ask their nurses to enforce checklists. Johns Hopkins IRB approved the study, noting that because no personal patient data was involved, it could avoid certain difficult rules related to privacy. Michigan started the study. Preliminary results were great; it seemed that tens to hundreds of lives were being saved per month. The New Yorker wrote a glowing article about the results.
OHRP read the article, investigated, and learned that Johns Hopkins IRB had exempted the study from the privacy restrictions. These restrictions were hard-to-interpret, but OHRP decided to take a maximalist approach. They stepped in, shut down the study, and said it could not restart until they got consent from every patient, doctor, and nurse involved, plus separate approval from each Michigan hospital’s IRB. This was impossible; even if all doctors and nurses unanimously consented, the patients were mostly unconscious, and the under-resourced Detroit hospitals didn’t have IRBs. The OHRP’s answer would make Hans Jonas proud - that’s not our problem, guess you have to cancel the study.
Johns Hopkins Program for International Education on Obstetrics and Gynecology

Johns Hopkins Program for International Education on Obstetrics and Gynecology is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between May 29, 2025 and May 29, 2025. The archive places it in contexts such as "I checked one of USAID’s biggest secular partners, the Johns Hopkins Program for International Education on Obstetrics and Gynecology (JHPIEGO)". It most often appears alongside ACX Grants, ACX subreddit, Africa.

Mention count
1
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1
First seen
May 29, 2025
Last seen
May 29, 2025
May 29, 2025 · Original source
(is CRS unusual in its low overhead, maybe because of its Catholic affiliation? I checked one of USAID’s biggest secular partners, the Johns Hopkins Program for International Education on Obstetrics and Gynecology (JHPIEGO), which despite its name operates AIDS, malaria, and COVID clinics in Africa. Its NICRA was 17% and its true overhead was 3.9%, and I couldn’t otherwise find any big difference from CRS.)
Anyway, Tyler’s 2-5% grant program overhead is pretty similar to the real overhead of CRS, JHPIEGO, and presumably other USAID charities, so I don’t think there’s a mystery here.
I keep hearing about how most USAID money goes to rich woke snobs who use it to throw parties celebrating how much better they are than you. But where are these people? Are they hiding in the 6% overhead in Catholic Relief Services? The 3.9% overhead in JHPIEGO? The Ukrainians? The African clinics? I hear a lot about how USAID is funding foreign journalists to be really liberal, but it looks like all “democracy and human rights” grants combined - the category that this would fall into - are 2-5% of the budget (and this category also includes a lot of things like election observers).
Johns Hopkins University

Johns Hopkins University is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between December 22, 2021 and December 22, 2021. The archive places it in contexts such as "Johns Hopkins University’s COVID treatment guidelines recommend fluvoxamine". It most often appears alongside aspirin, Astralcodexten Com, budesonide.

Mention count
1
Issue count
1
First seen
December 22, 2021
Last seen
December 22, 2021
December 22, 2021 · Original source
I conclude that the risk-benefit calculation probably favors using Luvox. And I’m not alone here. Johns Hopkins University’s COVID treatment guidelines recommend fluvoxamine for appropriate COVID patients. Some leading psychiatrists, especially the Washington University psychiatrists who helped discover the new indication, support fluvoxamine for appropriate COVID patients. Many of the epidemiologists and statisticians most instrumental in debunking the hype around ivermectin have spoken out in favor of fluvoxamine, saying this one is the real deal (1, 2). The National Institute of Health hasn’t quite come out in support, but they have taken the unusual step of not disrecommending fluvoxamine the same as they disrecommend every other oral early COVID treatment, saying that the evidence "provides the sort of flexibility for the treating clinician to go either way".
Johns Hopkins' virus tracker

Johns Hopkins' virus tracker is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between June 17, 2021 and June 17, 2021. The archive places it in contexts such as "not hitting refresh on the John Hopkins’ virus tracker". It most often appears alongside Africa, antelope, August Hirsch.

Mention count
1
Issue count
1
First seen
June 17, 2021
Last seen
June 17, 2021
June 17, 2021 · Original source
...nia. An overarching history of humanity framed through the importance of viruses written in 1976 was exactly what I needed. Something to put the year 2020 in context and not hitting refresh on the John Hopkins’ virus tracker . While reading with the intent of relating everything to COVID-19, not too much really correlates super well. Buckeye Bend Books Plagues and Peoples does not talk too m...
Joint Emergency Operation in Tigray

Joint Emergency Operation in Tigray is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between May 29, 2025 and May 29, 2025. The archive places it in contexts such as "I think this is what’s going on in the Joint Emergency Operation in Tigray". It most often appears alongside ACX Grants, ACX subreddit, Africa.

Mention count
1
Issue count
1
First seen
May 29, 2025
Last seen
May 29, 2025
May 29, 2025 · Original source
...the money to local groups that are already stuck in the war-torn area instead of trying to send American staffers in themselves - I think this is what’s going on in the Joint Emergency Operation in Tigray. Why doesn’t USAID give grants to these groups directly, instead of giving them to CRS to give grants to them? Sometimes it’s because random locals in Tigray with a comp...
...ia . In some war-torn places, they give the money to local groups that are already stuck in the war-torn area instead of trying to send American staffers in themselves - I think this is what’s going on in the Joint Emergency Operation in Tigray. Why doesn’t USAID give grants to these groups directly, instead of giving them to CRS to give grants to them? Sometimes it’s because random locals in Tigray with a comp...
Jozef Stefan Institute

Jozef Stefan Institute is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between April 07, 2025 and April 07, 2025. The archive places it in contexts such as "Jozef Stefan Institute in Slovenia asks me to advertise that they are looking to fill PhD positions". It most often appears alongside ACX, Astralcodexten Com, Australia.

Reference entry
Jozef Stefan Institute
Mention count
1
Issue count
1
First seen
April 07, 2025
Last seen
April 07, 2025
April 07, 2025 · Original source
6: And the Jozef Stefan Institute in Slovenia asks me to advertise that they are looking to fill PhD positions on data science and forecasting, including LLM-assisted superforecasting. See here for more details.
Jude

Jude is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between December 10, 2024 and December 10, 2024. The archive places it in contexts such as "Jude ( blog ) writes :". It most often appears alongside ACT, AI, America.

Reference entry
Jude
Mention count
1
Issue count
1
First seen
December 10, 2024
Last seen
December 10, 2024
December 10, 2024 · Original source
Jude (blog) writes:
Jude again:
Juilliard

Juilliard is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between February 18, 2021 and February 18, 2021. The archive places it in contexts such as "these days, even places like Juilliard have strong jazz programs". It most often appears alongside 1957, Alexander H, American.

Reference entry
Juilliard
Mention count
1
Issue count
1
First seen
February 18, 2021
Last seen
February 18, 2021
February 18, 2021 · Original source
We have regressed in providing a range of public schools that cater to multiple tastes and aspirations. When I was growing up in NYC in the '50s & '60s, more such paths were provided. Bronx Science, Stuyvesant and Brooklyn tech educated the technical elite. (I'm not afraid of that term.) The HS of Music and Art trained talented musicians and artists, at least in the "classical" arts and music; but it's worth noting that these days, even places like Juilliard have strong jazz programs and more than a whiff of hip-hop and even country music in the air. We had a HS of Printing Trades, a HS of maritime trades (which was located on a ship moored at a pier, and I envied the kids who went there). There was a HS of Performing Arts for aspiring actors and a HS of Fashion Trades. Except for the "elite"schools, these were called "vocational schools."
Just Giving

Just Giving is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between September 17, 2021 and September 17, 2021. The archive places it in contexts such as "This is an interesting contrast to eg Just Giving". It most often appears alongside 1/6 insurrection, Abdel al-Sisi, Abu Ghraib.

Reference entry
Just Giving
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1
Issue count
1
First seen
September 17, 2021
Last seen
September 17, 2021
September 17, 2021 · Original source
First, cultivate your garden. We got into this mess by believing the government could solve every problem. We're learning it can''t. We're not going to get legitimate institutions again until we unwind the overly high expectations produced by High Modernism, and the best way to do that is to stop expecting government to solve all your problems. So cultivate your garden. If you're concerned about obesity, go on a diet, or volunteer at a local urban vegetable garden, or organize a Fun Run in your community, do anything other than start a protest telling the government to end obesity. This is an interesting contrast to eg Just Giving, which I interpret as having the opposite model - if you want to fight obesity, you should work through the democratic system by petitioning the government to do something; trying to figure out a way to fight it on your own would be an undemocratic exercise of raw power. Gurri is recommending that we tear that way of thinking up at the root.
Just Stop Oil

Just Stop Oil is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between October 30, 2024 and October 30, 2024. The archive places it in contexts such as "consider the Just Stop Oil protesters who throw paint on art". It most often appears alongside 1984, Abandon Harris, Acemoglu.

Reference entry
Just Stop Oil
Mention count
1
Issue count
1
First seen
October 30, 2024
Last seen
October 30, 2024
October 30, 2024 · Original source
First, consider the Just Stop Oil protesters who throw paint on art. I believe these people are bad. But (you might say) these people are fighting fossil fuel executives whose terrible decisions have killed hundreds of thousands of people through particulate pollution and may yet kill orders of magnitude more through global warming. Surely this is worse than ruining one picture, which can probably be restored later anyway. So how can we put the paint-throwers in jail, while letting the fossil fuel executives go free?
Justice League

Justice League is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between August 16, 2024 and August 16, 2024. The archive places it in contexts such as "Avengers were a close parallel to the Justice League". It most often appears alongside 20th Century Fox, Abomination, Abomination.

Reference entry
Justice League
Mention count
1
Issue count
1
First seen
August 16, 2024
Last seen
August 16, 2024
August 16, 2024 · Original source
By early 1963 it was established that the Fantastic Four, the Hulk and Spider-man all existed together within the same shared universe. But what about Ant Man,Thor and Iron Man? Aside #5: The Hulk comic in Fantastic Four #5 pretty clearly establishes that the Hulk was a fictional character in the Fantastic Four world, but there are other clues that Lee was not thinking about his characters as existing and crossing over in the early days. Both Bruce Banner (the Hulk) and Mr Fantastic fight off global alien invasions in their early issues. In both cases the stories make clear that only Bruce/Reed is smart enough to save the world. No mention is made of the OTHER scientist who saved the world from the alien invasion a few months earlier. Bringing different superheroes from their own titles together was not an idea created by Atlas/Marvel and Lee. That was likely All Star Comics #3 (December 1940) when writer Gardner Fox brought together all the major DC heroes who were not staring in their own independent titles, including Green Lantern, the Flash and Doctor Fate, to create the Justice Society of America (JSA). Batman and Superman cameoed in All Star Comics #7, but generally they were considered too popular to dilute their appearances in ensemble titles. That changed in March 1960 when DC re-launched the idea of a superteam with the Justice League of America and included all of their most popular heroes as the leads – Superman, Batman and Wonder Woman. It was immediately a top seller. The launch of JLA is likely what caused the owner of Atlas to ask Lee to create a ”superhero team comic”. Lee did not have a stable of heroes to bring together, so he had to create something entirely new – The Fantastic Four. But now that Lee DID have a collection of his own heroes AND he had the greenlight to create straightforward superhero comics, he decided to build himself his own JLA. In September 1963 Atlas published two new titles: The Avengers and the X-men. The X-men were a brand new team of all new heroes, but the Avengers were a close parallel to the Justice League. Lee took his existing collection of heroes (except the Fantastic Four and Spider-man) and created an excuse for a team-up. In the issue they individually battle Thor’s brother Loki before coming together to defeat him as a team. They decide that given they all have different powers, they should work together to be unstoppable. The entire formation of the team takes only four panels and is a little corny, but it does its job: While the Avengers were a clear copy of the Justice League, Stan Lee put his own spin on it. While the JLA superheroes all had roughly the same personality and no real inter-team conflict, Lee made his heroes very distinct – almost caricatures – and there was PLENTY of inter-team conflict. The Hulk in particular abandoned the team in the second issue and was the primary antagonist by Avengers #3. Avengers #3 (January 1964) is itself the final step in connecting all of the Marvel heroes together. The Hulk has gone missing and the rest of the team wants to find him. Iron Man uses an “Image Projector” to ask other superheroes around the world if they had seen the Hulk. He visits the Fantastic Four, Spider-man and the X-men. In that same month in Tales of Suspense, Iron Man meets Angel (one of the X-men). The cat was out of the bag. Lee had a new trick to boost sales of all of his titles and he put it to work throughout the year. The first full crossover of the Fantastic Four and the Avengers happens in May (Fantastic Four #26). Daredevil premiered in March 1964 (with Spider-man on the cover, but not in the pages), and crosses over in Amazing Spider-man #16 (September 1964). Dr Strange first appears on the cover of another title in Fantastic Four #27 (June 1964). The Avengers battle the X-men (before teaming up) in X-men #9 (Dec 1964) Atlas was no longer just a collection of comic books about various topics, or even a collection of different flavors of superhero. It was a single shared universe: The Marvel Universe. It wasn’t planned out in advance, instead it happened in stages due more to commercial rather than artistic needs. Basically Stan Lee created the most successful modern mythology because he needed the money. III. Are Silver Age Marvel Comics any good? Well, apart from Amazing Spider-man, which holds up surprisingly well, I would not recommend reading any of them. Even Spider-Man is much weaker than the Ultimate Spider-Man reboot version of the story published 2000-2011. If you wanted to read Spider-Man from the beginning you would likely enjoy that later series a lot more than the original. The other titles vary in quality from “okay” (the Fantastic Four) to “absolute garbage” (Ant Man stories in Tales to Astonish). Which begs the questions, if these comics were so bad, how did they succeed as well as they did? Clearly the comics were “good for their time”. Millions of people bought and read them, and they clearly passed the “test of time”. So does that mean that we are better today at making art than we were back then? Or is art neither better or worse, just “of its time” and people back then would think the Ultimate Spider-man stories from 2000 were unreadable? I will argue the following: The stories were “good for their time”. VERY good for their time. They were much much better than the comic book stories that preceded them, and much better than other contemporary comic book adventures (like those being published by DC)
Given Marvel Comics, why Silver Age (1961-1965)? I.a. Why Superhero Comic Books? The winner of last year’s Astral Codex Ten book review contest was Brandon Hendrickson. Brandon wrote about Kieran Egan’s The Educated Mind. One of the foundations of Egan’s educational philosophy is that people learn through stories. He believes early education should focus on teaching lessons through myths and legends. This matches my experience. My kids’ favorite podcast is Greeking Out – a very well produced, very entertaining, National Geographic podcast about Greek Legends. Aside #1: When my oldest daughter was three years old she would ask everyone she met “Do you know any myths? Can you tell me a myth?” She especially liked asking people from different places to get myths from their local cultures. Once, she asked the question to a friend of mine who grew up in South Africa, “Can you tell me any South African myths?” He struggled for a minute and then said, “Okay! I have one! Bread never falls butter side down!”. That was not the type of myth she was looking for; nor the type of myth we will be discussing in this review. Every culture has foundational myths. These stories are entertaining and engaging, but they also teach valuable lessons about both what is important in that culture, and how people in that culture are expected to behave (or at least the Platonic Ideal of how they should behave). In the modern, Western world, we have assimilated many of these foundational stories, particularly the Greek myths. My kids definitely know the Greek myths, but they also know elements of Norse mythology, Egyptian myths, stories about Anasi from West Africa and more. More fundamentally my wife and I, while not religious ourselves, have made a point of exposing the kids to the stories from the Bible. It is not politically correct to call Biblical stories “myths”, but they serve the same purpose – shared cultural understanding of the way the world works. My wife grew up without any religion, and when she was in high school, she struggled with the metaphors and religious allegories that were omnipresent in most of the Western canon. In our culture, familiarity with the Bible is important for an educated person – whether they are religious or not – because it is the foundation of so much of the rest of our culture. I believe the other set of mythological stories that are foundational to our culture are – and by this point I am sure you see where I am going here – comic book superheroes. If true, then having more than a surface-level understanding of the most important superhero stories is important in a similar way to that knowing the Bible stories is important. “Do unto others as you would have them do unto you” is an important idea to understand. So is, “With great power comes great responsibility”. I.b. Why Marvel? While there are many independent superheroes that are not owned by major conglomerates, the superheroes who have built our modern foundational myths are currently owned by two corporations. Warner Bros. Discover owns the DC library of superheroes including Superman, Batman and Wonder Woman. In 2009 Disney purchased Marvel Comics and took ownership of their characters, including Spiderman, X-men and the Avengers. Aside #2: Marvel has sold temporary film rights to many of their characters over the years. The most relevant sales started in 1994 when Marvel sold the film rights of X-men and mutants to 20th century Fox, then in 1996, when Marvel went bankrupt, Fox picked up the rights to the Fantastic Four (and New Line picked up Blade). In 1999 Marvel sold the film rights (and live action TV, and animated TV longer than 44 minutes) of Spider-man and related characters to Columbia Pictures (part of Sony) for $7MM. Marvel actually attempted to sell ALL of their remaining Marvel IP film rights to Sony for $25MM, but the top management at Sony was not interested. Sony’s management allegedly told their chief negotiator “Nobody gives a shi*t about any of the other Marvel characters. Go back and do a deal for only Spider-Man). Disney acquired Marvel in 2009, and then Fox in 2019, bringing the two separated packages of characters all back together under one roof (Blade reverted back to Marvel in 2012). Sony still owns the rights to Spider-man but has made a deal with Disney to include some of his films within the Marvel-Disney universe. Marvel sold the film rights of The Hulk to Universal in 1990 and the current status of that agreement is complicated (the consensus is that Marvel now controls the film rights to the character, but Universal owns distribution rights to any stand-alone Hulk film, which could be why Disney let's Hulk co-star in Thor movies, but not vice versa). In the early aughts Marvel wanted to build their own film franchise, but were limited to only using their remaining “B-list” characters – Spider-man, X-men, and the Fantastic Four were all off limits. Fortunately, Kevin Feige, president of production for Marvel at the time, saw a way forward. He convinced Ike Perlmutter, Marvel CEO, to allow for the production of a series of films with the remaining characters begining with Iron Man (2008). Jon Favreau directed and cast Robert Downey Jr as Tony Stark. The film blew away expectations. Kevin’s plan of a series of movies where the characters would interconnect was suddenly feasible. Iron Man was followed by The Incredible Hulk, Thor, and Captain America: The First Avenger. None managed the box office magic of Iron Man, but all were successful enough that the plan stayed on track. In 2012 the characters were all brought together in the first Avengers film, which opened to over $200MM domestically and went on to gross more than $1.5B (which made it the 3rd highest grossing film of all time). Marvel became the first studio to take the interconnected world of their comic books and make the model work on the big screen (for a much larger audience). Once the model was proven to work, other studios tried to duplicate it. Aside #3: Warner Bros’ stumbles with the DC shared universe of Batman, Superman and the Justice League are well known, but that was actually their SECOND attempt at a shared universe. Their first attempt tried to copy the Marvel method more closely. They chose their own B-list hero and set up his first film to allow for a wider mythology. Alas Green Lantern (2011) failed at the box office and we never got stand-alone films about Sinestro (Yellow Lantern), Carol Ferris (Star Sapphire, the Violet Lantern), John Stewart (African American Green Lantern), Kyle Rayner (1990s Green Lantern), Alan Scott (original Green Lantern), or the Blue, Red, and Orange Lantern Corps. At least so far, no studio has successfully created anything with close to the traction obtained by the Marvel Cinematic Universe (MCU). Warner’s DC Extended universe (DCEU) had trifling success, but is being shelved and rebooted for a fresh attempt next year. Universal’s attempt at a “Dark Universe” kicked off with Tom Cruise in The Mummy (2017), but was dead on arrival. Paramount’s attempt to link the Transformers Universe to GI Joe at the end of Transformers: Rise of the Beasts has been appropriately mocked. Sony’s Spider-man films linked to the MCU have been very successful, but their attempt at a stand-alone non-MCU Spider-man universe using Spider-man’s villains as anti-heroes has floundered (mostly succeeding only as a source of memes). Next Mattel will be attempting to build a universe off the success of last year’s Barbie and may include Polly Pocket, American Girl, Hot Wheels, and He-Man and the Masters of the Universe (no word yet on Thomas the Tank Engine, View Master and the Magic-8 Ball, but all are apparently in development). To date, only Marvel has successfully built a “Cinematic Universe”. One potential reason for the MCU’s success is that Kevin Feige built his cinematic universe on the back of the existing interconnected universe of the comics. But those comics were not the first interconnected universe of stories. For that we would need to go back to our foundational myths. The Bible stories mostly interconnect. Adam and Eve flows into Cain and Abel. David and Goliath leads to the Wisdom of Solomon. Greek Myths DEFINITELY interconnect. Supporting characters in one Greek myth have starring roles in their own stories. The Greek pantheon of tales even have their own version of the Avengers. In the Quest for the Golden Fleece, Jason brings together the Argonauts, who included in their number Theseus (who defeated the Minotaur), Orpheus (who braved the underworld) and Hercules himself – all A-list stars in their own “franchises”. Stand alone stories that exist within an interconnected universe are rare in modern media but were common in the ancient myths that have stood the test of time. Only Marvel has successfully created a shared universe that follows the pattern of ancient myths. Only Marvel films have stand-alone stories and protagonists who exist together in an interconnected world. Something about that method of storytelling is deeply pleasing for humans across many cultures. Marvel films are the first and most successful modern version of the mythological universe, and that it is worth spending more time exploring Marvel’s underlying mythology and where it came from. I.c. Why 1961? The origins of Christianity and Judaism (and Buddhism and Hinduism) are very murky. Even Islam is far enough in the past that we only have a very rough understanding of how it came to exist. When scholars want to understand in detail how a new religion is born they are far better to look at Mormonism or, if you accept it as a religion, Dianetics. Similarly, we have versions of Greek myths that have been passed down to us, but we can never know how those myths changed from their first telling to their “final” versions. Were the stories once unrelated, and only later became crafted into a single “universe”? Or were the stories built off each other one by one (“Dad that Golden Fleece story was amazing! Do you know any other stories about the Hercules guy?”)? Or was it something in between? Perhaps the stories all existed independently, but were later crafted together (“Remember that 12-labors story I told you? Actually that was the same guy who was on the Argo!”) Unlike Greek legends, we can know the origin of the Marvel Universe. We can see how it was constructed step-by-step. The people who did it (most importantly Stan Lee, Jack Kirby, and Steve Ditko) are dead now, but they have not been dead for long. We can read the original work, see how it changed over the last 60 years, and we can ask the creators “what were you thinking at the time” (or at least read their answers from old interviews). We can’t always trust what Stan Lee says, but at least we can hear his point of view. No one has a transcript of an interview with Homer, or knows exactly what he was thinking when he called it the “wine-dark sea”. Tl;dr: Why read about Marvel Comic superheroes 1961-1965? Because interconnected mythological stories are very important to cultures, Marvel is the leading contender of the most recent modern mythology, and it originated in the first half-decade of the 1960s. II. How did Marvel Superhero Comics happen? Timely Comics published their first comic book in 1939 and called it “Marvel Comics”. Their most popular World War II comics included Captain America, the Human Torch (an android unrelated to the modern Human Torch except in powers, appearance and name), and Namor, the Submariner. In the early 1950s superheroes became less popular, so Timely changed its name to Atlas Comics and focused on humor, western, horror, war and science fiction stories. But in 1956 DC Comics began re-introducing their Golden Age superheroes and, in the second half of the 1950s, the genre took off again – particularly Superman, whose title, Action Comics, became the number one selling comic in America. Stan Lee, editor and chief at Atlas at the time, wanted to get in on the superhero action. Unfortunately in 1957 Atlas lost its distributor and the company had to rely on “Independent News” to get its comics on newsstands. The complication was that Independent News was owned by “National Periodical Publications”, who also owned DC-comics and did not want Atlas to introduce superheroes to compete with Superman, Green Lantern and the Flash. Independent News agreed to distribute Atlas comics but limited the publisher to eight titles per month, and only in non-super hero genres (like horror, romance and science fiction). Blocked from creating and launching new superhero titles, Stan Lee got creative, and in August 1961 Atlas Comics published Fantastic Four #1. Aside #4: Fantastic Four #1 was on newsstands in August 8th, 1961, but the date on the cover was November 1961. The convention at the time was that the cover date was not the “publication date” but rather the “pull date”. The pull date was the time when the retailer could send back unsold copies back to the publisher for a refund. In fact the retailer did not need to send the entire issue back, just the cover, as it was assumed that comic books could not be sold without the cover, and it saved on postage. This was only relevant because it was great for my dad who was a child at the time. My dad was friends with the kid whose father owed the local pharmacy which meant he had access to every comic book published in the late 1950s as long as he was willing to wait a few months and read it without a cover. Going forward in this essay I will always use the pull dates rather than the publication dates for individual comic book issues as they are far easier to source. If you want to convert pull dates back into publication dates you can subtract roughly two months, but it is inconsistent and sometimes longer, as was the case with Fantastic Four #1. Check out the cover of Fantastic Four #1: To the modern eye this certainly looks like a superhero comic. Four heroes with super powers fighting a giant monster. But in the eyes of publishers in 1961 this looked more like a science fiction adventure comic than something that would go head to head with Superman. Here are the covers of Action Comics (the best selling superhero comic at the time) from the three months leading up to Fantastic Four #1: Notice what they have in common? “Super Rivals”, “Super revenge”, “Super Substitutes”. And all include Superman in his blue and red tights. Fantastic Four’s cover featured super powers, but never used the word “super” and no one was wearing superhero costumes. Fantastic Four, as a superhero story, slipped under the radar because it wasn’t really a superhero story at all. It was a story about four close friends who attempted to fly into space, but then something goes wrong and they crash back to Earth. The experience changes them and they decide they now need to use their new abilities to help the rest of humanity – specifically against monsters who are invading from under the Earth. It is a fantastical science fiction story – not a superhero story. Later in his career Jack Kirby, the illustrator of the issue and co-creator of the Fantastic Four, was asked about his inspiration for the Fantastic Four heroes. He did NOT say Superman – or any superhero. He said Challengers of the Unknown. Challengers of the Unknown was an adventure story co-created by Kirby in Showcase #6 in February 1957. Here is how Wikipedia describes the Challengers origin: When acquaintances miraculously survive a plane crash unscathed, they conclude that since they are "living on borrowed time" they should band together for hazardous adventures. The four—pilot Kyle "Ace" Morgan, daredevil Matthew "Red" Ryan, strong and slow-witted Leslie "Rocky" Davis, and scientist Walter Mark "Prof" Haley—became the Challengers of the Unknown. Showcase #6, and the first appearance of the Challengers of the Unknown, by Jack Kirby Visually the Challengers and the Fantastic Four were similar. Both wore skin tight uniforms with belts and minimal decoration. The Fantastic Four’s relatively simple characterizations were practically pulled from Challengers. Reed takes on the traits of both Kyle, the leader, and Walter, the scientist. Johnny, the Human Torch is the daredevil. The Thing is “strong and slow-witted”. Sue, the only woman on the team, seems like a new addition, but is likely based on June Robbins who joined the Challengers team in Showcase #7, as an “honorary” or “girl-Challenger”. After surviving their respective “miraculous” crashes, both the Challengers and the Fantastic Four band together to help the world. They both travel through space and other dimensions, fighting mad scientists and monsters. The Fantastic Four’s early antagonists were not traditional super villains. In the first few issues they fight monsters from under the Earth (Issue #1), shape changing aliens (#2), and a charlatan who uses hypnotism to steal from his audience (#3). In issue #4 Kirby and Lee re-introduce Namor, the Submariner, one of Marvel’s top IP from the 1940s, and have him kidnap Sue. Only in Issue #5 and #6 (June and August 1962) and do we get a more standard-supervillain when Dr Doom attempts to steal the Fantastic Four headquarters and throw it into space. The next superhero Lee created was even less heroic than the Fantastic Four. In April 1962 (pull date), Marvel published The Incredible Hulk. If it was even a superhero story in disguise it was a very good disguise. The story was a scientific-filtered version of Dr Jekyl and Mr Hyde. It was a pure monster-story with nothing very super about it. Nothing on the cover suggests this has anything to do with superheroes: It is not clear if even Lee at the time thought the Hulk would be a superhero. In Fantastic Four #5 Johnny is reading a “great new comic mag” and mocks the Thing by comparing him to the Hulk. It seems pretty clear at this point that in the Fantastic Four’s world, the Hulk is just a fictional comic book, like in ours (more on that later): The other two superheroes the Marvel introduces in this period have even more subtle introductions. At the time Marvel had a number of generic-sounding titles and told science fiction and fantasy stand-alone stories: Tales to Astonish
While the Avengers were a clear copy of the Justice League, Stan Lee put his own spin on it. While the JLA superheroes all had roughly the same personality and no real inter-team conflict, Lee made his heroes very distinct – almost caricatures – and there was PLENTY of inter-team conflict. The Hulk in particular abandoned the team in the second issue and was the primary antagonist by Avengers #3. Avengers #3 (January 1964) is itself the final step in connecting all of the Marvel heroes together. The Hulk has gone missing and the rest of the team wants to find him. Iron Man uses an “Image Projector” to ask other superheroes around the world if they had seen the Hulk. He visits the Fantastic Four, Spider-man and the X-men. In that same month in Tales of Suspense, Iron Man meets Angel (one of the X-men). The cat was out of the bag. Lee had a new trick to boost sales of all of his titles and he put it to work throughout the year. The first full crossover of the Fantastic Four and the Avengers happens in May (Fantastic Four #26). Daredevil premiered in March 1964 (with Spider-man on the cover, but not in the pages), and crosses over in Amazing Spider-man #16 (September 1964). Dr Strange first appears on the cover of another title in Fantastic Four #27 (June 1964). The Avengers battle the X-men (before teaming up) in X-men #9 (Dec 1964) Atlas was no longer just a collection of comic books about various topics, or even a collection of different flavors of superhero. It was a single shared universe: The Marvel Universe. It wasn’t planned out in advance, instead it happened in stages due more to commercial rather than artistic needs. Basically Stan Lee created the most successful modern mythology because he needed the money. III. Are Silver Age Marvel Comics any good? Well, apart from Amazing Spider-man, which holds up surprisingly well, I would not recommend reading any of them. Even Spider-Man is much weaker than the Ultimate Spider-Man reboot version of the story published 2000-2011. If you wanted to read Spider-Man from the beginning you would likely enjoy that later series a lot more than the original. The other titles vary in quality from “okay” (the Fantastic Four) to “absolute garbage” (Ant Man stories in Tales to Astonish). Which begs the questions, if these comics were so bad, how did they succeed as well as they did? Clearly the comics were “good for their time”. Millions of people bought and read them, and they clearly passed the “test of time”. So does that mean that we are better today at making art than we were back then? Or is art neither better or worse, just “of its time” and people back then would think the Ultimate Spider-man stories from 2000 were unreadable? I will argue the following: The stories were “good for their time”. VERY good for their time. They were much much better than the comic book stories that preceded them, and much better than other contemporary comic book adventures (like those being published by DC)
Justice League of America

Justice League of America is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between August 16, 2024 and August 16, 2024. The archive places it in contexts such as "DC re-launched the idea of a superteam with the Justice League of America". It most often appears alongside 20th Century Fox, Abomination, Abomination.

Mention count
1
Issue count
1
First seen
August 16, 2024
Last seen
August 16, 2024
August 16, 2024 · Original source
By early 1963 it was established that the Fantastic Four, the Hulk and Spider-man all existed together within the same shared universe. But what about Ant Man,Thor and Iron Man? Aside #5: The Hulk comic in Fantastic Four #5 pretty clearly establishes that the Hulk was a fictional character in the Fantastic Four world, but there are other clues that Lee was not thinking about his characters as existing and crossing over in the early days. Both Bruce Banner (the Hulk) and Mr Fantastic fight off global alien invasions in their early issues. In both cases the stories make clear that only Bruce/Reed is smart enough to save the world. No mention is made of the OTHER scientist who saved the world from the alien invasion a few months earlier. Bringing different superheroes from their own titles together was not an idea created by Atlas/Marvel and Lee. That was likely All Star Comics #3 (December 1940) when writer Gardner Fox brought together all the major DC heroes who were not staring in their own independent titles, including Green Lantern, the Flash and Doctor Fate, to create the Justice Society of America (JSA). Batman and Superman cameoed in All Star Comics #7, but generally they were considered too popular to dilute their appearances in ensemble titles. That changed in March 1960 when DC re-launched the idea of a superteam with the Justice League of America and included all of their most popular heroes as the leads – Superman, Batman and Wonder Woman. It was immediately a top seller. The launch of JLA is likely what caused the owner of Atlas to ask Lee to create a ”superhero team comic”. Lee did not have a stable of heroes to bring together, so he had to create something entirely new – The Fantastic Four. But now that Lee DID have a collection of his own heroes AND he had the greenlight to create straightforward superhero comics, he decided to build himself his own JLA. In September 1963 Atlas published two new titles: The Avengers and the X-men. The X-men were a brand new team of all new heroes, but the Avengers were a close parallel to the Justice League. Lee took his existing collection of heroes (except the Fantastic Four and Spider-man) and created an excuse for a team-up. In the issue they individually battle Thor’s brother Loki before coming together to defeat him as a team. They decide that given they all have different powers, they should work together to be unstoppable. The entire formation of the team takes only four panels and is a little corny, but it does its job: While the Avengers were a clear copy of the Justice League, Stan Lee put his own spin on it. While the JLA superheroes all had roughly the same personality and no real inter-team conflict, Lee made his heroes very distinct – almost caricatures – and there was PLENTY of inter-team conflict. The Hulk in particular abandoned the team in the second issue and was the primary antagonist by Avengers #3. Avengers #3 (January 1964) is itself the final step in connecting all of the Marvel heroes together. The Hulk has gone missing and the rest of the team wants to find him. Iron Man uses an “Image Projector” to ask other superheroes around the world if they had seen the Hulk. He visits the Fantastic Four, Spider-man and the X-men. In that same month in Tales of Suspense, Iron Man meets Angel (one of the X-men). The cat was out of the bag. Lee had a new trick to boost sales of all of his titles and he put it to work throughout the year. The first full crossover of the Fantastic Four and the Avengers happens in May (Fantastic Four #26). Daredevil premiered in March 1964 (with Spider-man on the cover, but not in the pages), and crosses over in Amazing Spider-man #16 (September 1964). Dr Strange first appears on the cover of another title in Fantastic Four #27 (June 1964). The Avengers battle the X-men (before teaming up) in X-men #9 (Dec 1964) Atlas was no longer just a collection of comic books about various topics, or even a collection of different flavors of superhero. It was a single shared universe: The Marvel Universe. It wasn’t planned out in advance, instead it happened in stages due more to commercial rather than artistic needs. Basically Stan Lee created the most successful modern mythology because he needed the money. III. Are Silver Age Marvel Comics any good? Well, apart from Amazing Spider-man, which holds up surprisingly well, I would not recommend reading any of them. Even Spider-Man is much weaker than the Ultimate Spider-Man reboot version of the story published 2000-2011. If you wanted to read Spider-Man from the beginning you would likely enjoy that later series a lot more than the original. The other titles vary in quality from “okay” (the Fantastic Four) to “absolute garbage” (Ant Man stories in Tales to Astonish). Which begs the questions, if these comics were so bad, how did they succeed as well as they did? Clearly the comics were “good for their time”. Millions of people bought and read them, and they clearly passed the “test of time”. So does that mean that we are better today at making art than we were back then? Or is art neither better or worse, just “of its time” and people back then would think the Ultimate Spider-man stories from 2000 were unreadable? I will argue the following: The stories were “good for their time”. VERY good for their time. They were much much better than the comic book stories that preceded them, and much better than other contemporary comic book adventures (like those being published by DC)
Justice Society of America

Justice Society of America is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between August 16, 2024 and August 16, 2024. The archive places it in contexts such as "to create the Justice Society of America (JSA)". It most often appears alongside 20th Century Fox, Abomination, Abomination.

Mention count
1
Issue count
1
First seen
August 16, 2024
Last seen
August 16, 2024
August 16, 2024 · Original source
By early 1963 it was established that the Fantastic Four, the Hulk and Spider-man all existed together within the same shared universe. But what about Ant Man,Thor and Iron Man? Aside #5: The Hulk comic in Fantastic Four #5 pretty clearly establishes that the Hulk was a fictional character in the Fantastic Four world, but there are other clues that Lee was not thinking about his characters as existing and crossing over in the early days. Both Bruce Banner (the Hulk) and Mr Fantastic fight off global alien invasions in their early issues. In both cases the stories make clear that only Bruce/Reed is smart enough to save the world. No mention is made of the OTHER scientist who saved the world from the alien invasion a few months earlier. Bringing different superheroes from their own titles together was not an idea created by Atlas/Marvel and Lee. That was likely All Star Comics #3 (December 1940) when writer Gardner Fox brought together all the major DC heroes who were not staring in their own independent titles, including Green Lantern, the Flash and Doctor Fate, to create the Justice Society of America (JSA). Batman and Superman cameoed in All Star Comics #7, but generally they were considered too popular to dilute their appearances in ensemble titles. That changed in March 1960 when DC re-launched the idea of a superteam with the Justice League of America and included all of their most popular heroes as the leads – Superman, Batman and Wonder Woman. It was immediately a top seller. The launch of JLA is likely what caused the owner of Atlas to ask Lee to create a ”superhero team comic”. Lee did not have a stable of heroes to bring together, so he had to create something entirely new – The Fantastic Four. But now that Lee DID have a collection of his own heroes AND he had the greenlight to create straightforward superhero comics, he decided to build himself his own JLA. In September 1963 Atlas published two new titles: The Avengers and the X-men. The X-men were a brand new team of all new heroes, but the Avengers were a close parallel to the Justice League. Lee took his existing collection of heroes (except the Fantastic Four and Spider-man) and created an excuse for a team-up. In the issue they individually battle Thor’s brother Loki before coming together to defeat him as a team. They decide that given they all have different powers, they should work together to be unstoppable. The entire formation of the team takes only four panels and is a little corny, but it does its job: While the Avengers were a clear copy of the Justice League, Stan Lee put his own spin on it. While the JLA superheroes all had roughly the same personality and no real inter-team conflict, Lee made his heroes very distinct – almost caricatures – and there was PLENTY of inter-team conflict. The Hulk in particular abandoned the team in the second issue and was the primary antagonist by Avengers #3. Avengers #3 (January 1964) is itself the final step in connecting all of the Marvel heroes together. The Hulk has gone missing and the rest of the team wants to find him. Iron Man uses an “Image Projector” to ask other superheroes around the world if they had seen the Hulk. He visits the Fantastic Four, Spider-man and the X-men. In that same month in Tales of Suspense, Iron Man meets Angel (one of the X-men). The cat was out of the bag. Lee had a new trick to boost sales of all of his titles and he put it to work throughout the year. The first full crossover of the Fantastic Four and the Avengers happens in May (Fantastic Four #26). Daredevil premiered in March 1964 (with Spider-man on the cover, but not in the pages), and crosses over in Amazing Spider-man #16 (September 1964). Dr Strange first appears on the cover of another title in Fantastic Four #27 (June 1964). The Avengers battle the X-men (before teaming up) in X-men #9 (Dec 1964) Atlas was no longer just a collection of comic books about various topics, or even a collection of different flavors of superhero. It was a single shared universe: The Marvel Universe. It wasn’t planned out in advance, instead it happened in stages due more to commercial rather than artistic needs. Basically Stan Lee created the most successful modern mythology because he needed the money. III. Are Silver Age Marvel Comics any good? Well, apart from Amazing Spider-man, which holds up surprisingly well, I would not recommend reading any of them. Even Spider-Man is much weaker than the Ultimate Spider-Man reboot version of the story published 2000-2011. If you wanted to read Spider-Man from the beginning you would likely enjoy that later series a lot more than the original. The other titles vary in quality from “okay” (the Fantastic Four) to “absolute garbage” (Ant Man stories in Tales to Astonish). Which begs the questions, if these comics were so bad, how did they succeed as well as they did? Clearly the comics were “good for their time”. Millions of people bought and read them, and they clearly passed the “test of time”. So does that mean that we are better today at making art than we were back then? Or is art neither better or worse, just “of its time” and people back then would think the Ultimate Spider-man stories from 2000 were unreadable? I will argue the following: The stories were “good for their time”. VERY good for their time. They were much much better than the comic book stories that preceded them, and much better than other contemporary comic book adventures (like those being published by DC)
JW

JW is a recurring organization in the Astral Codex Ten archive, appearing 1 times across 1 issues between October 10, 2022 and October 10, 2022. The archive places it in contexts such as "The highest-profile modern followers of Arian theology are the LDS and JW movements". It most often appears alongside 9-11, Adraste, America.

Reference entry
JW
Mention count
1
Issue count
1
First seen
October 10, 2022
Last seen
October 10, 2022
October 10, 2022 · Original source
Christianity without the divinity of Christ, as a person of the Triune God, is not Christianity. The highest-profile modern followers of Arian theology are the LDS and JW movements, which I'm grateful to note are pretty broadly acknowledged to be outside the pale of historic, Biblical Christianity. Confused, well-meaning adherents of these systems, I would engage warmly. Leaders who are actively seeking to lead more and more people astray with their anti-Biblical nonsense, I wouldn't mind seeing punched in some circumstances.